but it's all true. The Scarlet and the Black tells the astonishing and heroic true story of Monsignor Hugh O'Flaherty, the man dubbed "The Scarlet Pimpernel of the Vatican" during World War II.Born in Killarney, Ireland, Hugh O’Flaherty was an avid athlete? becoming a formidable boxer, handball player, hurler, and golfer. From an early age, however, he knew his calling was to the priesthood. After his ordination, he served first as an Apostolic Delegate in Egypt, Haiti, Santo Domingo, and Czechoslovakia, then in Rome at the Holy Office (now the Congregation for the Doctrine of the Faith). It was here in Rome that his greatest work began. After the surrender of Italy in 1943, Rome came under the command of Nazi Colonel Herbert Kappler of the dreaded SS, who began the deportation of Italian Jews to Auschwitz. Kappler was a notorious hater of the Jews, persecuting them at every turn. As a top man in the Vatican Holy Office, Msgr. O’Flaherty sprang into action, organizing a sophisticated team that included men and women of many nationalities, religions, and political views. There was one goal? to save Jews and POWs from the Nazi machine. Despite Kappler’s numerous attempts to assassinate him, O’Flaherty persisted, and his efforts saved thousands of Jews and POWs.Using private homes and apartments, churches and monasteries, the effort was all orchestrated by Msgr. O’Flaherty. Each day his familiar figure would stand on the steps of St. Peter’s - neutral ground that even the Nazis wouldn’t violate - to welcome any fugitives who might be sent his way. All told, of 9,700 Roman Jews, most were saved, with 1,007 shipped to Auschwitz. The rest were hidden, 5,000 of them by the official Church - 3,000 at the Pope’s Castel Gandolfo, 200 or 400 (estimates vary) as "members" of the Palatine Guard, and some 1,500 in monasteries, convents and colleges. The remaining 3,700 were hidden in private homes, including Msgr. O'Flaherty's network of apartments. After the war, O’Flaherty was honored by various Allied countries with awards and decorations for his heroic acts to save Jews and POWs. -- IllustratedPara cientos de personas huidas -prisioneros aliados, refugiados, judíos y no judíos a quienes los nazis buscaban por diversos motivos- uno de los más grandes héroes de la Segunda Guerra Mundial es el espigado y jovial sacerdote irlandés Monseñor Hugh Joseph Q’Flaherty. Durante toda la guerra trabajó en el Vaticano; aprovechó esta circunstancia para organizar por su cuenta, extraoficialmente, un sistema de eficacia increíble, con el fin de dar albergue a innumerables refugiados. El relato de sus aventuras es una historia excitante, que arroja una luz reveladora sobre uno de los aspectos menos conocidos de la Guerra. Después de la liberación, Mons. Q’Flaherty fue condecorado por Italia, Canadá y Australia, recibió la Medalla norteamericana de la Libertad y nombrado Comendador del Imperio Británico. Herbert Kappler fue sentenciado a cadena perpetua por crímenes de guerra. En los largos años que estuvo en la prisión italiana, Kappler tuvo un solo visitante: todos los meses, año tras año, Q’Flaherty iba a visitarle. En 1959, el antiguo jefe de la Gestapo de Roma recibió el bautismo de manos del sacerdote irlandés.

    When Henry Orenstein and his siblings end up in a series of concentrations camps, Orenstein's bravery and quick thinking help him to save himself and his brothers from execution by playing a role in the greatest hoax ever pulled on the upper echelons of Nazi command. Orenstein's lucid prose recreates this horrific time in history and his constant struggle for survival as the Nazis move him and his brothers through five concentration camps. His description of their roles in the fake Chemical Commando sheds new light on an incredible and generally unknown event in the history of the Holocaust. This edition of I Shall Live contains new evidence about this false Commando, including letters signed to and from Himmler himself.

    Hitler did not escape the bunker in Berlin but, half a century later, he has managed to escape explanation in ways both frightening and profound. Explaining Hitler is an extraordinary quest, an expedition into the war zone of Hitler theories. This is a passionate, enthralling book that illuminates what Hitler explainers tell us about Hitler, about the explainers, and about ourselves.

    Taking on the myths and misconceptions along with the outsized reality, he portrays—with characteristic wit and passion—a man of contagious bravery, breathtaking eloquence, matchless strategizing, and deep humanity. Fearless on the battlefield, Churchill had to be ordered by the king to stay out of action on D-Day; he pioneered aerial bombing and few could match his experience in organizing violence on a colossal scale,  yet he hated war and scorned politicians who had not experienced its horrors. He was the most famous journalist of his time and perhaps the greatest orator of all time, despite a lisp and chronic depression he kept at bay by painting. His maneuvering positioned America for entry into World War II, even as it ushered in England’s post-war decline. His openmindedness made him a trailblazer in health care, education, and social welfare, though he remained incorrigibly politically incorrect. Most of all, he was a rebuttal to the idea that history is the story of vast and impersonal forces; he is proof that one person—intrepid, ingenious, determined—can make all the difference.

    During that quarter-century, by Oleg Khlevniuk’s estimate, he caused the imprisonment and execution of no fewer than a million Soviet citizens per year. Millions more were victims of famine directly resulting from Stalin's policies. What drove him toward such ruthlessness? This essential biography, by the author most deeply familiar with the vast archives of the Soviet era, offers an unprecedented, fine-grained portrait of Stalin the man and dictator. Without mythologizing Stalin as either benevolent or an evil genius, Khlevniuk resolves numerous controversies about specific events in the dictator’s life while assembling many hundreds of previously unknown letters, memos, reports, and diaries into a comprehensive, compelling narrative of a life that altered the course of world history.   In brief, revealing prologues to each chapter, Khlevniuk takes his reader into Stalin’s favorite dacha, where the innermost circle of Soviet leadership gathered as their vozhd lay dying. Chronological chapters then illuminate major themes: Stalin’s childhood, his involvement in the Revolution and the early Bolshevik government under Lenin, his assumption of undivided power and mandate for industrialization and collectivization, the Terror, World War II, and the postwar period. At the book’s conclusion, the author presents a cogent warning against nostalgia for the Stalinist era.

    An intensely private man, Nabokov was uprooted first by the Russian Revolution and then by World War II. Transformed into a permanent wanderer, he did not achieve fame until late in life, with the success of "Lolita." In this first of two volumes, Brian Boyd vividly describes the liberal milieu of the aristocratic Nabokovs, their escape from Russia, Nabokov's education at Cambridge, and the murder of his father in Berlin. Boyd then turns to the years that Nabokov spent, impoverished, in Germany and France, until the coming of Hitler forced him to flee, with wife and son, to the U.S.This volume stands on its own as a fascinating exploration of Nabokov's Russian years and Russian worlds, pre-revolutionary and emigre. In the course of his 10 years' work on the biography, Boyd traveled along Nabokov's trail everywhere from Yalta to Palo Alto. The only scholar to have had free access to the Nabokov archives in Montreux and the Library of Congress, he also interviewed at length Nabokov's family and scores of his friends and associates.For the general reader, Boyd offers an introduction to Nabokov the man, his works, and his world. For the specialist, he provides a basis for all future research on Nabokov's life and art, as he dates and describes the composition of all Nabokov's works, published and unpublished. Boyd investigates Nabokov's relation to and his independence from his time, examines the special structures of his mind and thought, and explains the relations between his philosophy andhis innovations of literary strategy and style. At the same time he provides succinct introductions to all the fiction, dramas, memoirs, and major verse; presents detailed analyses of the major books that break new ground for the scholar, while providing easy paths into the works for other readers; and shows the relationship between Nabokov's life and the themes and subjects of his art.

    It has been translated into fifteen languages, sold more than 12 million copies, and is the basis for an award-winning German entry at the 2002 Cannes Film Festival. Recounting an incredible real-life adventure, it tracks the destiny of German soldier Clemens Forrell who, in the aftermath of WWII, was sentenced to twenty-five years of forced labor in a lead mine in the barren eastern reaches of Siberia.Subjected to the brutality of the camp and the climate, Forrell dreamed continuously of escape—and then daringly effected it. From East Cape across the vast trackless wastes of Siberia, for thousands of miles and three years, with fear as his most intimate companion, Forrell fled treachery and endured some of the most inhospitable conditions on earth. In a long series of taped interviews with esteemed German author Josef M. Bauer, Forrell unfolded his remarkable story of survival. Bauer not only reconstructs Forrell's arduous journey to the Iranian frontier and freedom; he also poignantly evokes the emotional content of Forrell's brave quest—emerging as an affecting portrait of a man who strove and triumphed against all odds.

    Anne-Marie O'Connor, writer for the Washington Post, formerly of the Los Angeles Times, tells the galvanizing story of the Lady in Gold, Adele Bloch-Bauer, a dazzling Viennese Jewish society figure; daughter of the head of one of the largest banks in the Hapsburg Empire, head of the Oriental Railway, whose Orient Express went from Berlin to Constantinople; wife of Ferdinand Bauer, sugar-beet baron. The Bloch-Bauers were art patrons, and Adele herself was considered a rebel of fin de siècle Vienna (she wanted to be educated, a notion considered "degenerate” in a society that believed women being out in the world went against their feminine "nature"). The author describes how Adele inspired the portrait and how Klimt made more than a hundred sketches of her-simple pencil drawings on thin manila paper. And O'Connor writes of Klimt himself, son of a failed gold engraver, shunned by arts bureaucrats, called an artistic heretic in his time, a genius in ours. She writes of the Nazis confiscating the portrait of Adele from the Bloch-Bauers' grand palais; of the Austrian government putting the painting on display, stripping Adele's Jewish surname from it so that no clues to her identity (nor any hint of her Jewish origins) would be revealed. Nazi officials called the painting, "The Lady in Gold" and proudly exhibited it in Vienna's Baroque Belvedere Palace, consecrated in the 1930s as a Nazi institution. The author writes of the painting, inspired by the Byzantine mosaics Klimt had studied in Italy, with their exotic symbols and swirls, the subject an idol in a golden shrine. We see how, sixty years after it was stolen by the Nazis, the Portrait of Adele Bloch-Bauer became the subject of a decade-long litigation between the Austrian government and the Bloch-Bauer heirs, how and why the U.S. Supreme Court became involved in the case, and how the Court's decision had profound ramifications in the art world. In this book listeners will find riveting social history; an illuminating and haunting look at turn-of-the-century Vienna; a brilliant portrait of the evolution of a painter; a masterfully told tale of suspense. And at the heart of it, The Lady in Gold-the shimmering painting, and its equally irresistible subject, the fate of each forever intertwined.

    The secret diaries of a twenty-three-year-old White Russian princess who worked in the German Foreign Office from 1940 to 1944 and then as a nurse, these pages give us a unique picture of wartime life in that sector of German society from which the 20th of July Plot -- the conspiracy to kill Hitler -- was born.Includes index.

    It slowed down the German advance into Russia and became a national symbol of survival and resistance. An estimated one million civilians died, most of them from cold and starvation. Lydia Ginzburg, a respected literary scholar (who meanwhile wrote prose 'for the desk drawer' through seven decades of Soviet rule), survived. Using her own using notes and sketches she wrote during the siege, along with conversations and impressions collected over the years, she distilled the collective experience of life under siege. Through painful depiction of the harrowing conditions of that period, Ginzburg created a paean to the dignity, vitality and resilience of the human spirit.This original translation by Alan Myers has been revised and annotated by Emily van Buskirk. This edition includes ‘A Story of Pity and Cruelty’, a recently discovered documentary narrative translated into English for the first time by Angela Livingstone.

    I Will Bear Witness is a work of literature as well as a revelation of the day-by-day horror of the Nazi years.                           A Dresden Jew, a veteran of World War I, a man of letters and historian of great sophistication, Klemperer recognized the danger of Hitler as early as 1933. His diaries, written in secrecy, provide a vivid account of everyday life in Hitler's Germany.                          What makes this book so remarkable, aside from its literary distinction, is Klemperer's preoccupation with the thoughts and actions of ordinary Germans: Berger the greengrocer, who was given Klemperer's house ("anti-Hitlerist, but of course pleased at the good exchange"), the fishmonger, the baker, the much-visited dentist. All offer their thoughts and theories on the progress of the war: Will England hold out? Who listens to Goebbels? How much longer will it last?                          This symphony of voices is ordered by the brilliant, grumbling Klemperer, struggling to complete his work on eighteenth-century France while documenting the ever- tightening Nazi grip. He loses first his professorship and then his car, his phone, his house, even his typewriter, and is forced to move into a Jews' House (the last step before the camps), put his cat to death (Jews may not own pets), and suffer countless other indignities.                           Despite the danger his diaries would pose if discovered, Klemperer sees it as his duty to record events. "I continue to write," he notes in 1941 after a terrifying run-in with the police. "This is my heroics. I want to bear witness, precise witness, until the very end."   When a neighbor remarks that, in his isolation, Klemperer will not be able to cover the main events of the war, he writes: "It's not the big things that are important, but the everyday life of  tyranny, which may be forgotten. A thousand mosquito bites are worse than a blow on the head. I observe, I note, the mosquito bites."

    Now, in Mud and Stars, Wheeler takes us into the heart of Russia. Bypassing the major cities as much as possible, she instead goes to the places that produced Pushkin, Dostoevsky, Tolstoy, and other giants of Russia's Golden Age. We see the fabled Trigorskoye ("three hills") estate that Pushkin frequented during his exile, now preserved in his honor. We look for Dostoevsky along the waters of Lake Ilmen, site of the only house the restless writer ever owned. We pay tribute to the single stone that remains of Tolstoy's birthplace. The authors' lives and works are woven into Wheeler's descriptions of their historical homes, giving us full, rich portraits of the many diverse Russias from which these writers spoke. As Wheeler travels, she follows local guides, boards with families in modest homestays, eats roe and pelmeni and cabbage soup, invokes recipes from Mastering the Art of Soviet Cooking, learns the language, and observes the weighty pattern of outcry and silence that characterizes life under Putin. Illustrated with both historic images and contemporary snapshots of the people and places that shaped Wheeler's journey, Mud and Stars gives us timely, stunning, deeply personal and wickedly funny insight into a country that has become more important than ever.

    James McBride, journalist, musician and son, explores his mother's past, as well as his own upbringing and heritage, in a poignant and powerful debut, The Color Of Water: A Black Man's Tribute to His White Mother. The son of a black minister and a woman who would not admit she was white, James McBride grew up in "orchestrated chaos" with his eleven siblings in the poor, all-black projects of Red Hook, Brooklyn. "Mommy," a fiercely protective woman with "dark eyes full of pep and fire," herded her brood to Manhattan's free cultural events, sent them off on buses to the best (and mainly Jewish) schools, demanded good grades and commanded respect. As a young man, McBride saw his mother as a source of embarrassment, worry, and confusion--and reached thirty before he began to discover the truth about her early life and long-buried pain. In The Color of Water, McBride retraces his mother's footsteps and, through her searing and spirited voice, recreates her remarkable story. The daughter of a failed itinerant Orthodox rabbi, she was born Rachel Shilsky (actually Ruchel Dwara Zylska) in Poland on April 1, 1921. Fleeing pogroms, her family emigrated to America and ultimately settled in Suffolk, Virginia, a small town where anti-Semitism and racial tensions ran high. With candor and immediacy, Ruth describes her parents' loveless marriage; her fragile, handicapped mother; her cruel, sexually-abusive father; and the rest of the family and life she abandoned. At seventeen, after fleeing Virginia and settling in New York City, Ruth married a black minister and founded the all-black New Brown Memorial Baptist Church in her Red Hook living room. "God is the color of water," Ruth McBride taught her children, firmly convinced that life's blessings and life's values transcend race. Twice widowed, and continually confronting overwhelming adversity and racism, Ruth's determination, drive and discipline saw her dozen children through college--and most through graduate school. At age 65, she herself received a degree in social work from Temple University. Interspersed throughout his mother's compelling narrative, McBride shares candid recollections of his own experiences as a mixed-race child of poverty, his flirtations with drugs and violence, and his eventual self-realization and professional success. The Color of Water touches readers of all colors as a vivid portrait of growing up, a haunting meditation on race and identity, and a lyrical valentine to a mother from her son.

    In this remarkable narrative, the life of Auschwitz's Angel of Death is told in counterpoint to the lives of the survivors, who until now have kept silent about their heinous death-camp ordeals.

    Yuri Gagarin is one of the great heroes of the twentieth century, but the details of his life and the Russian space effort have been shrouded in secrecy: even the names of the engineers who worked with Gagarin were a mystery to the West for many years.Starman is the first book to tell the compelling story behind Gagarin's life and his audacious first flight into space aboard a converted nuclear weapon.He was once the most famous man in the world yet in his life, as in death, he was a man the world knew almost nothing about.