Eric Jaffe captures the progress of people and culture along the road through four centuries, from its earliest days as the king of England’s “best highway” to the current era. Centuries before the telephone, radio, or Internet, the Boston Post Road was the primary conduit of America’s prosperity and growth. News, rumor, political intrigue, financial transactions, and personal missives traveled with increasing rapidity, as did people from every walk of life.From post riders bearing the alarms of revolution, to coaches carrying George Washington on his first presidential tour, to railroads transporting soldiers to the Civil War, the Boston Post Road has been essential to the political, economic, and social development of the United States. Continuously raised, improved, rerouted, and widened for faster and heavier traffic, the road played a key role in the advent of newspapers, stagecoach travel, textiles, mass-produced bicycles and guns,  commuter railroads, automobiles—even Manhattan’s modern grid. Many famous Americans traveled the highway, and it drew the keen attention of such diverse personages as Benjamin Franklin, Franklin D. Roosevelt, P. T. Barnum, J. P. Morgan, and Robert Moses. Eric Jaffe weaves this entertaining narrative with a historian’s eye for detail and a journalist’s flair for storytelling. A cast of historical figures, celebrated and unknown alike, tells the lost tale of this road.Revolutionary printer William Goddard created a postal network that united the colonies against the throne. General Washington struggled to hold the highway during the battle for Manhattan. Levi Pease convinced Americans to travel by stagecoach until, half a century later, Nathan Hale convinced them to go by train. Abe Lincoln, still a dark-horse candidate in early 1860, embarked on a railroad speaking tour along the route that clinched the presidency. Bomb builder Lester Barlow, inspired by the Post Road’s notorious traffic, nearly sold Congress on a national system of expressways twenty-five years before the Interstate Highway Act of 1956. Based on extensive travels of the highway, interviews with people living up and down the road, and primary sources unearthed from the great libraries between New York City and Boston—including letters, maps, contemporaneous newspapers, and long-forgotten government documents—The King’s Best Highway is a delightful read for American history buffs and lovers of narrative everywhere.

    His neighbor is Rat Scabies, former drummer with the Damned, best noted for setting his drums on fire while still playing them at a live concert. Life with Rat as a neighbor isn't run-of-the-mill, but things turn even stranger when Rat announces that he (and Christopher) are going on a search for the Holy Grail. The saga begins in Rennes-le-Chateau in France, where in 1891 a local priest discovered a treasure whose mystery remains unsolved. Once Christopher and Rat have written a list of things to do ("Buy metal detectors!"), they need only unravel a tale involving the Cathars, the Knights Templar, the Man in the Iron Mask, and Louis XIV—and along the way, visit Paris, Rome, Glastonbury, and Tintagel—and perhaps join the Masons (Rat thinks they know something). The legend of the Holy Grail is far from unknown, but this is the first time the quest has been given the punk rock treatment. Rat Scabies and the Holy Grail is a psychedelic, Pythonesque road trip, a testimony to the sometimes odd nature of friendship, and a rich historical yarn.

    Rockin' in Time intrigues students by providing a social history of Rock and Roll music and explaining its influence. Story: This book was written to address an area that seldom has been discussed. Rather than a compellation of the many bands in rock history or a guide to teach the musical notation of rock, this book uncovers the reasons for the various trends and types of rock and roll. It places rock and roll in the context of the social issues that surround and shape it, dealing with the influence on rock music of such trends as technological advances, the development of the music business, demographic change and the baby boom, economic shifts, and the civil rights movement.

    With winds estimated at over 225 miles per hour, it was the first recorded Category 5 hurricane to make landfall in the United States.Striking at a time before storms were named, the catastrophic tropical cyclone became known as the 1935 Labor Day Hurricane, and its aftermath was felt all the way to Washington, D.C. In the hardest hit area of the Florida Keys, three out of every five residents were killed, while hundreds of World War I veterans sent there by the federal government perished.By sifting through overlooked official records and interviewing survivors and the relatives of victims, Thomas Knowles pieces together this dramatic story, moment by horrifying moment. He explains what daily life was like on the Keys, why the veteran work force was there (and relatively unprotected), the state of weather forecasting at the time, the activities of the media covering the disaster, and the actions of government agencies in the face of severe criticism over their response to the disaster.The Labor Day Hurricane of 1935 remains one of the most intense to strike America's shores. Category 5 is a sobering reminder that even with modern meteorological tools and emergency management systems, a similar storm could cause even more death and destruction today.

    They are all amazing characters who manage to carry a deep knowledge of their chosen species within a distinctly quirky shell. Other animals making an appearance include otters , house sparrows, robins , owls, bats, badgers, dolphins, toads, dragonflies, moths, foxes and adders.Hugh Warwick, animal enthusiast and hedgehog fanatic, writes a series of affectionate and quirky homages to the animals of the British Isles, composed of fieldwork and interviews with the people who love and conserve them.

    It was an attempt to give a narrative to music that used the tools of rock but did something utterly different with it, broadening its scope by fusing elements of punk, dub, electronic music, minimalism, and more into something wholly new.Post-rock is an anti-genre, impossible to fence in. Elevating texture over riff and ambiance over traditional rock hierarchies, its exponents used ideas of space and deconstruction to create music of enormous power. From Slint to Talk Talk, Bark Psychosis to Godspeed You! Black Emperor, Tortoise to Fridge, Mogwai to Sigur Ros, the pioneers of post-rock are unified by an open-minded ambition that has proven hugely influential on everything from mainstream rock records to Hollywood soundtracks and beyond.'The doors were blown open for me on everything,' says Kieran Hebden (Fridge/Four Tet). 'I didn't think in terms of genre almost ever again.'Drawing on dozens of new interviews and packed full of stories never before told, FEARLESS explores how the strands of post-rock entwined, frayed, and created one of the most diverse bodies of music ever to huddle under one name.

    The book is going to search for the deeper roots of American cultural and musical evolution for the past 150 years by studying what the Western European culture learned from African American culture in a historical progression that reaches from the minstrel era to Bob Dylan. The book begins with America’s first great social critic, Henry David Thoreau, and his fundamental source of social philosophy:---his profound commitment to freedom, to abolitionism and to African-American culture. Continuing with Mark Twain, through whom we can observe the rise of minstrelsy, which he embraced, and his subversive satirical masterpiece Huckleberry Finn. While familiar, the book places them into a newly articulated historical reference that shines new light and reveals a progression that is much greater than the sum of its individual parts. As the first post-Civil War generation of black Americans came of age, they introduced into the national culture a trio of musical forms—ragtime, blues, and jazz— that would, with their derivations, dominate popular music to this day. Ragtime introduced syncopation and become the cutting edge of the modern 20th century with popular dances. The blues would combine with syncopation and improvisation and create jazz. Maturing at the hands of Louis Armstrong, it would soon attract a cluster of young white musicians who came to be known as the Austin High Gang, who fell in love with black music and were inspired to play it themselves. In the process, they developed a liberating respect for the diversity of their city and country, which they did not see as exotic, but rather as art. It was not long before these young white rebels were the masters of American pop music – big band Swing.As Bop succeeded Swing, and Rhythm and Blues followed, each had white followers like the Beat writers and the first young rock and rollers. Even popular white genres like the country music of Jimmy Rodgers and the Carter Family reflected significant black influence. In fact, the theoretical separation of American music by race is not accurate. This biracial fusion achieved an apotheosis in the early work of Bob Dylan, born and raised at the northern end of the same Mississippi River and Highway 61 that had been the birthplace of much of the black music he would study. As the book reveals, the connection that began with Thoreau and continued for over 100 years was a cultural evolution where, at first individuals, and then larger portions of society, absorbed the culture of those at the absolute bottom of the power structure, the slaves and their descendants, and realized that they themselves were not free.

    It was formed from the astonishing number of secrets held by the government and the growing ranks of secret-keepers given charge over them. The government secrecy industry speaks in a private language of codes and acronyms, and follows an arcane set of rules and customs designed to perpetuate itself, repel penetration, and deflect oversight. It justifies itself with the assertion that the American values worth preserving are often best sustained by subterfuge and deception.There are indications that this deep state is crumbling. Necessary secrets are often impossible to keep, while frivolous secrets are kept forever. The entire system has fallen prey to political manipulation, with leaks carefully timed to advance agendas, and over-classification given to indefensible government activities.DEEP STATE: INSIDE THE GOVERNMENT SECRECY INDUSTRY, written by two of the country’s most respected national security journalists, disassembles the secrecy apparatus of the United States and examines real-world trends that ought to trouble everyone from the most aggressive hawk to the fiercest civil libertarian. The book:- Provides the fullest account to date of the National Security Agency’s controversial surveillance program first spun up in the dark days after 9/11.- Examines President Obama’s attempt to reconcile his instincts as a liberal with the realities of executive power, and his use of the state secrets doctrine.- Exposes how the public’s ubiquitous access to information has been the secrecy industry’s toughest opponent to date, and provides a full account of how WikiLeaks and other “sunlight” organizations are changing the government’s approach to handling sensitive information, for better and worse.- Explains how the increased exposure of secrets affects everything from Congressional budgets to Area 51, from SEAL Team Six and Delta Force to the FBI, CIA, and NSA.- Assesses whether the formal and informal mechanisms put in place to protect citizens from abuses by the American deep state work, and how they might be reformed.DEEP STATE: INSIDE THE GOVERNMENT SECRECY INDUSTRY IS based on the authors’ insatiable curiosity for the ground truth and layered on a foundation of original and historical research as well as unprecedented access to lawmakers, intelligence agency heads, White House officials, and secret program managers. It draws on thousands of recently declassified documents and candid interviews with more than 100 military, industry, and government officials.By the bestselling authors of THE COMMAND: DEEP INSIDE THE PRESIDENT’S SECRET ARMY: Marc Ambinder, editor at large at The Week, contributing editor at GQ and The Atlantic, who has covered Washington for CBS News and ABC News; and D.B. Grady, a correspondent for The Atlantic, national security columnist for The Week, and former U.S. Army paratrooper and Afghanistan veteran.