It is an invitation to my thoughts

    Containing a collection of poems by the author that, not only investigates the lighter side of love, but also dares to delve deeper, taking the reader on a journey into the darker aspects of love, such as indecision, rejection, fear, betrayal, loss and finally death. Inspired by his own love story, and subsequent bereavement, the author writes emotionally, and from the heart, often resulting in poems that bring a tear to the eye. For information on more chapbooks in Dark Love Poetry series, please visit the authors website located at www.darrenheart.com

     At age fourteen, she's a know it all teen living alone with her mum in London - not a horse in sight. Can a few weeks staying with her grandparents back at the stables change all that, or has she really put horses out of her life for good? Meet the whole Michaelson clan, and their four-legged friends, at the Quicksilver Stud in Book 1 – Born in the Saddle. Teen fiction for horse lovers, especially eventing fans. Ideal for fans of Claire Svendson, Amanda Wills or Samantha Alexander.

    Included in this volume is the work from Eavan Boland's five early volumes of poetry: New Territory, The War Horse, In Her Own Image, Night Feed, and The Journey.The poems from Boland's first book, New Territory, show her to be, at twenty-two, a master of formal verse reflecting Irish history and myth. This collection charts the ways in which Boland's work breaks from poetic tradition, honors it, and reinvents it. Poems like "Anorexic," "Mastectomy," and "Witching" have an intensity reminiscent of Sylvia Plath and Anne Sexton. In later poems, her subjects become more personal, sequencing Boland's life as a woman, poet, and mother. Boland writes, "I grew to understand the Irish poetic tradition only when I went into exile with it," becoming, in effect, "a displaced person / in a pastoral chaos."This collection demonstrates how Boland's mature voice developed from the poetics of inner exile into a subtle, flexible idiom uniquely her own.

    Her work as a translator draws her into an underworld of family-controlled drug cartels operating out of South America, and she falls in love with a son in one such family. Pregnant, she is kidnapped to an island off the coast of Colombia and slowly tricked into a dependence on cocaine. Her narrative - violent and bizarre, but also riveting, erotic and filled with the heady flamboyance of orchids - runs parallel to her account of life in "Death Clinic," as Death Row is called at the Heaven Valley Facility for Women. It is a moving story of friendship amongst three female inmates - portrayed with devastating wit - who share only the fact that they each have a date with the executioner.Cargo of Orchids swings through comedy and tragedy to shed a gradual, eerie light on the questions of guilt and innocence and moral ambiguity that lie at its heart.Excerpt from Cargo of Orchids:"Despite the freight of anger she carries, Rainy seems so frail it is hard to imagine her giving birth to anything heavier than tears. Rainy gave birth to twins and six months later left them on the railway tracks. She claims it prejudiced the jury. If she'd smothered them or driven them off a pier, it would have been more socially acceptable.-- But abandoning your kids on the tracks wasn't in fashion. She wishes now she'd gone out drinking for the evening instead, but she didn't have enough money to hire a babysitter and pay for the beer."

    Important, so inspiring... Please read this book" -Sonny Moore, Recording Artist "There are very few ways to get inside the mind of a lyricist. One way is through reading their diaries, the other through sleeping with them. Eric's book is the more entertaining of the options. It's a raw look inside the heart and mind of a rock 'n' roll spiritualist whose struggles with love (Chaplin) and versus the world (Keaton) are laid out bare like an exhibitionist on a double-dare." -Mike Shea, Founder, AP Magazine "Coma Therapy" is the sound of a powerful new voice in contemporary American literature. Victorino's brand of punchy prose often draws comparisons to the likes of Charles Bukowski and Hunter S. Thompson. This debut collection of poems and short stories draws a dangerously thin line between the heartwarming and the horrifying... Eric Victorino then mischievously walks that line all the way to the last page. Defiant, triumphant, hopeful and wise.

    

    Political and iconoclastic, Anne Boyer’s poems dally in pastoral camp and a dizzying, delightful array of sights and sounds born from the dust of the Kansas plains where dinner for two is cooked in Fire King and served on depression ware, and where bawdy instructions for a modern “Home on the Range” read:Mix a drink of stock lot:vermouth and the water table.And the bar will smell of IBP.And you will lick my Laura Ingalls.In Boyer’s heartland, “Surfaces should be worn. Lamps should smolder. / Dahlias do bloom like tumors. The birds do rise like bombs.” And the once bright and now crumbling populism of Marxists, poets, and folksingers springs vividly back to life as realism, idealism, and nostalgia do battle amongst the silos and ditchweed.Nothing, too, is a subject:dusk regulating the blankery.Fill in the nightish sky with ardent,fill in the metaphorical smell.A poet and visual artist, Anne Boyer lives in Kansas, where she co-edits the poetry journal Abraham Lincoln and teaches at Kansas City Art Institute.

    Not since Allen Ginsberg tried to levitate the Pentagon has American poetry seen the likes of the hallucinatory wit and moral clarity that Hillman brings to Washington in her poems about Congressional Hearings on the Iraq War. Here also--because it is about many kinds of power--is a sequence of twinned lyrics for the moon, governess of tides and night vision, for visible and invisible faces. Violence and the common world, fact and dream, science and magic, intuition and perception are reconfigured as the poet explores matters of spirit in political life and earthly fate. If it is time to weep by the waters of Babylon, it is also time to touch water's living currents. No one is reimagining the possibilities of lyric poetry with more inventiveness; this is masterful work by one of our finest poets.

    Rural lifestyle. Something has to give... Lucy McIntosh is a city girl through and through. She works in an advertising agency in Edinburgh with her boyfriend Jake, and her life is a whirl of deadlines, corporate parties, and coffee shops. Then Lucy learns that she is to inherit a hotel in the Highlands from her long-lost Uncle Calum. At first insistent that she will sell it to fund her and Jake’s move to London, she arrives in her uncle’s village to find The Mormaer Inn, a huge, tumbledown place perpetually on the brink of failure – and falls in love with it. Lucy is determined to restore the hotel to former glories. But her dream is blocked at every turn by obstacles. Rooms that need complete renovation, staff members who need personality transplants … and Graham Sutherland. His family have been local landowners for generations, and he wants the Inn for himself. Graham wants to demolish the hotel to build a holiday park, and is so confident Lucy will sell to him that he has already applied for planning permission. He is furious to think that naïve newcomer Lucy might have her own plans for the hotel – and adamant he’ll get what he wants …

     Love on the Rebound Add a little Aloha to your Christmas this year! When Everly Watson takes her young son Jordan to Hawaii, she’s not just celebrating Christmas but also searching for answers surrounding a tragedy from her past. She doesn’t expect to be faced with a tsunami threat her second day on the island. Nor does she count on meeting the famous Christian Ross, superstar of a hit action-movie series. Sparks fly as Everly and Christian have an instant attraction. But things spiral out of control when Everly realizes someone is following her and watching her every move. Christian soon finds himself drawn into Everly’s complicated world of betrayal and deceit and feels the need to protect her from a perilous threat. Can Christian and Everly’s newfound love withstand the growing obstacles? Or are they doomed to keep reliving the heartaches of the past? Loving the Movie Star Actor Blade Sloan gets the opportunity of a lifetime when he lands a leading role in the new Jase Scott action movie, co-starring with Hollywood megastar Christian Ross. Too bad Blade’s having stress issues brought on by a longtime stalker who’s getting more aggressive. If Blade can’t find a way to loosen up on set and perform to the best of his ability, he’ll lose everything he’s worked so hard to achieve. Dani Fairchild is trying hard to turn over a new leaf and transcend into adulthood. Yes, she may have been irresponsible in the past when she jilted billionaire Liam Barclay and ran off with a surfer, but that’s all behind her. Dani has a food blog she wants to take to the next level, and she’s holding down a full-time job. Granted, being a receptionist isn’t her dream job by any means, but hey, it’s a start. Too bad she can’t keep her big mouth shut and gets fired when the boss acts like a jerk. An unlikely encounter on the public bus brings Blade and Dani together where sparks fly and attraction sizzles. But Dani isn’t having it. No matter how charismatic Blade is or how good he looks with his chiseled abs and piercing blue eyes she’s vowed to never again get involved with someone who doesn’t live on the island permanently. Long distance relationships are a kick in the pants, and she’s tired of being hurt. Home alone for Christmas while Samantha and her family go to the mainland, Dani settles in for a quiet, predictable holiday. But fate has other plans when Dani and Blade are unwittingly thrown into a cycle of events that lead to a heart-pounding climax. Can Dani and Blade find a strong enough love to sustain them in the face of danger? Or will the stalker win in the end? False Identity Believe in miracles … believe in hope … believe in love. It's Christmastime, and Chancy Hamilton can’t bear the thought of spending the holidays without her late husband Max who died in a plane crash. When Chancy and her teenage son, Travis, have an argument, Travis storms out of the house and ends up in the wrong part of town where he is attacked by a group of thugs. When a homeless man comes to his rescue, he invites the man home to have a meal with his mom and little sister. Gabe Jones is not like any other homeless man Chancy has ever seen—he’s confident, intelligent, and devastatingly handsome. Jake, Chancy’s boyfriend, takes an instant dislike to Gabe and warns Chancy to stay away from him.

    Fountain’s voice is at once deep and loose, enacting the dawning of spiritual insight, but without leaving the daily world, matching the feeling of the “pure holiness in motherhood” with the “thuds the giant dumpsters make behind the strip mall when they’re tossed back to the pavement by the trash truck.” In these wise, accessible, deeply emotional poems, she captures a contemporary longing for spiritual meaning that’s wary of prepackaged wisdom—a longing answered most fully by attending to the hustle and bustle of everyday life.

    Littlefoot, the eighteenth book from one of this country's most acclaimed poets, is an extended meditation on mortality, on the narrator's search of the skies for a road map and for last instructions on "the other side of my own death." Following the course of one year, the poet's seventieth, we witness the seasons change over his familiar postage stamps of soil, realizing that we are reflected in them, that the true affinity is between writer and subject, human and nature, one becoming the other, as the river is like our blood, "it powers on, / out of sight, out of mind." Seeded with lyrics of old love songs and spirituals, here we meet solitude, resignation, and a glad cry that while a return to the beloved earth is impossible, "all things come from splendor," and the urgent question that the poet can't help but ask: "Will you miss me when I'm gone?

    The much-anticipated poetry chapbook by Sam Pink, author of the cult favorites Person and I Am Going to Clone Myself Then Kill the Clone and Eat It, who the Los Angeles Review of Books called, “Simply one of the best, darkest, funniest, wildest, and [most] touching writers we’ve got.”

    . . focus is so unwaveringly aimed toward the transcendent—not God, but the beloved—that we seem to slip into a less cluttered time.”—The Virginia Quarterly Review, “Editor’s Choice”"Mary Oliver calls him '...a Walt Whitman without an inch of Whitman's bunting or oratory.' In these pages, he is more nearly a modern-day Rumi. This is not primarily a poetry of image, but of ideas, perfectly distilled. Orr brings together the monumental themes of love and loss in small, spare, and exquisite koan-like poems."—ForeWord"...magnetic poems that open the world of lyrical verse to the larger questions of what is true and timeless." —The Bloomsbury ReviewGregory Orr continues his acclaimed project on the “beloved” with a lyrical sequence about the joys and hungers of being fully engaged in life. Through concise, perfectly formed poems, he wakes us to the ecstatic possibilities of recognizing and risking love. Mary Oliver has called this project “gorgeous,” and said that he "speaks of the events that have no larger or more important rival in our lives—of our love and our loving."If to say it onceAnd once only, then stillTo say: Yes.And say it complete,Say it as if the wordFilled the whole momentWith its absolute saying.Later for “but,” Later for “if.”NowOnly the single syllableThat is the beloved.That is the world.Gregory Orr is the author of ten books of poetry. He teaches at the University of Virginia and lives in Charlottesville.