The plan was to return eleven years later, dig the box up, and read the letters. But now, as that date approaches, much has changed. Ellie has abandoned the faith she grew up with, her days consumed with loving her little girl and trying to make ends meet. Sometimes she watches TV to catch a glimpse of her old friend Nolan, now an NBA star, whose faith is known by the entire nation. But few know that Nolan's own personal tragedies have fueled both his faith and athletic drive. Despite his success, Nolan is isolated and lonely, plagued by a void in his heart that has remained since that night beneath the old oak tree with Ellie. For both Ellie and Nolan, the coming date is more than just a childhood promise. It's the chance to make sense of it all—the chance to find out if it's ever too late to find love again.Karen Kingsbury weaves a moving tale of heart-wrenching loss, the power of faith, and the wounds that only a forever kind of love can heal. She delves deeply into a theme that resonates within us all: Hope lives for those willing to take a chance.

    It is, to begin with, a book which gives prominence to poems rather than to the poets who wrote them. It is truly international, bringing together poems not just from these islands but from many parts of the English-speaking world. It is the first book to identify a strain in the poetry of the last half-century which is characteristic of the 'strange times' we live in - an age when, as the editors note, scientific discovery itself has encouraged us to 'make free with the boundaries of realism'. It values imagination, surprise, vivid expression, the outlandish and the playful above ideology and sententiousness. It is, in short, living proof that poetry in the English language continues to thrive and to matter.

    Louis, Missouri. While rendering a complete portrait of this girl, author Ntozake Shange also profiles her friends, her family, her home, her school, and her world. This world, though a work of fiction, is based closely and carefully on actual history, specifically on the nationwide school desegregation events of the Civil Rights movement in America’s recent past. As such, Betsey Brown is a historical novel that will speak to and broaden the perspectives of readers both familiar with and unaware of America’s domestic affairs of 1950s and 1960s.Shange has set her story in the autumn of 1959, the year St. Louis started to desegregate its schools. In May of 1954, in its ruling on Brown vs. Board of Education of Topeka--a verdict now seen by many as the origin of the Civil Rights movement--the United States Supreme Court outlawed school segregation. The novel is firmly located in the wake of this landmark ruling; the plot of Shange’s novel and the history of America’s quest for integration during the Civil Rights era are fundamentally entwined. Thus textual references abound to the watershed events at Little Rock’s Central High School in the September of 1957, for example, and to "fire-bombings and burningcrosses" in the South as well as "'battalions of police and crowds of crackers'" at a demonstration in St. Louis.Betsey is the oldest child in a large, remarkable, and slightly eccentric African American family. Her father is a doctor who wakes his children each morning with point-blank questions about African history and Black culture while beating on a conga drum; her mother is a beautiful, refined, confident, and strong-willed social worker who is overwhelmed by the vast size of her young family and who cares very little for “all that nasty colored music.”Indeed, Betsey’s whole existence can be seen as a perceptive, adventuresome, and still-developing hybrid of her parents’ most distinctive qualities. Her feelings of internal conflict are often clearer or easier to identify when seen as the collision of her father’s dreams and her mother’s manners, or her father’s music and her mother’s cosmetics. There are several fascinating characters in this novel—and encountering, describing, and trying to figure out these characters will appeal to students of all backgrounds—but the two characters who, after Betsey, most influence the directions, themes, and issues of this tale are Betsey’s mother and father, Jane and Greer. Their her parents' difficult marriage, like the difficult era of desegregation that has only begun in St. Louis and the rest of America, is the realistic, conflicted, yet ultimately hopeful backdrop before which Betsey’s lip-synching, poem-reciting, soul-searching, truth-seeking, tree-climbing, and fact-finding take place. In fact, her parents' stubborn disagreements, heartfelt reconciliations, past glories, and future worries are all, at various times in the book, anchored or else set adrift by the activities of theireldest daughter (and first teenager!). Betsey’s running away sends her parents into a vicious fight, while her subsequent return seems to bring them closer together (if only temporarily).As a novel, Betsey Brown is panoramic yet personal. It tells us what being a Black student in the early days of American desegregation was like by showing us what being Betsey Brown is like. This is an episodic, character-driven saga of the Black experience in St. Louis at the end of the “Fabulous Fifties,” but it is also a story about the many and various—and basically familiar—growing pains of a precocious, passionate, spunky young protagonist. We see Betsey fall in love; make friends; say prayers; argue with, look after, inspire, and ignore her younger siblings; run away from home; return to those who love and value her above all else; and switch from a school she knows and enjoys to a school on the other side of town where she is a minority and an outcast. We see Betsey outside the very door of her womanhood, we are told all about the steps and path that have brought her to this door, and we are left to wonder at what she will find beyond it.

    He has just made too many mistakes over the course of their decades of marriage. Deep down, she still loves her husband, but stubborn pride eats away at the short time they have left to make amends.

    Then news of his estranged brother’s death forces a return to Maybee, Illinois, the hometown Rowan left in the dust years ago. Rowan’s plan? Dart in for the funeral, support his mother, then disappear just as quickly. Things to avoid? Margot Beckett, his childhood sweetheart, and Skid Hall, his former best friend who stole Margot and married her. Together, they’ve become the town’s “it” couple.Unfortunately, as Rowan’s flash visit spirals beyond his control, he must face everything he’s dodged for too long. The woman he can’t have. The memory of the brother he thought he knew. His own dwindling prospects back in Philadelphia.But Rowan also starts to see things more clearly—what’s worth fighting for, what he can let go of, how long he can keep running, and if maybe Maybee can be home again.

    In fact, he now spends his days crashing funerals for the free food and insight into the Great Beyond. Then he meets Rosamond, a nun playing hooky from the Holy Orders. Hayden is smitten the instant her heavy silver cross smacks him in the face when she leaps up to do the wave at a ball game. Luckily, Rosamond has picked the right person to teach her how to live . . . and to love—because nobody does both better than Hayden MacBride.However, Rosamond’s years in the convent have not prepared her for the oddball characters of Hayden’s world. There’s his ever-fretful, vigilant daughter, Diana, the “Dutchess o’ the Sidelong Glance”; his sweet grandson Joey, struggling to break free of his mother’s overprotective embrace; Hayden’s bagpipe-blowing cronies; the Greyfriars Gang; neighbor Bobbie Anne, a “working girl” full of good advice and tender mercies; and Hank, the sexy architect contemplating the priesthood—a big mistake in Hayden’s book. For Hayden thinks that Hank should be married to his daughter and raising Joey. And he has an elaborate plan to make Hank see things his way. . . .In an uproariously funny novel of love, laughter, and one man’s final call at the riotous watering hole called life, Laura Pedersen proves that miracles are all around us—when we open our eyes and our hearts to embrace them.

    They?ve never been afraid to share everything about their lives and definitely keep each other's secrets ? including hiding Dana's On-The-DL affair from her husband, Jonathan. Though Sylvia is uncomfortable with her participation in the cover-up and despises the man Dana's creepin? with, she remains a loyal friend. That is, until she finds herself attracted to the very man her friend is deceiving. As the lines of friendship and matrimonial territory erodes, all hell is about to break loose! Choices have to be made with serious repercussions at stake. If loving you is wrong, I don?t wanna be right!

    The women of Swandyke trust and depend on Gracy, and most couldn't imagine getting through pregnancy and labor without her by their sides.But everything changes when a baby is found dead...and the evidence points to Gracy as the murderer.She didn't commit the crime, but clearing her name isn't so easy when her innocence is not quite as simple, either. She knows things, and that's dangerous. Invited into her neighbors' homes during their most intimate and vulnerable times, she can't help what she sees and hears. A woman sometimes says things in the birthing bed, when life and death seem suspended within the same moment. Gracy has always tucked those revelations away, even the confessions that have cast shadows on her heart.With her friends taking sides and a trial looming, Gracy must decide whether it's worth risking everything to prove her innocence. And she knows that her years of discretion may simply demand too high a price now...especially since she's been keeping more than a few dark secrets of her own.With Sandra Dallas's incomparable gift for creating a sense of time and place and characters that capture your heart, The Last Midwife tells the story of family, community, and the secrets that can destroy and unite them.

    Each emotion here is deft and delicate, resting inside of imagery heavy enough to sink the heart, while giving the body wings to soar.

    They may not cause white folks to treat her like a human being, but at least they show she is free. She trusts in those words she cannot read–as she is beginning to trust in Davey Carson, an Irish immigrant cattleman who wants her to come west with him.Nancy Hawkins is loathe to leave her settled life for the treacherous journey by wagon train, but she is so deeply in love with her husband that she knows she will follow him anywhere–even when the trek exacts a terrible cost.Betsy is a Kalapuya Indian, the last remnant of a once proud tribe in the Willamette Valley in Oregon territory. She spends her time trying to impart the wisdom and ways of her people to her grandson. But she will soon have another person to care for.As season turns to season, suspicion turns to friendship, and fear turns to courage, three spirited women will discover what it means to be truly free in a land that makes promises it cannot fulfill.Based on a true story.

    Over the course of a year, each of these women’s lives becomes intertwined, both through the books they read and the real-life stories they tell.Inspired by a shared desire for conversation, a good book and a glass of wine, Clare, Harriet, Nicole, Polly and Susan undergo startling revelations and transformations despite their difference in background, age and respective dilemmas.In The Reading Group, Noble reveals the many complicated paths in life we all face as well as the power and importance of friendship.

    The shock of her death dramatically changes the lives of her daughter, troubled sister, and husband. . . . Told in the voices of several of the main characters and skipping back and forth in time, the narrative gradually and tantalizingly reveals the dark family secrets and the unsettling discoveries that lead to the truth of what actually happened the night of the drowning. . . .

    Irresistible stories of love and fidelity, mystery and unexpected lives from some of the bestselling authors writing today, including Kate Mosse, Cathy Kelly and Ian Rankin.Published in conjunction with Woman & Home and Breast Cancer Care, this collection of terrific short stories includes many of the top names in fiction writing today: Fanny Blake, Fern Britton, Elizabeth Buchan, Tracy Chevalier, Jenny Colgan, R J Ellory, Julia Gregson, Tessa Hadley, Maeve Haran, Veronica Henry, Victoria Hislop, Eowyn Ivey, Cathy Kelly, Erin Kelly, Deborah Lawrenson, Kathy Lette, Lesley Lokko, Jill Mansell, Val McDermid, Kate Mosse, Jojo Moyes, Adele Parks, Nicky Pellegrino, Ian Rankin, newcomer Cara Ross, Penny Vincenzi and Katherine Webb.

    Kip, a dreamer and swaggerer prone to small-time trouble, enlists to fight in Vietnam; Jeannie finds a seemingly safe haven in early marriage and motherhood. But when Kip is accused of a terrible military crime, Jeannie is seduced - sexually, emotionally, politically - into joining an ambiguous anti-war organization. As Jeannie attempts to save her brother, her search for the truth leads her into two relationships, with a troubled young woman, and a grievously-wounded veteran, that might threaten her marriage, her child, and perhaps her life.

    Now that Sparrow, her ward, has reached nine years of age, she reckons he needs a male role model in his life. With typical efficiency she sets about finding a father-figure by drawing up a series of checklists for each candidate, and following a strict protocol for interviewing them.So far, all the contenders have failed miserably to get enough ticks in the right boxes. But Ferne is focused and nothing is going to stop her from fulfilling her responsibilities…...except maybe a saboteur out to wreck her business; drunken neighbours; her unfortunate past from which it is so difficult to escape; her estranged mother; long-lost sister; and her Jack Russell, Merrie, who is not above galloping over and nipping any prospective role models she thinks Will Not Do.Katie Fforde (best-selling rom com author and President of the Romantic Novelists' Association) said of 'All His Own Hair': 'Susan Alison handles difficult issues with quirky humour and uplifting results.'(To give you some idea of length - 'White Lies and Custard Creams' is 83,700 words long and 'All His Own Hair' is 87,300 words long.)Susan Alison is the Katie Fforde Bursary Award winner for 2011. She has won competition awards for short fiction and sold numerous stories to commercial publications. Her fiction concentrates on the relationships humans forge with each other (and quite often with their dogs). She is a freelance artist.Jill Mansell (best-selling rom com author) said of 'White Lies and Custard Creams': "Susan Alison has written a lovely, quirky romp packed with off-the-wall characters - original, intriguing and great fun!"