His sequel to H. P. Lovecraft's 'The Hound' is especially delicious. This is a wonderful book, highly recommended!” —W. H. Pugmire “Richard Gavin is one of the bright new stars in contemporary weird fiction. His richly textured style, deft character portrayal, and powerful horrific conceptions make every one of his tales a pleasure to read.” —S. T. Joshi “If you hear some in Kadath saying, ‘Numinous,’ ‘Terrifying,’ or ‘Beautiful,’ they are either talking about the Northern Lights or the work of Richard Gavin. Canada? They’re calling it Canada now? Whatever.” —Don Webb Canadian author Richard Gavin has established himself as a leading contemporary writer of weird fiction. His richly nuanced prose style, his imaginative range, and his shrewdness in the portrayal of character and domestic conflict make his tales far more than mere shudder-coining. In this fourth collection of short stories and novelettes, Gavin again casts a wide imaginative net, from haunted Canadian woodlands to the carnivorous mesas of the American frontier, from Lovecraft’s New England to the spirit traditions of Japan. Of the dozen stories included in this book, eight are previously unpublished—a rich new feast of terror for devotees of a writer who works in the tradition of Poe, Machen, Blackwood, and Ligotti. Richard Gavin is the author of three previous short story collections, Charnel Wine (2004), Omens (2007), and The Darkly Splendid Realm (2009). Gavin lives in Ontario, Canada, with his beloved wife and their brood.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    Here, from Mark Samuels, the author of Glyphotech and Other Macabre Processes and modern exemplar of mystical horror, is a collection of tales that forms a veritable Rosetta Stone for scholars of cosmic wonder and terror.

     Contents: Loveliness Like a Shadow An Infestation of Stars Corporautolysis No One is Sleeping in this World Making Snakes The Ocean is Eating Our Graves This Fragmented Body Tellurian Façade Film Maudit A Plague of Naked Movie Stars Scarcely Have They Been Planted Intaglios Alectryomancer

    Where nature rubs against small towns, in mountains and woods and bedrooms, here is strangeness seen through a poet’s eye.They say there are always greener pastures. These stories consider the cost of that promise.

    Placed together within the same cover for the first time, a theme emerges from the tales that binds and unites them–and it is signaled in the title of the book.“These are stories of betrayal,” author John Langan confirms.Apart from this thread, the stories are otherwise quite distinct from each other in terms of their characters, plots, settings, themes and even varieties of horror.There’s “In Paris in the Mount of Kronos,” a snappy, neo-noirish, action packed Laird Barron-esque encounter with ancient malevolent forces; the dark, character-driven relationship dramas of “The Third Always Beside You” and “Renfrew’s Course”; the vaguely Lovecraftian horrors of “Bloom”; the atmospheric steampunk weirdness in the form of “The Unbearable Proximity of Mr. Dunn’s Balloons”; and apocalyptic surrealism in “Bos Uros”.Finally, the title novella, Sefira, is about a woman who is chasing a succubus across the United States, while the novelette At Home in the Devil’s House offers a new, nightmarish concept of Hell.Sefira and Other Betrayals contains stories previously published in such prestigious anthologies as Supernatural Noir, Blood and Other Cravings, Ghosts by Gaslight, Black Wings 2, Shadows Edge and others, and includes one original novella, Sefira, and an original novelette, At Home in the Devil’s House.(from Rue Morgue Magazine review)

    Laird Barron’s fourth collection gathers a dozen stories set against the backdrops of the Alaskan wilderness, far-future dystopias, and giallo-fueled nightmare vistas.All hell breaks loose in a massive apartment complex when a modern day Jack the Ripper strikes under cover of a blizzard; a woman, famous for surviving a massacre, hits the road to flee the limelight and finds her misadventures have only begun; while tracking a missing B-movie actor, a team of man hunters crashes in the Yukon Delta and soon realize the Arctic is another name for hell; an atomic-powered cyborg war dog loyally assists his master in the overthrow of a far-future dystopian empire; following an occult initiation ritual, a man is stalked by a psychopathic sorority girl and her team of horrifically disfigured henchmen; a rich lunatic invites several high school classmates to his mansion for a night of sex, drugs, and CIA-funded black ops experiments; and other glimpses into occulted realities a razor’s slice beyond our own.

    The cycle of narratives that includes the title work of this collection, for instance, introduces readers to a freakish community of artists who encounter demonic perils that ultimately engulf their lives. These are selected examples of the forbidding array of persons and places that compose the mesmerizing fiction of Thomas Ligotti.

    With themes reminiscent of Shirley Jackson, Thomas Ligotti, and Bruno Schulz, but with a strikingly unique vision, Padgett's work explores the mystery of human suffering, the agony of personal existence, and the ghastly means by which someone might achieve salvation from both. A bullied child seeks vengeance within a bed's hollow box spring. A lucid dreamer is haunted by an impossible house. A dummy reveals its own anatomy in 20 simple steps. A stuttering librarian holds the key to a mill town's unspeakable secrets. A commuter's worldview is shattered by two words printed on a cardboard sign. An aspiring ventriloquist spends a little too much time looking at himself in a mirror. And a presence speaks through them all. Contents: Introduction by Matt Cardin The Mindfulness of Horror Practice Murmurs of a Voice Foreknown The Indoor Swamp Origami Dreams 20 Simple Steps to Ventriloquism Infusorium Organ Void The Secret of VentriloquismEscape to Thin Mountain

    These Things have always been here. They predate you. They will outlast you. This book pays tribute to those Things. For We are the Children of Old Leech...and we love you.

    Sinister old men in topcoats gathered at corners and in playgrounds. A long-dead sorcerer returning to obscene life in the form of an old buck goat. Welcome to Leeds, Massachusetts, where the drowned walk, where winged leeches blast angry static, where black magic casts a shadow over a cringing populace. You've tuned in to WXXT. The fracture in the stanchion. The drop of blood in your morning milk. The viper in the veins of the Pioneer Valley.

    "A sprawling treatise of the macabre" in short stories, novelettes, and novellas.

    Snyder, Tim Curran, Pete Rawlik, Sam Gafford, Christine Morgan, Cody Goodfellow and many more, Return of the Old Ones: Apocalyptic Lovecraftian Horror continues the Dark Regions Weird Fiction line with 19 original stories from some of the best authors in Lovecraftian horror and weird fiction today. Return of the Old Ones will only have one signed edition (deluxe slipcased hardcover) and will feature a similar stamp design to the popular Cthulhu head stamping featured on the World War Cthulhu hardcovers. It will be signed by all contributors and will feature the original color cover artwork by Vincent Chong as color end sheets.

    Kiernan, Brian Stableford, Ramsey Campbell, Michael Shea, Darrell Schweitzer, Donald R. Burleson, and David J. Schow delve deep into the psyche, expanding on concepts H.P. Lovecraft created and taking them in new directions. The result is stories that are wholly original, some even featuring Lovecraft himself as a character. Black Wings editor S.T. Joshi is the recognized authority on all things Lovecraftian, and is famous for his restorations of Lovecraft's original works. He has assembled a star-studded line-up in a book that is essential for every horror library.  Including:  Pickman's Other Model - Caitlín R. Kiernan  Desert Dreams - Donald R. Burleson  Engravings - Joseph S. Pulver, Sr.  Copping Squid - Michael Shea  Passing Spirits - Sam Gafford  The Broadsword - Laird Barron  Usurped - William Browning Spencer  Denker's Book - Davd J. Schow  Inhabitants of Wraithwood - W.H Pugmire  The Dome - Mollie L. Burleson  Rotterdam - Nicholas Royle  Tempting Providence - Jonathan Thomas  Howling in the Dark - Darrell Schweitzer  The Truth About Pickman - Brian Stableford  Tunnells - Philip Haldeman  The Correspondence of Cameron Thaddeus Nash - Annotated by Ramsey Campbell  Violence, Child of Trust - Michael Cisco  Lesser Demons - Norman Partridge  An Eldritch Matter - Adam Niswander  Substitutions - Michael Marshall Smith  Susie - Jason Van Hollander

    It's the kind of place where the wrong people get hurt; hazard is everywhere and it doesn't play favorites. The complacent won't find refuge here on the threshold of the void. Nobody is safe and nothing is sacred. Enjoy the ride."– from the introduction by Laird Barron***BEHOLD THE VOID is nine stories of terror that huddle in the dark space between cosmic horror and the modern weird, between old-school hard-edged horror of the 1980's and the stylistic prose of today's literary giants.*** Praise for Behold the Void: SHORT STORY COLLECTION OF THE YEAR – This Is Horror “Fracassi…builds his horrific tales slowly and carefully…his powers of description are formidable; and he’s especially skillful at creating, and sustaining, suspense.” – The New York Times“…think vintage King at his best.” – Rue Morgue Magazine (“Dante’s Pick”) “…recalls the work of writers such as McCammon, King, and Bradbury.” – John Langan, LOCUS Magazine“With carefully drawn characters, vividly constructed situations, and deft description, Behold the Void offers the perfect blend of honest-to-goodness human nastiness and true supernatural creepiness. This is horror fiction at its best.” – Brian Evenson, author of A Collapse of Horses“Everything here is damned near perfect… a first-rate collection.” Black Static“Philip Fracassi is the next big horror writer to blow your mind. If you’re a fan of the horror genre at all, then this guy is a must-read.” – Lit Reactor“These stories are scary, yes, but more than that, they’re haunting– they get inside you and they don’t go away.” – Ben Loory, author of Tales of Falling and Flying“Fracassi’s Behold the Void is the perfect read for horror fans who expect authors to raise the bar and redefine what horror fiction means.” – Ronald Malfi, author of Bone White“Fracassi is quickly building a reputation as a superior storyteller of incredible talent…. an author we must surely now hail as a leading light in the dark field of horror fiction.” – This Is Horror