Along the way, she visits a poor stable boy named Diamond and takes him with her on her journeys. "At the Back of the North Wind" explores the place of death in our lives, social injustice, and our deep need for love and forgiveness. C. S. Lewis, author of the classic Chronicles of Narnia series, said of MacDonald, "What he does best is fantasy--fantasy that hovers between the allegorical and the mythopoeic. And this, in my opinion, he does better than any man. MacDonald is the greatest genius of this kind whom I know."

    In 1707, young Sarah Noble and her father traveled through the wilderness to build a new home for their family. “Keep up your courage, Sarah Noble,” her mother had said, but Sarah found that it was not always easy to feel brave inside. The dark woods were full of animals and Indians, too, and Sarah was only eight! The true story of Sarah’s journey is inspiring. And as she cares for her father and befriends her Indian neighbors, she learns that to be afraid and to be brave is the greatest courage of all. The New York Times Book Review described this book as one “to be long remembered for its beautifully written simplicity and dignity.”

    

    If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.

    His major inspiration and invention was cosmic horror: the idea that life is incomprehensible to human minds and that the universe is fundamentally alien. Those who genuinely reason, like his protagonists, gamble with sanity. He has developed a cult following for his Cthulhu Mythos, a series of loosely interconnected fictions featuring a pantheon of human-nullifying entities, as well as the Necronomicon, a fictional grimoire of magical rites and forbidden lore. His works were deeply pessimistic and cynical, challenging the values of Enlightenment, Romanticist, and Christian humanism. Lovecraft's protagonists usually achieve the mirror-opposite of traditional gnosis and mysticism by momentarily glimpsing the horror of ultimate reality. Although Lovecraft's readership was limited during his life, his reputation has grown over the decades, and he is now commonly regarded as one of the most influential horror writers of the 20th century, exerting widespread and indirect influence, and frequently compared to Edgar Allan Poe.

    A student of golf lore, Bobby Joe is well aware that only a small group of stars have ever won a major at his age or older, and among them are such immortals as Nicklaus, Boros, Irwin, and Trevino. It’s now or never for Bobby Joe, and excuse him for thinking that his chances are slim and none.So it’s off to the Masters, U.S. Open, British Open, and the rest of the PGA Tour for Bobby Joe, who’s leaving behind the prospect of a third ex-wife. On the golf courses he’ll face familiar competitors such as Knut Thorssun and Cheetah Farmer, but the rival who may loom the largest is the game’s newest child star, nineteen-year-old Scott Pritchard. His talents are the talk of the Tour—so is his arrogance—and so, by the way, is his stunning mom, Gwendolyn, a shapely adorable woman who captures Bobby Joe’s full attention and threatens not to let go. Long revered by his peers as one of the world’s best sportswriters, and beloved by readers for such classics as Semi-Tough and Dead Solid Perfect, Dan Jenkins is at the top of his form in Slim and None. It’s packed with authentic insider gems about each of the majors and hilarious sketches of many of the characters—touring pros, officials, media, agents, caddies, and ladies—who inhabit this outrageous and endearing world of sports.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Toni Morrison uses modernist techniques of stream-of-consciousness, multiple perspectives, and deliberate fragmentation. Two different narrators tell the story. The first is Claudia MacTeer, who narrates in a mixture of a child’s and an adult’s perspectives, and the second is an omniscient narrator. Claudia’s and Pecola’s points of view are dominant, but the reader also sees things from other character’s points of view.The subtext of the first part of the novel ('Autumn' and 'Winter') suggests various topics. In my presentation, I mainly focus on the “Dick and Jane narrative” by means of which the novel opens. Furthermore, I will explore the themes “whiteness as the standard of beauty” and “seeing versus being seen” which are sometimes closely connected.'The Bluest Eye' provides an extended depiction of the ways in which internalized white beauty standards deform the lives of black girls and women. Implicit messages that whiteness is superior are everywhere, including the white baby doll given to Claudia, the idealization of Shirley Temple, the consensus that light-skinned Maureen is cuter than the other black girls, and the idealization of white beauty in the movies. Pecola eventually desires blue eyes in order to conform with these white beauty standards imposed on her.However, by wishing for blue eyes, Pecola indicates that she wishes to see things differently as much as she wishes to be seen differently.

    His moral animal fables have delighted young and old for centuries. This fabulous full-color edition of the classic Aesop features the original illustrations of Milo Winter. This unique collection features 126 of the best-loved fables, including such favorites as "The Town Mouse and the Country Mouse," "The Ants and the Grasshopper," "The Goose and the Golden Egg," "The Wolf in Sheep's Clothing," and "The Hare and the Tortoise" and all their wonderful and amusing animal characters. Now, with THE AESOP FOR CHILDREN, a whole new generation can appreciate and enjoy these whimsical tales. 9 1/2" x 11 3/4". Ages 6-10

    From the springtime frolic of Oscar, Cat-About-Town to the yuletide warmth of The Christmas Day Kitten, these stories-radiantly illustrated by Peter Barrett and Ruth Brown-are perennial favorites, and this new complete edition will make a wonderful gift for all readers, great and small.

    A high school student leaves his parents' home to live on his own with friends and with the help of government aid. The narrator becomes your best friend on the first page.

    Great literature increases knowledge of and desire for the good life by showing readers what virtue looks like and where vice leads. It is not just what one reads but how one reads that cultivates virtue. Reading good literature well requires one to practice numerous virtues, such as patience, diligence, and prudence. And learning to judge wisely a character in a book, in turn, forms the reader's own character.Acclaimed author Karen Swallow Prior takes readers on a guided tour through works of great literature both ancient and modern, exploring twelve virtues that philosophers and theologians throughout history have identified as most essential for good character and the good life. In reintroducing ancient virtues that are as relevant and essential today as ever, Prior draws on the best classical and Christian thinkers, including Aristotle, Aquinas, and Augustine. Covering authors from Henry Fielding to Cormac McCarthy, Jane Austen to George Saunders, and Flannery O'Connor to F. Scott Fitzgerald, Prior explores some of the most compelling universal themes found in the pages of classic books, helping readers learn to love life, literature, and God through their encounter with great writing.In examining works by these authors and more, Prior shows why virtues such as prudence, temperance, humility, and patience are still necessary for human flourishing and civil society. The book includes end-of-chapter reflection questions geared toward book club discussions, features original artwork throughout, and includes a foreword from Leland Ryken.

    This guide has been specifically written for AS and A2 students and is filled with in-depth analysis on contexts, character, key themes and critical perspectives.

    Or am I allowing that uncontrollable imagination of mine too much slack? This is the story of an unlikely friendship.When priest and Sydneysider Tony Doherty emailed Melbourne-based writer and performer Ailsa Piper to say how much he had enjoyed her latest book, he was met with a swift reply from a similarly enquiring mind. Soon emails were flying back and forth and back again. They exchanged stories of their experiences as sweaty pilgrims and dissected dinner party menus. They shared their delight in Mary Oliver's poetry and wrestled with what it means to love and to grieve. This energetic exchange of words, questions and ideas grew into an unexpected but treasured friendship.Collected here is that correspondence, brimming with empathy, humour and a fierce curiosity about each other and the worlds, shoes and histories that they inhabit. Described by one reader as 'a demonstration of how to have a conversation and a friendship', The Attachment is an intriguing, entertaining and moving celebration of family, faith, connection-even the correct time of day to enjoy rhubarb.Dear Tony, Funny how our ears tune in to things. How our priorities shift based on who and what we know. How we come to care about such abstract or remote things through the experience of another. Lovely, somehow, but so serendipitous. All the other things we might care about. All that we might have missed had we not stopped to care for this person. I'm glad we stopped for each other. 'To read this book is to be present at the unfurling of a tender friendship between two thoughtful, compassionate humans, and like all the best collections of letters it's also a discursive wander through life's big questions. It will make you grateful for what you have, while urging you to seize the day with the people you love... It will make you want to write letters:goodones. I will read this book again and again.'Charlotte Wood, Stella Prize-winning author ofThe Natural Way of Things'... captures the intoxication of being swept into a new and deeply nourishing friendship. It fizzes with joy and humour, wrestles with agonising questions, always anchored in compassion and wisdom.' Debra Oswald, author ofUseful'The Attachmentmade me want to notice my world, love my world,shape it into words. It is a book about friendship but more than that, these two letter-writers - these unlikely friends - are mature enough to know the value of the moment, the value of friendship, how precious and fleeting life is... I was moved, and surprised, and completed the book in a veil of tears... The book enriched me, and inspired me.'Sofie Laguna, Miles Franklin award-winning author ofThe Eye of the Sheep'From the first seed of recognition, the feverish exchange of ideas and confidences to a deep and abiding appreciation,The Attachmentis a candid, illuminating journey into the heart of a profound and unexpected friendship, and a testament to the art of correspondence.'Kat Stewart, actor'... the chronicle of an unlikely but beautiful friendship thatwill inspire you to value your own friendships more highly, and to nurture them more carefully.'Hugh Mackay, author ofBeyond Belief

    Nelu escapes from his home and finds shelter with other homeless children in the caves beneath Bucharest’s spectacular concert hall. They call it “The Fortress”.Daniel is the son of a well-to-do Jewish family living in the heart of Bucharest. On the eve of WWII, Daniel and his family are forced to flee and take refuge in those caves with the help of the children.Daniel, Nelu and the other homeless children, find themselves united when facing the Nazi threat. For Daniel and his family, some of the children were nothing but a concept prior to the war, but now – no race or socioeconomic differences are relevant. In this reality they are all equal, bound by the need to survive. They must deal with hunger, poverty, and the imminent threat of death.The Nazi threat gets closer every day. Daniel and his family realize they need to flee if they want to stay alive. They all decide to escape, breaking up the group; embarking on a journey that will change so many lives. The fight for survival becomes the fight for their freedom. Some find themselves fighting alongside the ally forces against the Nazis, and some find themselves joining the Romanian forces that collaborated with the Nazi regime.Years later, long after the end of WWII, Lonel - a young child, finds himself alone in Bucharest. He is completely unaware that the fate of the entire group lies in his hands.Destiny is about to make one of its biggest moves. It’s up to Lonel to prevail or the struggle to survive will be forgotten.