We weren't allowed to touch the box. The stories I heard as a little boy faded to a hazy dream, and my drawings from that time make no sense. I cannot decipher them. It was not until I myself had gone far, far away and received the message from my father that I became interested in the red box again . . .In New York, Peter Sis receives a letter from his father. "The Red Box is now yours," it says. The brief note worries him and pulls him back to Prague, where the contents of the red box explain the mystery of his father's long absence during the 1950s.Czechoslovakia was behind the iron curtain; Vladimir Sis, a documentary filmmaker of considerable talent, was drafted into the army and sent to China to teach filmmaking. He left his wife, daughter, and young son, Peter, thinking he would be home for Christmas. Two Christmases would pass before he was heard from again: Vladimir Sis was lost in Tibet. He met with the Dalai Lama; he witnessed China's invasion of Tibet. When he returned to Prague, he dared not talk to his friends about all he had seen and experienced. But over and over again he told Peter about his Tibetan adventures. Weaving their two stories together - that of the father lost in Tibet and that of the small boy in Prague, lost without his father - Sis draws from his father's diary and from his own recollections of his father's incredible tales to reach a spiritual homecoming between father and son. With his sublime pictures, inspired by Tibetan Buddhist art and linking history to memory, Peter Sis gives us an extraordinary book - a work of singular artistry and rare imagination. This title has Common Core connections.Tibet Through the Red Box is a 1999 Caldecott Honor Book and the winner of the 1999 Boston Globe - Horn Book Award for Special Citation.

    What do you say when:- you bump into a crocodile on a crowded city street?- a nice gentleman introduces you to a baby elephant?- the Queen feeds you so much spaghetti that you don't fit in your chair anymore?This is the funniest book of manners you'll ever read!

    But soon a trumpet makes a duet, a french horn a trio, and so on until the entire orchestra is assembled on stage. Written in elegant and rhythmic verse and illustrated with playful and flowing artwork, this unique counting book is the perfect introduction to musical groups. Readers of all ages are sure to shout “Encore!” when they reach the final page of this joyous celebration of classical music.

    It goes forth at nightto prowl around the fires.It even likes to minglewith the dancers...Shadow...It waves with the grasses,curls up at the foot of trees...But in the African experience Shadow is much more. The village storytellers and shamans of an Africa that is passing into memory called forth for the poet Blaise Cendrars an eerie image, shifting between the beliefs of the present and the spirits of the past.Shadow...It does not cry out,it has no voice...It can cast a spell over you...It follows man everywhere,even to war...Marcia Brown's stunning illustrations in collage, inspired by her travels in Africa, evoke the atmosphere and drama of a life now haunted, now enchanted by Shadow.

    Many children understand April's dilemma when her cat, Sheba, has three kittens. April is thrilled until her father insists that theirs is strickly a one-cat household. April must give up three cats, but which ones? The aptly named Charcoal? Tiger-striped Butch? Sweet-faced Brenda? -- or even Sheba? How April eventually comes up with the perfect solutions makes for a heartwarming story that has appealed to many young cat lovers and will continue to delight generations of children everywhere. Clare's Newberry's enchanting illustrations reflect her fondness for cats; School Library Journal deemed these "beautiful drawings, so real one wants to pet them."

    "Another virtuoso performance. . . . Such an astute blend of aesthetics and information is admirable, the child's eye will be rewarded many times over."--Booklist. ALA Notable Book; Caldecott Medal.

    Yet they all want her to dress just like them! Ella Sarah will have none of it--and when her flamboyantly dressed friends arrive, it's clear that Ella Sarah's favorite outfit is just right for her. Written and illustrated by Margaret Chodos-Irvine, this spirited, Caldecott Honor-winning story will gently nudge young children toward independence--providing plenty of exuberant colors and patterns to identify along the way.

    an entirely absorbing narrative made all the more rich by its wordlessness." Kirkus Reviews hailed it as "a splendid debut."

    And who is the best partner? The wind, of course!   Grandmama Beasley says, “Can’t nobody put shackles on Brother Wind, chile. He be special. He be free.” With neighbors up and down Ridgetop suggesting all manner of strategies, and friend Ezel laughing at each foiled one, Mirandy grows ever more determined: she’ll get hold of that Brother Wind yet!             Patricia C. McKissack’s thoroughly engaging tale dances with spirit and rollicking good humor. Complemented by Jerry Pinkney’s rich, eye-catching watercolors of the rural South, here’s one of those rare, rewarding picture books that is sure to be read and enjoyed again and again.

    Peppe's family is very poor, and though he is just a boy he needs to find work. Being a lamplighter is not the job his father had dreamed of for Peppe, but when Peppe's job helps save his little sister, he earns the respect of his entire family.Supports the Common Core State Standards.

    As he sits waiting for a bite, a farmer calls him a fool and says "You'll never catch fish in McElligot's Pool!" Marco, however, refuses to be discouraged and spends the rest of the story describing all the fish that could be coming to McElligot's Pool from the ocean. The story ends with Marco still fishing and the farmer scratching his beard and looking confused. The use of color and illustrations blur the line between fantasy and reality during Marco's story, creating one of the most interesting aspects of the book. The text is made up of catchy rhymes and intriguing fish descriptions. The pictures complement the text and make the fish descriptions seem real. Interestingly, Seuss illustrates every other page in black and white. At the beginning of the story when Marco sits by the pond, the black and white emphasizes the concrete reality of the Marco talking to the farmer. After page one, every other page is in color. The color magnifies Marco's fantasy about all of the fish, making them seem beautiful and real. At the same time, the black and white pages make Marco's fish descriptions seem realistic. Seuss's use of the black-and-white pictures during Marco's whimsical descriptions in the text could be his way of toning down the fantasy and bringing it into the context of every day life. The use of color to blend reality and fantasy also emphasizes optimism in the story. The farmer was probably right in telling Marco that he will "never catch fish in McElligot's Pool." With the clever use of color and illustrations, however, Dr. Seuss undermines the fisherman's certainty and makesMarco's claim that there might be fish in McElligot's Pool believable. McElligot's Pool sends the message that life is not always as it seems, that it is not as simple as b

    She cannot find her mother. What does her mother look like? Her answer is, “My mother is the most beautiful woman in the world.” When her mother is finally found, she proves to be the most beautiful woman in the world—if only, perhaps, in the eyes of her small daughter.

    But can he find out where Sky Chief keeps it? And if he does, will he be able to escape without being discovered? His dream seems impossible, but if anyone can find a way to bring light to the world, wise and clever Raven can!

    But when her tall stories bring disaster to her friend Thomas and her cat Bangs, Sam learns to distinguish between moonshine and reality.Sam, Bangs & Moonshine is the winner of the 1967 Caldecott Medal.

    It doesn't pretend to be anything else. And yet it is an extraordinary creation, in which author and artist speak to children in a very special way. The fanciful nonsense and marvelously intricate pictures are full of sly subtleties and happy surprises for both eye and ear. It is a book of absurd delights, of tiny, fey graphic details, of captivating scenes and lyrical phrases that stretch the imagination. Children will return to it again and again for new meanings, new images, new responses.