The book overall contains less detail concerning specific events than typical autobiographies. This is because his purpose in writing wasn't primarily historical. His aim was to identify & describe the events surrounding his accidental discovery of & consequent search for the phenomenon he labelled "Joy". This word was the best translation he could make of the German idea of Sehnsucht, longing. That isn't to say the book is devoid of information about his life. He recounts his early years with a measure of amusement sometimes mixed with pain. However, while he does describe his life, the principal theme of the book is Joy as he defined it. This Joy was a longing so intense for something so good & so high up it couldn't be explained with words. He's struck with "stabs of joy" throughout life. He finally finds what it's for at the end. He writes about his experiences at Malvern College in 1913, aged 15. Though he described the school as "a very furnace of impure loves" he defended the practice as being "the only chink left thru which something spontaneous & uncalculating could creep in." The book's last two chapters cover the end of his search as he moves from atheism to theism & then from theism to Christianity. He ultimately discovers the true nature & purpose of Joy & its place in his own life. The book isn't connected with his unexpected marriage in later life to Joy Gresham. The marriage occurred long after the period described, though not long after the book was published. His friends were quick to notice the coincidence, remarking he'd really been "Surprised by Joy". "Surprised by Joy" is also an allusion to Wordsworth's poem, "Surprised by Joy-Impatient As The Wind", relating an incident when Wordsworth forgot the death of his beloved daughter.

    And, of course, there's her mother - whether she's writing another ingratiating letter to the Queen or referring to Tom Jones as 'Thumb Jone'.But Zaiba's story is also one of anxiety and seemingly irreconcilable opposites. Growing up she is constantly torn between two identities: 'British' and 'Muslim'. Alienated at school and confused at home, the racism she encounters as a child mirrors the horrors she experiences at the hands of Bangladeshi interrogators as a journalist years later.Five years after the 7/7 attacks galvanized debates about Muslim-British identity, We Are A Muslim, Please is a stirring and enchanting memoir. We see, through Zaiba's childhood eyes, the poignancy of growing up in a world whose prejudices, contradictions and ambiguities are at once distressing and utterly captivating.

    After a whirlwind courtship, a move across the world, and the unexpectedly difficult re-entry from a year overseas, Leeana finds her life (and her soul) has been changed forever.With an artist’s eye, Tankersley uses each chapter to piece together moments and memories from her journey—a handwritten note from Kuwait, a braid of fringe from a Persian rug, an original poem, a bit of basting thread, a swatch of black silk from a borrowed abaya, a mesquite leaf, a Navy SEAL trident, a receipt from the Russian-Georgian restaurant on Louisiana Street—to create a work of unexpected beauty.Found art emerges … a literary collage created from salvaged stories of loss, hope, and belief that just might change your soul, too.

    Never to see her husband again, she was forced to sign a confession to a crime she did not commit and face the executioner's sword, only to be miraculously spared.