Married to Ashokasundari, the beautiful daughter of Shiva and Parvati, he was elected to be the king of heaven and then his mortal mind succumbed to the sin of pride. The stories of Nahusha are taken from the Padma Purana and the Mahabharata.

    Also included are three related works by the nineteenth- and twentieth-century writers Edgar Allan Poe, Marcel Proust, and Taha Husayn."Criticism" collects eleven wide-ranging essays on The Arabian Nights' central themes by Hugo von Hofmannsthal, Josef Horovitz, Jorge Luis Borges, Francesco Gabrieli, Mia Irene Gerhardt, Tzvetan Todorov, Andras Hamori, Heinz Grotzfield, Jerome W. Clinton, Abdelfattah Kilito, and David Pinault.A Chronology of The Arabian Nights and a Selected Bibliography are also included.

    But even goddesses are expected to follow certain rules, and as much as she wants to punish Lord Archias it seems her troublesome, all-powerful father forbids it. So the Goddess will just have to get around that by forgiving Lord Archias if he can manage some simple — or, rather, seemingly impossible — tasks. A Goddess has to do what a goddess has to do.And in World Fantasy Award winner K.J. Parker’s sharply inventive new novella Downfall of the Gods that means everything from soothing supernatural egos to accompanying the argumentative Lord Archias on an epic quest to save his soul... and get her own way. As the Goddess and her mortal charge make their way across the world to the Land of the Dead, a host of divine surprises await them. Could what they find at the end be the downfall of the gods themselves? Only time will tell. This is a story Parker fans won’t want to miss.Cover illustration by Vincent Chong

    And yet he was powerless to protect her, being crushed by the hero. But fate has more in store for him as he gets another chance to protect his master once more and try to change his destiny despite all odds.

    At least there she would be free from the garden’s magic, free to lead her own life, and free to never again think about ancient apples, or duty, or life unending. Seth Johnson's sister is losing her battle with cancer, and his parents seem to have given up on trying to save her. He cannot let her die. He will do anything to stop it including cutting a deal with a mercenary. Neither Seth nor Miriam want to be caught up in the tide of fate and feelings destined for them, but with such harshly opposing goals their worlds are bound to collide. If Miriam and Seth cannot find a way to have faith in each other this will end with the death of a beloved sister, a destroyed relationship, and the secret of immortality revealed to a pre-apocalyptic world.Pocock takes her readers to a land where myth, folklore and reality merge, where love is strong, fear runs deep, and the end of the world is coming.

    In this utopian world, women rule and men are content with their places in the kitchen. The queen of this kingdom explains how women won and kept their peace against men and their war-like ways.This edition of a feminist utopian classic is a conversation across time; Durga Bai, a contemporary tribal woman artist from Central India, brings her own vision to bear on a Muslim gentlewoman’s radical tale.

    With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems.

    But there are also tales told for pleasure about magic, treasure and adventure - even the first ever Cinderella story.

    Two lovers ruminate on the power of their photo booth stickers to keep them together. Peach-pocket Girl reads stolen love letters at a café. Pui Pui knows a Portuguese egg tart is authentic if she dreams of riding a boat-like egg tart. Each character inhabits a different corner of Hong Kong’s dreamscape; together they bring to life Dung Kai-cheung’s imaginative vision of the city.

    To save the Norse faith and himself, he embarks upon a journey, where he must confront not only his own gods but the gods of a people yet more savage."'The action sweeps across oceans and continents... As with all Watkins' work, the writing is terse and physical, the themes big and resonant.' Tatler; 'A Viking Odyssey... Thunder God vividly charts the voyages of Hakon, a fisherman's son who is struck by lightning, kidnapped by raiders, taken to Miklagard (Constantinople), where he becomes part of the Emperor's personal guard, caught up in a raid on the Welsh coast, storm-driven across the Atlantic...' The Times; 'The rich physical descriptions are matched by an equally sure understanding of the ways of religious belief... This unusual, fluent novel suggests that Watkins remains a force to be reckoned with.' Sunday Telegraph; 'A thundering good read... Watkins is a master of suspense, and his action sequences have a visceral power' Sunday Times"

    A legendary island where anything is possible, everything except telling him the truth. Black, my destiny is keeping me from revealing my true identity to you; I have to find the Emerald Tablet so we can finally be together. My dream is for enchanters and humans to live together in peace and harmony, or at least to avoid this war that is looming on the horizon. I'll go to Atlantis with my team to uncover the first clue in our quest. I’m sure my friends will be able to help me accomplish this extraordinary mission! Atlantis! Can you believe it? Will you join me on my adventure?

    He only wants to be left alone and occasionally rob the king who once betrayed him. But when assassins try to kill a young woman, Rogue gets involved. Now he is involved in a dangerous plot, and to protect the girl he must save a kingdom, a kingdom he once almost destroyed.

    In the Greek camp, another woman—Briseis—watches and waits for the war's outcome. She was queen of one of Troy's neighboring kingdoms, until Achilles, Greece's greatest warrior, sacked her city and murdered her husband and brothers. Briseis becomes Achilles's concubine, a prize of battle, and must adjust quickly in order to survive a radically different life, as one of the many conquered women who serve the Greek army. When Agamemnon, the brutal political leader of the Greek forces, demands Briseis for himself, she finds herself caught between the two most powerful of the Greeks. Achilles refuses to fight in protest, and the Greeks begin to lose ground to their Trojan opponents. Keenly observant and coolly unflinching about the daily horrors of war, Briseis finds herself in an unprecedented position, able to observe the two men driving the Greek army in what will become their final confrontation, deciding the fate not only of Briseis's people but also of the ancient world at large.Briseis is just one among thousands of women living behind the scenes in this war—the slaves and prostitutes, the nurses, the women who lay out the dead—all of them erased by history. With breathtaking historical detail and luminous prose, Pat Barker brings the teeming world of the Greek camp to vivid life. She offers nuanced, complex portraits of characters and stories familiar from mythology, which, seen from Briseis's perspective, are rife with newfound revelations. Barker's latest builds on her decades-long study of war and its impact on individual lives—and it is nothing short of magnificent.

    It opens at an almost breakneck pace, with Pharaoh deposed and killed, his wife and child in hiding, and the goddesses stirring. A secret religious order raises the Pharaoh's daughter, and she meets and falls in love with the usurper's disguised son. The climax features traditional adventure-fiction excitement (battle and torture).

    They subtly merge the world of reason with the realm of the uncanny and exemplify the period's fascination with the strange and the grotesque. They were also the inspiration for Mizoguchi Kenji's brilliant 1953 film Ugetsu.The title Ugetsu monogatari (literally "rain-moon tales") alludes to the belief that mysterious beings appear on cloudy, rainy nights and in mornings with a lingering moon. In "Shiramine," the vengeful ghost of the former emperor Sutoku reassumes the role of king; in "The Chrysanthemum Vow," a faithful revenant fulfills a promise; "The Kibitsu Cauldron" tells a tale of spirit possession; and in "The Carp of My Dreams," a man straddles the boundaries between human and animal and between the waking world and the world of dreams. The remaining stories feature demons, fiends, goblins, strange dreams, and other manifestations beyond all logic and common sense.The eerie beauty of this masterpiece owes to Akinari's masterful combination of words and phrases from Japanese classics with creatures from Chinese and Japanese fiction and lore. Along with The Tale of Genji and The Tales of the Heike, Tales of Moonlight and Rain has become a timeless work of great significance. This new translation, by a noted translator and scholar, skillfully maintains the allure and complexity of Akinari's original prose.