Leo’s bad behaviour, culminating in a car crash while under the influence—a nineteen-year-old waitress beside him—has endangered the Plumbs’ joint trust fund, or “the Nest,” as they’ve taken to calling it. The four siblings are at very different places in their lives, but all believe that this money will solve a host of self-inflicted problems and their consequences. And until Leo’s accident, they’d been mere months away from receiving it.Can Leo get the Plumbs out of this mess, as he’s always been able to do for himself before? Or will the Plumb siblings have to do without the money and the future lives they’ve envisioned? As the siblings grapple with family tensions, old histories and the significant emotional and financial cost of the accident, Sweeney introduces an unforgettable cast of supporting characters: Leo’s stalwart ex-girlfriend who now thinks that maybe, just maybe, he is capable of change; the waitress whose life was shattered in the accident and the Iraqi war veteran who falls in love with her; and a retired, grieving firefighter with a very big secret.Tender, funny and deftly written, The Nest explores what money does to relationships, what happens to our ambitions over the course of our lives, and the fraught but unbreakable ties we have with our families.

    When the eyes begin to fill with tears and the patience is long exhausted, there will appear a glimpse of something not quite seen... In this moment, an image will begin to form... in the space between what is real and what is only imagined. Can you read your future in a piece of lace? All of the Whitney women can. But the last time Towner read, it killed her sister and nearly robbed Towner of her own sanity. Vowing never to read lace again, her resolve is tested when faced with the mysterious, unsolvable disappearance of her beloved Great Aunt Eva, Salem s original Lace Reader. Told from opposing and often unreliable perspectives, the story engages the reader s own beliefs. Should we listen to Towner, who may be losing her mind for the second time? Or should we believe John Rafferty, a no nonsense New York detective, who ran away from the city to a simpler place only to find himself inextricably involved in a psychic tug of war with all three generations of Whitney women? Does either have the whole story? Or does the truth lie somewhere in the swirling pattern of the lace?(back cover)

    On the last night of 1937, twenty-five-year-old Katey Kontent is in a second-rate Greenwich Village jazz bar when Tinker Grey, a handsome banker, happens to sit down at the neighboring table. This chance encounter and its startling consequences propel Katey on a year-long journey into the upper echelons of New York society—where she will have little to rely upon other than a bracing wit and her own brand of cool nerve. With its sparkling depiction of New York’s social strata, its intricate imagery and themes, and its immensely appealing characters, Rules of Civility won the hearts of readers and critics alike.

    Not the bucolic Vermont back roads college sophomore Laurel Estabrook likes to bike. Not the savage assault she suffers toward the end of one of her rides. And certainly not Bobbie Crocker, the elderly man with a history of mental illness whom Laurel comes to know through her work at a Burlington homeless shelter in the years subsequent to the attack.In his moments of lucidity, the gentle, likable Bobbie alludes to his earlier life as a successful photographer. Laurel finds it hard to believe that this destitute, unstable man could once have chronicled the lives of musicians and celebrities, but a box of photographs and negatives discovered among Bobbie's meager possessions after his death lends credence to his tale. How could such an accomplished man have fallen on such hard times? Becoming obsessed with uncovering Bobbie's past, Laurel studies his photographs, tracking down every lead they provide into the mystery of his life before homelessness -- including links to the rich neighborhoods of her own Long Island childhood and to the earlier world of F. Scott Fitzgerald's The Great Gatsby, with its larger-than-life characters, elusive desires, and haunting sorrows.In a narrative of dazzling invention, literary ingenuity, and psychological complexity, Bohjalian engages issues of homelessness and mental illness by evoking the humanity that inhabits the core of both. At the same time, his tale is fast-paced and riveting -- The Double Bind combines the suspense of a thriller with the emotional depths of the most intimate drama. The breathtaking surprises of its final pages will leave readers stunned, overwhelmed by the poignancy of life's fleeting truths, as caught in Bobbie Crocker's photographs and in Laurel Estabrook's painful pursuit of Bobbie's past -- and her own. Behind The Double BindWhile Bobbie Crocker, the photographer in The Double Bind, is fictitious, the photographs that appear in the book are real. They were taken by a man named Bob "Soupy" Campbell, who, as Chris Bohaljian explains in his Author's Note, "had gone from photographing luminaries from the 1950s and 1960s to winding up at a homeless shelter in northern Vermont." Bohaljian's viewing of Campbell's work after the photographer's death provided an inspiration for The Double Bind. "We tend to stigmatize the homeless and blame them for their plight," Bohjalian writes. "We are oblivious to the fact that most had lives as serious as our own before everything fell apart. The photographs in this book are a testimony to that reality."

    With his sophisticated and emotionally taut plot and his shimmering prose, Johnston reveals that only in caring for one another can we save ourselves.   Four years have passed since Justin Campbell’s disappearance, a tragedy that rocked the small town of Southport, Texas. Did he run away? Was he kidnapped? Did he drown in the bay? As the Campbells search for answers, they struggle to hold what’s left of their family together.   Then, one afternoon, the impossible happens. The police call to report that Justin has been found only miles away, in the neighboring town, and, most important, he appears to be fine. Though the reunion is a miracle, Justin’s homecoming exposes the deep rifts that have diminished his family, the wounds they all carry that may never fully heal. Trying to return to normal, his parents do their best to ease Justin back into his old life. But as thick summer heat takes hold, violent storms churn in the Gulf and in the Campbells’ hearts. When a reversal of fortune lays bare the family’s greatest fears—and offers perhaps the only hope for recovery—each of them must fight to keep the ties that bind them from permanently tearing apart.

    They marry, and Eileen quickly discovers Ed doesn't aspire to the same, ever bigger, stakes in the American Dream. Eileen encourages her husband to want more: a better job, better friends, a better house, but as years pass it becomes clear that his growing reluctance is part of a deeper psychological shift. An inescapable darkness enters their lives, and Eileen and Ed and their son Connell try desperately to hold together a semblance of the reality they have known, and to preserve, against long odds, an idea they have cherished of the future. Through the Learys, novelist Matthew Thomas charts the story of the American Century, particularly the promise of domestic bliss and economic prosperity that captured hearts and minds after WWII. The result is a riveting and affecting work of art; one that reminds us that life is more than a tally of victories and defeats, that we live to love and be loved, and that we should tell each other so before the moment slips away. Epic in scope, heroic in character, masterful in prose, We Are Not Ourselves heralds the arrival of a major new talent in contemporary fiction.

    When one of her sons becomes depressed, Mary Beth focuses on him, only to be blindsided by a shocking act of violence. What happens afterwards is a testament to the power of a woman's love and determination, and to the invisible lines of hope and healing that connect one human being with another. Ultimately, as rendered in Anna Quindlen's mesmerizing prose, Every Last One" is a novel about facing every last one of the things we fear most, about finding ways to navigate a road we never intended to travel, and about living a life we never dreamed we'd have to live, but find ourselves brave enough to try.

    For company Henry has his long-divorced mother, Adele—a onetime dancer whose summer project was to teach him how to foxtrot; his hamster, Joe; and awkward Saturday-night outings to Friendly's with his estranged father and new stepfamily. As much as he tries, Henry knows that even with his jokes and his "Husband for a Day" coupon, he still can't make his emotionally fragile mother happy. Adele has a secret that makes it hard for her to leave their house, and seems to possess an irreparably broken heart.But all that changes on the Thursday before Labor Day, when a mysterious bleeding man named Frank approaches Henry and asks for a hand. Over the next five days, Henry will learn some of life's most valuable lessons: how to throw a baseball, the secret to perfect piecrust, the breathless pain of jealousy, the power of betrayal, and the importance of putting others—especially those we love—above ourselves. And the knowledge that real love is worth waiting for.In a manner evoking Ian McEwan's Atonement and Nick Hornby's About a Boy, acclaimed author Joyce Maynard weaves a beautiful, poignant tale of love, sex, adolescence, and devastating treachery as seen through the eyes of a young teenage boy—and the man he later becomes—looking back at an unexpected encounter that begins one single long, hot, life-altering weekend.

    After four harrowing years fighting on the Western Front, Tom Sherbourne returns home to take a job as the lighthouse keeper on Janus Rock, nearly half a day's journey from the coast. To this isolated island, where the supply boat comes once a season and shore leaves are granted every other year at best, Tom brings a young, bold, and loving wife, Isabel. Years later, after two miscarriages and one stillbirth, the grieving Isabel hears a baby's cries on the wind. A boat has washed up onshore carrying a dead man and a living baby. Tom, whose records as a lighthouse keeper are meticulous and whose moral principles have withstood a horrific war, wants to report the man and infant immediately. But Isabel has taken the tiny baby to her breast. Against Tom's judgment, they claim her as their own and name her Lucy. When she is two, Tom and Isabel return to the mainland and are reminded that there are other people in the world. Their choice has devastated one of them. M. L. Stedman's mesmerizing, beautifully written debut novel seduces us into accommodating Isabel's decision to keep this "gift from God." And we are swept into a story about extraordinarily compelling characters seeking to find their North Star in a world where there is no right answer, where justice for one person is another's tragic loss.

    Jenny, the mother, is in charge of lopping any small limbs off the logs with a hatchet. Wade, the father, does the stacking. The two daughters, June and May, aged nine and six, drink lemonade, swat away horseflies, bicker, and sing snatches of songs as they while away the time.But then something unimaginably shocking happens, an act so extreme it will scatter the family in every different direction.In a story told from multiple perspectives and in razor-sharp prose, we gradually learn more about this act, and the way its violence, love and memory reverberate through the life of every character in Idaho.

    It is 1875, and Ann Eliza Young has recently separated from her powerful husband, Brigham Young, prophet and leader of the Mormon Church. Expelled and an outcast, Ann Eliza embarks on a crusade to end polygamy in the United States. A rich account of a family’s polygamous history is revealed, including how a young woman became a plural wife.Soon after Ann Eliza’s story begins, a second exquisite narrative unfolds–a tale of murder involving a polygamist family in present-day Utah. Jordan Scott, a young man who was thrown out of his fundamentalist sect years earlier, must reenter the world that cast him aside in order to discover the truth behind his father’s death.And as Ann Eliza’s narrative intertwines with that of Jordan’s search, readers are pulled deeper into the mysteries of love and faith.

    and Mrs. Fang called it art.Their children called it mischief.Performance artists Caleb and Camille Fang dedicated themselves to making great art. But when an artist’s work lies in subverting normality, it can be difficult to raise well-adjusted children. Just ask Buster and Annie Fang. For as long as they can remember, they starred (unwillingly) in their parents’ madcap pieces. But now that they are grown up, the chaos of their childhood has made it difficult to cope with life outside the fishbowl of their parents’ strange world.When the lives they’ve built come crashing down, brother and sister have nowhere to go but home, where they discover that Caleb and Camille are planning one last performance -– their magnum opus -– whether the kids agree to participate or not. Soon, ambition breeds conflict, bringing the Fangs to face the difficult decision about what’s ultimately more important: their family or their art.

    The Blue Ridge Madam—built by Willa’s great-great-grandfather during Walls of Water’s heyday, and once the town’s grandest home—has stood for years as a lonely monument to misfortune and scandal. And Willa herself has long strived to build a life beyond the brooding Jackson family shadow. No easy task in a town shaped by years of tradition and the well-marked boundaries of the haves and have-nots.But Willa has lately learned that an old classmate—socialite do-gooder Paxton Osgood—of the very prominent Osgood family, has restored the Blue Ridge Madam to her former glory, with plans to open a top-flight inn. Maybe, at last, the troubled past can be laid to rest while something new and wonderful rises from its ashes. But what rises instead is a skeleton, found buried beneath the property’s lone peach tree, and certain to drag up dire consequences along with it.For the bones—those of charismatic traveling salesman Tucker Devlin, who worked his dark charms on Walls of Water seventy-five years ago—are not all that lay hidden out of sight and mind. Long-kept secrets surrounding the troubling remains have also come to light, seemingly heralded by a spate of sudden strange occurrences throughout the town.Now, thrust together in an unlikely friendship, united by a full-blooded mystery, Willa and Paxton must confront the dangerous passions and tragic betrayals that once bound their families—and uncover truths of the long-dead that have transcended time and defied the grave to touch the hearts and souls of the living.Resonant with insight into the deep and lasting power of friendship, love, and tradition, The Peach Keeper is a portrait of the unshakable bonds that—in good times and bad, from one generation to the next—endure forever.

    Twenty years later, her remains are discovered and Timothy Gleason is charged with murder. But there is no sign of the unborn child. CeeCee Wilkes knows how Genevieve Russell died, because she was there. And she also knows what happened to the missing infant, because two decades ago she made the devastating choice to raise the baby as her own. Now Timothy Gleason is facing the death penalty, and she has another choice to make. Tell the truth, and destroy her family. Or let an innocent man die in order to protect a lifetime of lies...

    Isolated at home and an outlander at school, Madeline is drawn to the enigmatic, attractive Lily and new history teacher Mr. Grierson. When Mr. Grierson is charged with possessing child pornography, the implications of his arrest deeply affect Madeline as she wrestles with her own fledgling desires and craving to belong. And then the young Gardner family moves in across the lake and Madeline finds herself welcomed into their home as a babysitter for their little boy, Paul. It seems that her life finally has purpose but with this new sense of belonging she is also drawn into secrets she doesn’t understand. Over the course of a few days, Madeline makes a set of choices that reverberate throughout her life. As she struggles to find a way out of the sequestered world into which she was born, Madeline confronts the life-and-death consequences of the things people do—and fail to do—for the people they love