All of Magnus Mills' darkly comic and hugely entertaining stories are here collected in one book for the first time.

    Now, in her most intimate and seamlessly crafted work to date, Adichie turns her penetrating eye on not only Nigeria but America, in twelve dazzling stories that explore the ties that bind men and women, parents and children, Africa and the United States.In "A Private Experience," a medical student hides from a violent riot with a poor Muslim woman whose dignity and faith force her to confront the realities and fears she's been pushing away. In "Tomorrow is Too Far," a woman unlocks the devastating secret that surrounds her brother's death. The young mother at the center of "Imitation" finds her comfortable life in Philadelphia threatened when she learns that her husband has moved his mistress into their Lagos home. And the title story depicts the choking loneliness of a Nigerian girl who moves to an America that turns out to be nothing like the country she expected; though falling in love brings her desires nearly within reach, a death in her homeland forces her to reexamine them.Searing and profound, suffused with beauty, sorrow, and longing, these stories map, with Adichie's signature emotional wisdom, the collision of two cultures and the deeply human struggle to reconcile them. The Thing Around Your Neck is a resounding confirmation of the prodigious literary powers of one of our most essential writers.

    He has chosen 49 stories by a wide array of writers including Alistair MacLeod, Margaret Laurence, Carol Shields, Dionne Brand, Mavis Gallant, Stephen Leacock, Glenn Gould, Alice Munro, Rohinton Mistry, David Adams Richards and many more. Full of diversity and surprise, these writings reveal the geographical, emotional and literary range of the country. Above all, Michael Ondaatje's personal selection offers good reading and great entertainment.

    In Ron Currie's provocative, wise, and emotionally resonant novel we meet God himself; the Dinka woman whose mortality He must suffer when He inhabits her body; people all over the world coping with the devastating news of God's demise; a group of young men who, fearing the end of the world, take fate into their own hands; mental patients who insist that a god still exists; armies taking up the eternal war between fate and free will; and parents who, in the absence of a deity and the “lack of anything to do on Sundays,” worship their children. On the surface, this is a world utterly transformed—yet certain things remain unchanged: protective parents clash with willful, idealistic teenagers; idols are exalted; small-town rumor mills run unabated; and children often don't realize how to forgive their parents until it's too late.In God Is Dead, Currie brings together a prescient satirical gift worthy of Jonathan Swift, the raw appeal of Chuck Palahniuk's blackest comedy, and the thought-provoking ethical questions of Kurt Vonnegut, all with a light touch, empathy, and wisdom that make for an exhilarating reading experience. Offbeat yet accessible, God Is Dead is an exciting debut from a fresh new voice in contemporary fiction.

    "These stories are not merely flashes in the pan; there's pay dirt here!" —DeWitt Henry, editor of Ploughshares

    This book is an integration of 21 stories by Munshi Premchand, some of them are Ansuon ki holi, Namak ka Daroga, Shatranj ke Khiladi and many more.

    In her sweetly vibrant Mississippi drawl, Ms. Welty deftly draws the listener in to the uproariously multilayered "Why I Live at the P.O.," the spontaneous "Powerhouse" and the insightful voice of women's truths in "Petrified Man." Ms. Welty's reading brings immediacy and resonance to these wonderful tales.

    It soon becomes a journey of exploration. For Grady, whose forebears were slaves who came to Canada in the 1880s, this is a journey through fear, racism, and violence into his own family roots. For Simonds, who grew up a lonely Canadian in the American School of Campinas, Brazil, it is a journey into the heart of the ex-pat promised land, the nation of the American Dream. As Grady and Simonds travel back through American history, they encounter the splendours of the Mojave Desert, the Grand Canyon, the Mississippi River, and the bayous of Louisiana and the Outer Banks, and they experience the impact of geography on culture and of culture on the landscape. Although they are observing America from the outside, they also strangely feel at home. The Americans they meet illuminate a country dissolving in the grip of the Bush administration's final years and inspire them to reassess their-and our-assumptions about that powerful and complex country. Also available in paperback.

    A lonely woman reflects on her failed marriage and the single act of violence, years buried, that brought about its destruction. In these eight beautifully written, achingly poignant, and occasionally heartbreaking stories, the fine line between right and wrong, good and bad, love and violence is walked over and over again.In "Good Girl," a depressed widower is forced to decide between the love of a good woman and the love of his own deeply flawed son. In another part of town and another time, thirteen-year-old Ellen, the central figure of "Theory of Realty," is discovering the menaces of being "at that age": too old for the dolls of her girlhood, too young to understand the weaknesses of the adults who surround her. The linked stories "Parts" and "Proof of God" offer distinct but equally correct versions of a brutal crime--one from the perspective of the victim's mother, one from the killer's.

    Among its pages are a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex…until they can’t have sex without him; a ten-year-old whose birthday party takes a sinister turn when she wishes for “something mean”; a woman who finds a book of spells half hidden at the library and summons her heart’s desire: a nameless, naked man; and a self-proclaimed “biter” who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker.Spanning a range of genres and topics—from the mundane to the murderous and supernatural—these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable—or worse, understood—as if to say, “You want this, right? You know you want this.”Bad boy --Look at your game, girl --Sardines --The night runner --The mirror, the bucket, and the old thigh bone --Cat person --The good guy --The boy in the pool --Scarred --The matchbox sign --Death wish --Biter --Acknowledgments

    He enjoys standing quietly with a house before his clients arrive, and today, although he feels pinned beneath an invisible weight, he resolves to savor this solitary moment. It’s one of those overhauled ranches so common to Old Cranbury these days, swollen and dressed to resemble a colonial. White, of course, with ornamental shutters and latches pretending to hold them open. A close echo of its renovated sisters on Whistle Hill Road, garnished with hostas and glitzed with azaleas. He has seen too many of these to count… A man strikes an under-the-table deal with a surgeon to spend a few quiet seconds closer to his wife than he's ever been; a young soon-to-be mother looks on in paralyzing astonishment as her husband walks away from a twenty-year career in advertising at the urging of his spirit animal; an elderly artist risks more than he knows when he's commissioned by his newly-arrived neighbors to produce the work of a lifetime.In her stunning debut collection, The Wonder Garden, Lauren Acampora brings to the page with enchanting realism the myriad lives of a suburban town and lays them bare. These linked stories take a trenchant look at the flawed people of Old Cranbury, incisive tales that reveal at each turn the unseen battles we play out behind drawn blinds, the creeping truths from which we distract ourselves, and the massive dreams we haul quietly with us and hold close.Deliciously creepy and masterfully complex The Wonder Garden heralds the arrival of a phenomenal new talent in American fiction.