Five years later his piercing blue eyes still haunt Timmy's dreams. Laurie is haunted by more: the killer's threat to her son as he fled the scene: Tell your mother she's next, then it's your turn . .Now Laurie is dealing with murder again, this time as the producer of a true-crime, cold-case television show. The series will launch with the twenty-year-old unsolved murder of Betsy Powell. Betsy, a socialite, was found suffocated in her bed after a gala celebrating the graduation of her daughter and three friends. The sensational murder was news nationwide. Reopening the case in its lavish setting and with the cooperation of the surviving guests that night, Laurie is sure to have a hit on her hands. But when the estranged friends begin filming, it becomes clear each is hiding secrets . . . small and large.And a pair of blue eyes is watching events unfold, too . . .

    As Dee looks back over her time in the Master's Lodging—an eerie and ancient house—a picture of a high achieving but dysfunctional family emerges: Nick, the fiercely intelligent and powerful father; his beautiful Danish wife Mariah, pregnant with their child; and the lost little girl, Felicity, almost mute, seeing ghosts, grieving her dead mother.But is Dee telling the whole story? Is her growing friendship with the eccentric house historian, Linklater, any cause for concern? And most of all, why was Felicity silent?Roaming Oxford's secret passages and hidden graveyards, Magpie Lane explores the true meaning of family—and what it is to be denied one.

    Struggling to recover from his injuries, beginning to understand that he might never be the same man again, he takes refuge at his family's ancestral home to care for his dying uncle Hugo. Then a skull is found in the trunk of an elm tree in the garden - and as detectives close in, Toby is forced to face the possibility that his past may not be what he has always believed.The Witch Elm asks what we become, and what we're capable of, when we no longer know who we are.

    However, when questioned, Romaine informs the police that Vole returned home late that night covered in blood. During the trial, Ms. French's housekeeper, Janet, gives damning evidence against Vole and, as Romaine's cross-examination begins, her motives come under scrutiny in the courtroom. One question remains, will justice prevail?Librarian's note #1: this is the original short story. It was published in the print anthologies "The Witness for The Prosecution and Other Stories," and "The Hound of Death and Other Stories." It first appeared in "Flynn's Weekly" under the title of "Traitor Hands" in 1925. The author adapted it into a play in 1953 with additional material following the original ending, which became the basis for the 1957 film of the same name with Charles Laughton and Marlene Dietrich.

    In short order, they establish a link between the victim, Julie Stender, and her landlady, Esther de Laurenti, who’s a bit too fond of drink and the host of raucous dinner parties with her artist friends. Esther also turns out to be a budding novelist—and when Julie turns up as a murder victim in the still-unfinished mystery she’s writing, the link between fiction and real life grows both more urgent and more dangerous. But Esther’s role in this twisted scenario is not quite as clear as it first seems. Is she the culprit—or just another victim, trapped in a twisted game of vengeance? Anette and Jeppe must dig more deeply into the two women’s pasts to discover the identity of the brutal puppet-master pulling the strings in this electrifying literary thriller.

    By night, she pursues her passion for singing in the darkest clubs of Manhattan.No one knows her secret, not even Charlotte, the younger sister she practically raised. But it seems she’s not the only one in the family with something to hide. When Charlotte announces she’s sold her first novel, Ella couldn’t be more thrilled…until she gets a call that her sister’s gone missing.Ella starts investigating with the help of Detective Gabriel Velasquez, an old flame in the NYPD, and what she finds is shocking. If art imitates life, then her sister’s novel may contain details of her real-life affairs. And any one of her lovers could be involved in her disappearance.Desperate to bring Charlotte home, Ella works through her list of suspects, matching fictitious characters with flesh-and-blood men. But will it be too late to save the sister she only thought she knew?

    One catch: he’ll only do it if FBI profiler Reni Fisher, his estranged daughter, accompanies them. As hard as it is to exhume her traumatic childhood, Reni can’t say no. She still feels complicit in her father’s crimes.Perfect to play a lost little girl, Reni was the bait to lure unsuspecting women to their deaths. It’s time for closure. For her. For the families. And for Daniel. He shares Reni’s obsession with the past. Ever since he was a boy, he’s been convinced that his mother was one of Fisher’s victims.A five-hundred-mile road trip lies ahead. Thirty years of bad memories are flooding back. A master manipulator has gained their trust. For Reni and Daniel, this isn’t the end of a nightmare. It’s only the beginning.

    Thanks to a technologically advanced machine, detectives have access to the memories of the living, the dying, and the recently dead. But extracting victims’ experiences firsthand and personally reliving everything up to the final, brutal moments of their lives—the sights, the sounds, the scents, the pain—is also the punishment reserved for the criminals themselves.Barnes has had enough. Enough of the memories that aren’t his. Enough of the horror. Enough of the voices inside his head that were never meant to take root…until a masked serial killer known as Calavera strikes a little too close to home.Now, with Calavera on the loose, Barnes is ready to reconnect, risking his life—and his sanity. Because in the mind of this serial killer, there is one secret even Barnes has yet to see…