The tragedy has become a local legend, but Cara has moved past her grief to have a successful career and a happy family. Pity about Anna. Recently released from incarceration, she’s struggling with addiction, guilt, and shame—a shattered life. Cara’s forgiveness seems to be the only thing that helps her pick up the pieces.But as Anna pulls herself together, her memories of that night on the bridge start to come into focus. And few of them match her sister’s.As past secrets unfold and nothing is what it seems anymore, Anna desperately searches for the truth. But what if Cara doesn’t want her to find it?

    Heming. He was the estate agent who showed you around your comfortable home, suggested a financial package, negotiated a price with the owner, and called you with the good news. The less good news is that, all these years later, he still has the key. That's absurd, you laugh. Of all the many hundreds of houses he has sold, why would he still have the key to mine? The answer is; he has the keys to them all. William Heming's most at home in a stranger's private things. He makes it his business to know all their secrets, and how they arrange their lives. His every pleasure is in his leafy community. He loves and knows every inch of it, feels nurtured by it, and would defend it - perhaps not with his life but if it came to it, with yours. Things begin to change when Mr. Hemings' obsession shifts from many people to one, and then a dead body winds up in someone's garden. For a man who is used to going unremarked, Mr. Heming's finds his natural routine becomes uncomfortably interrupted.

    It’s been seventeen years, and though desperate to start a new life with her fiancé, Hannah is compelled to question the events of her last summer at Brackenhill.When a human bone is found near the estate, Hannah is convinced it belongs to her long-lost sister. She launches her own investigation into that magical summer that ended in a nightmare. As strange happenings plague the castle, Hannah uncovers disturbing details about the past and startling realizations about her own repressed childhood memories.Fueled by guilt over her sister’s vanishing, Hannah becomes obsessed with discovering what happened all those years ago, but by the time Hannah realizes some mysteries are best left buried, it’s too late to stop digging. Overwhelmed by what she has exposed, Hannah isn’t sure her new life can survive her old ghosts.

    But crushing insomnia, terrifying night terrors and memories of that terrible night are making it impossible. If only she didn’t feel so guilty…To escape her past, Anna takes a job at a hotel on the remote Scottish island of Rum, but when seven guests join her, what started as a retreat from the world turns into a deadly nightmare.Each of the guests have a secret but one of them is lying – about who they are and why they’re on the island. There’s a murderer staying in the Bay View hotel. And they’ve set their sights on Anna.Seven strangers. Seven secrets. One deadly lie.Someone’s going to sleep and never wake up…

    But Rachel still has no idea how a foolish teenaged game turned deadly--or who replaced her soft pellet air gun with a real weapon. When a figure jumped out at her from the darkness, she fired without thinking. By the time she recognized her half-brother, Luke, it was too late. Blood bloomed around his chest . . .Rachel's horrifying dreams about that night continue. Her anxiety contributed to her divorce from Detective Cade Ryder, though he blames himself too. And now, as Rachel's high school reunion nears, she feels her imagination playing tricks on her. She's sure that there's a hint of unfamiliar cologne in the air. That someone is tailing her car. Watching her home . . .She's right to be scared. And as connections surface between a new string of murders and Luke's death, Rachel realizes there's no escaping the past. And the truth may be darker than her worst fears . . .

    But the truth can’t stay hidden for long.Emma is a loving wife, a devoted mother…and an involuntary killer. For years she’s been hiding the dead body of the teacher who seduced her as a teen.It’s a secret that might have stayed buried if only her life had been less perfect. A promotion for Emma’s husband, Alex, means they can finally move to a bigger home with their young son. But with a buyer lined up for their old house, Emma can’t leave without destroying every last trace of her final revenge…Returning to the shallow grave in the garden, she finds it empty. The body is gone.Panicked, Emma confesses to her husband. But this is only the beginning. Soon, Alex will discover things about her he’ll wish he’d learned sooner. And others he’ll long to forget.

    Then one afternoon, Evie disappears, and as a rabid, giddy panic spreads through the balmy suburban community, everyone turns to Lizzie for answers. Was Evie unhappy, troubled, or upset? Had she mentioned being followed? Would she have gotten into the car of a stranger?Compelled by curiosity, Lizzie takes up her own furtive pursuit of the truth. Haunted by dreams of her lost friend and titillated by her own new power as the center of the disappearance, Lizzie uncovers secret after secret and begins to wonder if she knew anything at all about her best friend.

    They quickly learn that there is no way out, scarcely enough food and water to go around, and eerie music plays constantly in the background of every room. There is nothing to explain their mysterious incarceration except for a few scattered clues, a strange clock with twenty-four numbers and one single hour hand, and a leather-bound sheet of rules that makes their situation all the more fatal. The House Rules: Rule one: No escape. You can’t leave, plain and simple. Try to escape and you won’t like what you find on the other side. Rule two: Make what you have last. Whatever food and water you currently find in the house is all that you will be provided with during your stay. No more will be given to you under any circumstance. Rule three: When the music stops, someone must die. The music you can all hear in the background will cease between the hour of twenty-three and twenty-four; when this happens someone must die. Failure to comply with this rule will result in everyone’s death. Rule four: Only one, and only when the music stops! One death, and only one death, must occur in the allotted time between the hour of twenty-three and twenty-four. Again, failure to comply with this rule will result in everyone’s death. We hope you have a pleasant stay, and don’t forget: Redemption is the key to escape.

    Minutes from the city, affluent without pretension, low crime with a friendly vibe—it’s everything Kat never had, and that she’s determined to provide for her infant daughter. Snagging a nice bungalow in this exclusive enclave was worth all the sacrifice. But everything changes overnight when Kat finds a scrawled note outside their front door.That wasn’t very neighborly of you.As increasingly sinister and frighteningly personal notes arrive, each one stabs deeper into the heart of Kat’s insecurities, paranoia, and most troubling, her past. When the neighbors who seemed so perfect reveal their open secret, the menace moves beyond mean notes. Someone’s raising the stakes.As suspicious as she is of every smiling face and as terrified as she’s become of being found out, Kat is still unprepared for the sharp turn that lies just ahead of her on Bayberry Lane.

    Alice, once a singer in a well-known rock band, is now a successful lawyer. Jake is a partner in an up-and-coming psychology practice. Their life together holds endless possibilities. After receiving an enticing wedding gift from one of Alice’s prominent clients, they decide to join an exclusive and mysterious group known only as The Pact.The goal of The Pact seems simple: to keep marriages happy and intact, and most of its rules make sense: Always answer the phone when your spouse calls. Exchange thoughtful gifts monthly. Plan a trip together once per quarter. . . .Never mention The Pact to anyone.Alice and Jake are initially seduced by the glamorous parties, the sense of community, their widening social circle of like-minded couples--and then one of them breaks the rules. The young lovers are about to discover that for adherents to The Pact, membership, like marriage, is for life, and The Pact will go to any lengths to enforce that rule. For Jake and Alice, the marriage of their dreams is about to become their worst nightmare.

    But she knows why they are there. Be careful who you let in...A house swap becomes the eerie backdrop to a crumbling marriage, a long-buried affair, and the fatal consequences that unfold.When Caroline and Francis receive an offer to house swap--from their city apartment to a house in a leafy, upscale London suburb--they jump at the chance for a week away from home, their son, and the tensions that have pushed their marriage to the brink.As the couple settles in, the old problems that permeate their marriage--his unhealthy behaviors, her indiscretions--start bubbling to the surface. But while they attempt to mend their relationship, their neighbor, an intense young woman, is showing a little too much interest in their activities.Meanwhile, Caroline slowly begins to uncover some signs of life in the stark house--signs of her life. The flowers in the bathroom or the music might seem innocent to anyone else--but to her they are clues. It seems the person they have swapped with is someone who knows her, someone who knows the secrets she's desperate to forget. . . .Be careful who you let in. . .

    Fearful for her safety, she lies about her destination in order to get him out of the car. But when she later discovers that he is a teacher at the same school, she finds herself feeding that initial lie with more lies.Then Katrina meets Jack Reeves. Handsome, charismatic and strong, he is exactly what she needs to extricate her from the expanding network of lies. She falls fast and hard for him. But when Jack lands himself in the middle of a grisly murder, she must decide whether to turn him in--or tell yet another lie.

    When Elly Swift, an agitated passenger beside her on a train, leaves a locket in Anna’s bag before jumping onto the tracks, Anna starts asking awkward questions. But everything points to suicide and the police close the case. Anna, however, believes Elly’s fears for Toby, her young nephew, missing since being snatched from St Stephen’s church six months ago, fail to explain the true reason behind Elly’s distress. Through a series of cryptic clues Elly left behind, Anna starts asking awkward questions, embarking on a dangerous crusade to track down Toby and find Elly’s killer. But nothing is as it seems and Anna opens a can of worms that throws into question the death of her husband, five years earlier - before the threads of the mystery converge in an astonishing conclusion.

    But Eliza swears she was pushed, and her rescuer is the only witness.Desperate to find out who attacked her, Eliza takes it upon herself to investigate. But as the publication date for her novel draws closer, Eliza finds more questions than answers. Like why are her editor, agent, and family mixing up events from her novel with events from her life? Her novel is completely fictional, isn’t it?The deeper Eliza goes into her investigation while struggling with memory loss, the closer her life starts to resemble her novel until the line between reality and fiction starts to blur and she can no longer tell where her protagonist’s life ends and hers begins.

    Maybe.Behind the wheel is Josh Baxter, a stranger Charlie met by the college ride share board, who also has a good reason for leaving university in the middle of term. On the road they share their stories, carefully avoiding the subject dominating the news - the Campus Killer, who's tied up and stabbed three students in the span of a year, has just struck again.Travelling the lengthy journey between university and their final destination, Charlie begins to notice discrepancies in Josh's story.As she begins to plan her escape from the man she is becoming certain is the killer, she starts to suspect that Josh knows exactly what she's thinking.Meaning that she could very well end up as his next victim.