One hundred years later, countering cherished legends, George Collingridge dared to claim that the Portuguese had gotten to Australia first. Now VANESSA COLLINGRIDGE, his distant cousin, unravels the strange tale of history's most fascinating explorer and the man who sought to dethrone him. Collingridge charts Captain Cook's celebrated voyages: He mapped the Pacific islands, circumnavigated Antarctica, charted New Zealand, and discovered the New Hebrides and Australia, curing scurvy along the way. He was shipwrecked on the Great Barrier Reef, cruised with sails frozen amid two-hundred-foot-tall icebergs, struggled to keep his crew from losing battles with alcohol and Polynesian women, and somehow managed to stay one step ahead of competing French and Spanish explorers. Over his twenty-one years of adventure--until his murder on a beach in Kealakekua Bay in Hawaii in 1779--Cook changed the Western map of the world. Or so schoolchildren were taught. In 1883 British aristocrat George Collingridge sailed Down Under in search of adventure--and came across maps of Australia dated 1542 and 1546, drawn in northern France but based on Portuguese originals, suggesting that Cook was not the first to reach Australia. This proposal would prove Collingridge's undoing--and yet it is a controversy that lives on.

    If you thought the 2019 election was just about a death tax that didn’t exist, you’re in for a surprise.From the dark arts of the dirt units to the role of billionaire Clive Palmer, this is the untold story of an election debacle. The Labor Party was the unbeatable favourite to win the 2019 election right up until the polls closed and voters delivered the surprise verdict. If the results staggered pundits, they also shocked Bill Shorten and his frontbench, who had spent the final weeks of the campaign carefully planning for their first days in office.Party Animals uncovers the secret history of a Labor fiasco, the untold story behind Scott Morrison’s miracle

    These monuments, built between the ninth and 15th centuries, the classic period of Khmer art, are unrivaled in architect

    Men come back and spend the rest of their lives trying to find out who they are ..." - Harry Whiteside, who served with the SAS and the Royal Australian Regiment in Vietnam."Surely God weeps," an Australian soldier wrote in despair of the conflict in Vietnam.But no God intervened to shorten the years of carnage and devastation in this most controversial of wars.Seen as the last "hot" frontline of the Cold War, the ten-year struggle in the rice paddies and jungles of South Vietnam unleashed the most devastating firepower on the Vietnamese nation and visited terrible harm on civilians and soldiers.Yet the Australian forces applied tactics that were very different from those of the Americans. Guided by their commanders" experience of jungle combat, Australian troops operated with stealth, deception and restraint in pursuing a "better war".Drawing on hundreds of accounts by soldiers, politicians, aid workers, entertainers and the Vietnamese people, Paul Ham reconstructs for the first time the full history of our longest military campaign.From the commitment to engage, through the fight over conscription and the rise of the anti-war movement, to the tactics and horror of the battlefield, Ham exhumes the truth about this politicians" war - which sealed the fate of 50,000 Australian servicemen and women.More than 500 soldiers were killed and thousands wounded. Those who made it home returned to a hostile and ignorant country and a reception that scarred them forever.This is their story. Paul Ham′s Vietnam: The Australian War was awarded the Australian History Prize at the 2008 NSW Premier′s Awards. The judges praised Ham for his comprehensive approach to Australia′s involvement in the Vietnam War and his ability to communicate with both specialist and general readers. They said:′A significant number of books have appeared over the past decade or so focusing on Australia′s involvement in World War I, World War II, the Korean and Vietnam Wars ... What distinguishes Paul Ham′s book is the comprehensive nature of its approach, which encompasses the political and military history of Australia′s involvement in Vietnam as well as the domestic social and cultural context. It is also a book that tells the human side of the war ... It is a beautifully told story of human frailty, of the shortcomings and lack of vision of those political leaders who committed Australian troops to Vietnam; and of the narrow-minded ideologies that drove some of those who opposed the war. It is a wonderful narrative, reflecting an extraordinary knowledge of the subject, which convincingly demonstrates the important role the Vietnam War played in shaping Australia′s history.′

    More than a hundred years later the British convict settlements on the east coast were still marked by misery: the harshness of a prison society, where “excessive tyranny each day prevails”. Material growth was bought slowly and painfully by the forced labour of prisoners whose defiance might be punished by a thousand lashes. What lies between these beginnings and the wellfed Australian surfriders who gaze proudly into the 1970s? Manning Clark sees in the story of Australia not only the surface of progress, but also the debates and struggles which lie behind the smiling compromises of Australian society today. He discusses the decision to send Australian troops to Vietnam, and the British government’s intended withdrawal from SouthEast Asia. Andhe celebrates the recent achievement of Australian artists such as Sidney Nolan, Judith Wright and Patrick White.

    In seven separate sketches, he presents his picture of a man whose life is the key to his creation.

    Terrifying tsunamis, corpse-robbing morgue staff, killer cops, neo-Nazis, power junkies and bumbling SWOS teams electrify this epic tale of a city with a cold vacuum for a moral core. This book drills beneath the cover story of a successful multicultural metropolis and melts the boundaries between past and present to reveal a ghost city beneath the surface of a concrete and glass. In this alternative history of Sydney, the yawning chasm between the megarich and the lumpen masses is as evident in the insane wealth of the new elites as it was in the head-spinning rapacity of the NSW Rum Corps. This is a city shattered by the nexus between government, big money and the underworld, where the glittering prizes go to the strong, not the just. 'Leviathan' creates a rich portrait of a city too dazzled by its own gorgeous reflection to care much for what lies at its dark, corrupted heart. Illuminated by wild flashes of black humour, violent, ghoulish and utterly compelling, this is history for the Tarantino generation.

    It was by far the most intense frontier conflict in Australia’s history, yet many Australians know little about it. The Black War takes a unique approach to this historic event, looking chiefly at the experiences and attitudes of those who took part in the conflict. By contrasting the perspectives of colonists and Aborigines, Nicholas Clements takes a deeply human look at the events that led to the shocking violence and tragedy of the war, detailing raw personal accounts that shed light on the tribes, families, and individuals involved as they struggled to survive in their turbulent world. The Black War presents a compelling and challenging view of Australia’s early contact history, the legacy of which reverberates strongly to the present day.

    Introducing art in its international context, this accessible book explores core issues about how art is made, interpreted, and displayed, without any of the unnecessary terminology. Divided into themes, A Short Book About Art presents new ways of thinking about the relationship between artists and their work, as well as fresh comparisons between works of art from different periods and places. Thought-provoking and stimulating, it is the ideal companion for anyone who wants to learn about art without a dictionary in their hands.

    In the process, King refashions old stories about historical events and figures, takes a sideways look at film and pop culture, relates his own complex experiences with activism, and articulates a deep and revolutionary understanding of the cumulative effects of ever-shifting laws and treaties on Native peoples and lands.This is a book both timeless and timely, burnished with anger but tempered by wit, and ultimately a hard-won offering of hope—a sometimes inconvenient, but nonetheless indispensable account for all of us, Indian and non-Indian alike, seeking to understand how we might tell a new story for the future.

    Packed with wonderfully entertaining and often outrageous speculations about the nature of art, truth, and value, the world-renowned art forger--who died mysteriously before this book was published--details secrets of his techniques.

    He constructs the story like a detective novel, putting pieces of clues together to form the whole puzzle and he makes an incredibly exciting job of it. He writes for the lay reader but he is far from condescening. His language is a joy to read. I agree with BlairBurton that the book is wildly entertaining but I resented his reference to the author as 'the premier theorist of crackpot science.' Velikovsy's 'crackpot' theories are yet to be disproved and his predictions have the uncanny habit of being proved right so that the world of the scientific community is as shaky as the description of the earth in "Worlds In Collision!" Readers will find great rewards in reading all of his works and judging for themselves. While "Oedipus and Akhnaton" is the least 'scientific' of his works it is no less fascinating and eminently readable.

    But that name and, more importantly, the images it has come to suggest have endured for five centuries, not only obscuring the true identity of the original Americans but serving as an idealogical weapon in their subjugation. Now, in this brilliant and deeply disturbing reinterpretation of the American past, Robert Berkhofer has written an impressively documented account of the self-serving stereotypes Europeans and white Americans have concocted about the "Indian": Noble Savage or bloodthirsty redskin, he was deemed inferior in the light of western, Christian civilization and manipulated to its benefit. A thought-provoking and revelatory study of the absolute, seemingly ineradicable pervasiveness of white racism, The White Man's Indian is a truly important book which penetrates to the very heart of our understanding of ourselves."A splendid inquiry into, and analysis of, the process whereby white adventurers and the white middle class fabricated the Indian to their own advantage. It deserves a wide and thoughtful readership."—Chronicle of Higher Education"A compelling and definitive history...of racist preconceptions in white behavior toward native Americans."—Leo Marx, The New York Times Book Review

    A feat of craftsmanship by hereditary artisans, the samurai sword is often judged superior to the famed blades of Western Damascus and Toledo. This complete handbook reveals the lore of the samurai sword, fascinating both for owners and for the intrigued. Detailing the origins and development of the samurai sword, its historical background, styles, famous schools, and differences in construction, outlining methods of identifying and researching the sword, as well as caring for it properly.

    He made the run every fortnight and was a lifeline to the isolated settlements and stations along the way, delivering everything from letters to essential supplies.