So when Captain Fortune, a well-meaning but profligate ex-soldier in Regency England, tells his daughter Caroline that they are ruined, she automatically starts seeking employment as a governess. Her father, however, has far grander designs for Miss Fortune.…Caro is to become the companion of Mrs. Catling, the rich, fierce widow of her father's old colonel. As Mrs. Catling amuses herself by tormenting her relatives and servants, Caro resolves to make the best of the situation, and soon her beauty and intelligence attract the attentions of male admirers. Surrounded by people with an alarming readiness to reveal each other's confidences, Caroline is exasperated to find herself implicated in their indiscretions. But will Miss Fortune be able to avoid losing her reputation without losing her head? And will she find at least one good man amongst the genteel set who will take her side, and, indeed, her fancy?

    Driven by desperation, she applies for the position of housekeeper at Tanglewood Manor, the home of the handsome Mr. Jonathan Ludlow. The moment Jonathan sees Miss Notley, he is intrigued. She is far too young and inexperienced, yet there is something about her that that inspires a certain hope within him. Does he dare offer her the position of housekeeper or will doing so result in catastrophe?

    And every woman will fall madly in love with Mr. Darcy-tall, dark and handsome, a nobleman and a heartthrob whose virility is matched only by his utter devotion to his wife.Their passion is consuming and idyllic-essentially, they can't keep their hands off each other-through a sweeping tale of adventure and misadventure, human folly and numerous mysteries of parentage.Hold on to your bonnets! This sexy, epic, hilarious, poignant and romantic sequel to "Pride and Prejudice" is not for Jane Austen purists. Self-published in 1999 as "The Bar Sinister," this sequel continues the story of Elizabeth Bennet and Mr. Darcy through a sweeping tale of adventure.

    The story follows thirty-something Emily who lives alone, humbly and happily, in a tiny apartment and on a meager income. She is the one that everyone counts on but no one goes out of their way to accommodate. Her fortune changes, however, and the second half chronicles her adaptation to her new life and the dangers that arise from those who stand to lose most from her new circumstances.

    What she discovers is something the finest historians have missed: a secret history that begins with a letter dated 1803. Eloise has found the secret history of the Pink Carnation the most elusive spy of all time, the spy who single-handedly saved England from Napoleon's invasion.The Secret History of the Pink Carnation, a wildly imaginative and highly adventurous debut, opens with the story of a modern-day heroine but soon becomes a book within a book. Eloise Kelly settles in to read the secret history hoping to unmask the Pink Carnation's identity, but before she can make this discovery, she uncovers a passionate romance within the pages of the secret history that almost threw off the course of world events. How did the Pink Carnation save England? What became of the Scarlet Pimpernel and the Purple Gentian? And will Eloise Kelly find a hero of her own?

    Jerome's Three Men in a Boat includes an introduction and notes by Jeremy Lewis in Penguin Classics.Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and, with its benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', it hilariously captured the spirit of its age.In his introduction, Jeremy Lewis examines Jerome K. Jerome's life and times, and the changing world of Victorian England he depicts - from the rise of a new mass-culture of tabloids and bestselling novels to crazes for daytripping and bicycling.

    Sarah, the orphaned housemaid, spends her days scrubbing the laundry, polishing the floors, and emptying the chamber pots for the Bennet household. But there is just as much romance, heartbreak, and intrigue downstairs at Longbourn as there is upstairs. When a mysterious new footman arrives, the orderly realm of the servants’ hall threatens to be completely, perhaps irrevocably, upended. Jo Baker dares to take us beyond the drawing rooms of Jane Austen’s classic—into the often overlooked domain of the stern housekeeper and the starry-eyed kitchen maid, into the gritty daily particulars faced by the lower classes in Regency England during the Napoleonic Wars—and, in doing so, creates a vivid, fascinating, fully realized world that is wholly her own.

    The dowager, no less, has invited her for a season in London, where she will attempt to catch a husband.Thus begins our heroine’s tale as she attempts to tackle the London season with all her rustic finesse. Unfortunately, her rustic finesse turns out to be as delicate as a fat bear trying to rip apart a honeycomb infested with buzzing bees.What follows is a series of misadventures, love affairs, moonlit balls, fancy clothes, fake moustaches, highwaymen, sneering beauties, pickpockets, and the wrath of a devilishly handsome duke.

    She does not ride astride. She does not fence or attend duels. She does not fire a pistol, and she never gambles at a gentlemen's club.Lady Calpurnia Hartwell has always followed the rules, rules that have left her unmarried—and more than a little unsatisfied. And so she's vowed to break the rules and live the life of pleasure she's been missing.But to dance every dance, to steal a midnight kiss—to do those things, Callie will need a willing partner. Someone who knows everything about rule-breaking. Someone like Gabriel St. John, the Marquess of Ralston—charming and devastatingly handsome, his wicked reputation matched only by his sinful smile.If she's not careful, she'll break the most important rule of all—the one that says that pleasure-seekers should never fall hopelessly, desperately in love.

    When he remarries, a new step-sister enters Molly's quiet life – loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.Wives and Daughters is far more than a nostalgic evocation of village life; it offers an ironic critique of mid-Victorian society. 'No nineteenth-century novel contains a more devastating rejection than this of the Victorian male assumption of moral authority', writes Pam Morris in her introduction to this new edition, in which she explores the novel's main themes – the role of women, Darwinism and the concept of Englishness – and its literary and social context.

    He is just a boy when his father is slain by the Doones, a lawless clan inhabiting wild Exmoor on the border of Somerset and Devon. Seized by curiosity and a sense of adventure, he makes his way to the valley of the Doones, where he is discovered by the beautiful Lorna. In time their childish fantasies blossom into mature love—a bond that will inspire John to rescue his beloved from the ravages of a stormy winter, rekindling a conflict with his archrival, Carver Doone, that climaxes in heartrending violence. Beloved for its portrait of star-crossed lovers and its surpassing descriptions of the English countryside, Lorna Doone is R. D. Blackmore’s enduring masterpiece.

    To prove he is not an idle fop only concerned with sartorial pleasures, Alistair agrees to help his old friend, Lord Gordmor, by traveling to the wilds of Derbyshire to convince Gordmor's neighbors to support the nobleman's proposal to build a canal. Upon arriving, Alistair, a famous war hero and eligible bachelor, finds everyone couldn't be nicer, everyone except for respectable, practical, spinsterish Mirabel Oldridge. The last thing Mirabel wants is for her tranquil little corner of England to be destroyed by a noisy, nasty canal, and she is prepared to use every weapon at her disposal--including her disheveled coiffure and unstylish wardrobe--to stop Alistair.

    She learns that she can only expect joy when she has accepted who she really is. She must throw off the false expectations and wrong ideas that have combined to obscure her true nature and prevented her from what makes her happy. Only when she undergoes this evolution does she have a chance at finding fulfillment; only then does she have the clarity to recognize her partner when he presents himself—and only at that moment is she genuinely worthy of love.Mary’s destiny diverges from that of her sisters. It does not involve broad acres or landed gentry. But it does include a man; and, as in all Austen novels, Mary must decide whether he is the truly the one for her. In The Other Bennet Sister, Mary is a fully rounded character—complex, conflicted, and often uncertain; but also vulnerable, supremely sympathetic, and ultimately the protagonist of an uncommonly satisfying debut novel.

    Her suddenly impoverished state made her as vulnerable as her beauty made her tempting to men with more money than morals. Lord Marshall Whitcomb, who held her purse strings in his pawing hands, was intent on luring her into his bed. But even more dangerous was Lord Winn, who owned the dwelling where she sought refuge. The dashing lord reminded the widow that the lure of sharing a warm bed on a winter's night might indeed be worth the risks.Lord Winn had trusted one woman and been betrayed. That disastrous marriage had endowed him with a wariness of females in general, and prospective wives in particular. But when the door to the dower house on one of his estates was opened by a woman with a cautious smile and memorable brown eyes, he knew here was danger to avoid at all costs -- if he really wanted to...

    They find each other—and the castle of their dreams—through a classified ad in a London newspaper one rainy February afternoon. The ladies expect a pleasant holiday, but they don’t anticipate that the month they spend in Portofino will reintroduce them to their true natures and reacquaint them with joy. Now, if the same transformation can be worked on their husbands and lovers, the enchantment will be complete.The Enchanted April was a best-seller in both England and the United States, where it was a Book-of-the-Month Club selection, and set off a craze for tourism to Portofino. More recently, the novel has been the inspiration for a major film and a Broadway play.