He wants you to feel something too."—The Huffington PostI walked up to the side of the mountain like I used to do when I was a little boy. I looked out over Rainelle and watched it shine. The coal trucks and the logging trucks were still gunning it through town. They were still clear cutting the mountains and cutting the coal from the ground. Then I heard my mother calling and it was like I was a child again.Beginning to read Hill William is like tuning into a blues station at 4:00 a.m. while driving down the highway. Scott McClanahan's work soars with a brisk and lively plainsong, offering a boisterous peek into a place often passed over in fiction: West Virginia, where coal and heartbreak reign supreme. Hill William testifies to the way place creates and sometimes stifles one's ability to hope. It reads like a Homeric hymn to adventure, to the human comedy's upsets and small downfalls, and revels in its whispers of victory. So grab coffee, beer—whatever gets you through the night—and join Scott around the hearth. Lend him your ear, but be warned: you might not want it back.Scott McClanahan's work has appeared in New York Tyrant, Bomb, Vice, and Harper Perennial's Fifty-Two Stories. His books include Stories II and Stories V! In 2013 Two Dollar Radio will release his book Crapalachia.

    Her father was supposed to be locked up until Meredith turned eighteen. She thought she had time to grow up, get out, and start a new life. But Meredith is only fifteen, and today her father is coming home from prison. Today her time has run out.

    But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons.Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s most subtlest and effective achievement to date.

    Where clumps of evergreens meet wild ponies, oyster-shell roads, tumble-down houses, unwanted pregnancies, murder, storm-making and dark magic in the marshes. . . Situated off the coast of Virginia's Chesapeake Bay, the group of islands known as the Shore has been home to generations of fierce and resilient women. Sanctuary to some but nightmare to others, it's a place they've inhabited, fled, and returned to for hundreds of years. From a half-Shawnee Indian's bold choice to flee an abusive home only to find herself with a man who will one day try to kill her to a brave young girl's determination to protect her younger sister as methamphetamine ravages their family, to a lesson in summoning storm clouds to help end a drought, these women struggle against domestic violence, savage wilderness, and the corrosive effects of poverty and addiction to secure a sense of well-being for themselves and for those they love.Together their stories form a deeply affecting legacy of two barrier island families, illuminating 150 years of their many freedoms and constraints, heartbreaks, and pleasures. Conjuring a wisdom and beauty all its own, The Shore is a richly unique, stunning novel that will resonate with readers long after turning its final pages, establishing Sara Taylor as a promising new voice in fiction.

    In these fourteen stories, Hemingway begins to examine the themes that would occupy his later works: the casualties of war, the often uneasy relationship between men and women, sport and sportsmanship. In "Banal Story," Hemingway offers a lasting tribute to the famed matador Maera. "In Another Country" tells of an Italian major recovering from war wounds as he mourns the untimely death of his wife. "The Killers" is the hard-edged story about two Chicago gunmen and their potential victim. Nick Adams makes an appearance in "Ten Indians," in which he is presumably betrayed by his Indian girlfriend, Prudence. And "Hills Like White Elephants" is a young couple's subtle, heartwrenching discussion of abortion. Pared down, gritty, and subtly expressive, these stories show the young Hemingway emerging as America's finest short story writer.

    It stole everything it hadn't bothered to buy -- land deeds, private homes, and ultimately, the souls of its men and women.In 1921, an army of 10,000 unemployed pro-union coal miners took up arms and threatened to overthrow the governments of two West Virginia counties. They were greeted by U.S. Army airplanes, bombs, and poison gas. This book recounts the real story of what happened--and where it all went wrong.Four people tell this powerful, deeply moving tale: Activist Mayor C. J. Marcum. Fierce, loveless union man Rondal Lloyd. Gutsy nurse Carrie Bishop, who loved Rondal. And lonely, Sicilian immigrant Rosa Angelelli, who lost four sons to the deadly mines. They all bear witness to nearly forgotten events of history, culminating in the final, tragic Battle of Blair Mountain--the first crucial battle of a war that has yet to be won.

    From literary legends to emerging voices, the acclaimed writers featured in this collection view their hardscrabble South without romanticism or false nostalgia, not through moonlight and magnolia but moonshine and Marlboros. This is the dirty South as captured by those rooted in its land yet able to share its stories with candor and courage. Grit Lit guides readers through tales both tall and true, intoxicating stories of loss, violence, failure, feuds, family, and--above all--survival against the odds. Raw and raucous, Grit Lit gathers some of the most provocative writing to come out of the South in the last thirty years. With a preface by Edgar Award-winning author Tom Franklin and Brian Carpenter's introduction to the genre's origins and influences, this bold anthology lays bare the Rough South in all its battered glory and dares readers not to stare in awe.

      The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    Lafferty, the highly acclaimed author of Past Masters and Fourth Mansions. His people are heroic, foolish, demonic or mischievous, but always unpredictable, and his stories soar with imagination even while they chuckle at themselves.Here at last are the finest of Lafferty's shorter works, stories about:A man who found one day that he knew everyone in the world.A race who kept their most ancient ancestors on shelves in the basements.A speeded-up world where a man could earn and lose a dozen fortunes a night.A friendly bearlike creature named Snuffles who said he was God....in all, twenty-one immensely enjoyable stories that will continue to delight you long after you've read them.

    It is her Uncle Derek who’s stolen the body of their family dog to take to Charleston to prove the water in their creek has been poisoned. With perfectly poised equanimity,Jos witnesses both her grandfather’s grief and her uncle’s rage at his parents for signing this leasing deal, done in part, simply to be neighborly.Ann Pancake’s ear for dialect of these mountain people is perfect, her respect that of one who writes from the heart of this world. These are folks caught in the complexities of rural economies where there are no quick fixes to questions surrounding right livelihood. With first-hand knowledge of this world and her exquisite depictitions of its natural history she may put you in mind of Daniel Woodrell.

    In Blueprints for Building Better Girls, her highly anticipated follow-up, she has crafted another provocative, keenly observed, and wickedly smart work of fiction that maps America's shifting cultural landscape from the late 1970s to the present day.In these eight darkly funny linked stories, Schappell delves into the lives of an eclectic cast of archetypal female characters—from the high school slut to the good girl, the struggling artist to the college party girl, the wife who yearns for a child to the reluctant mother— to explore the commonly shared but rarely spoken of experiences that build girls into women and women into wives and mothers. In “Monsters of the Deep,” teenage Heather struggles to balance intimacy with a bad reputation; years later in “I’m Only Going to Tell You This Once,” she must reconcile her memories of the past with her role as the mother of an adolescent son. In “The Joy of Cooking,” a phone conversation between Emily, a recovering anorexic, and her mother explores a complex bond; in “Elephant” we see Emily’s sister, Paige, finally able to voice her ambivalent feelings about motherhood to her new best friend, Charlotte. And in “Are You Comfortable?” we meet a twenty-one-year-old Charlotte cracking under the burden of a dark secret, the effects of which push Bender, a troubled college girl, to the edge in “Out of the Blue into the Black.” Weaving in and out of one another’s lives, whether connected by blood, or friendship, or necessity, these women create deep and lasting impressions. In revealing all their vulnerabilities and twisting our preconceived notions of who they are, Elissa Schappell, with dazzling wit and poignant prose, has forever altered how we think about the nature of female identity and how it evolves.

    Some money from each copy of Speaking with the Angel sold will benefit autism education charities around the world, including The Treehouse School in London, where Nick’s son Danny is a student, and the New York Child Learning Institute here in the States. This project is truly a labor of love for Hornby and the other writers involved, many of whom are Nick’s friends.These original first-person narratives come from the most exciting voices in fiction. Melissa Bank gives readers a glimpse into the mind of a modern New Yorker whose still-new relationship is a constant source of surprise in “The Wonder Spot.” In Zadie Smith’s “I’m the Only One,” a young man recalls his strained relationship with his diva-esque sister. Dave Egger’s “After I Was Thrown in the River and Before I Drowned,” is told from the viewpoint of an unfortunate pit bull. Helen Fielding offers up a new twist on I’ve fallen and I can’t get up in “Luckybitch.” And in Nick Hornby’s “NippleJesus,” a bruiser finds out that guarding modern art is far more hazardous than controlling the velvet ropes at a nightclub. Speaking with the Angel also includes stories from Roddy Doyle, Irvine Welsh, Colin Firth, John O’Farrell, Robert Harris, Patrick Marber, and Giles Smith.Twelve completely new stories, written by twelve undeniably imaginative voices. Speaking with the Angel is at turns clever, outrageous, witty, edgy, tender, and wicked. This is what they meant by original.

    You better pass it, feller. You’re joining the circus. Ain’t that the best news you ever got?"Delivered by a trio of psychotic clowns, this ultimatum plunges Jamie into the horrific alternate universe that is the centuries-old Pilo Family Circus, a borderline world between Hell and Earth from which humankind’s greatest tragedies have been perpetrated. Yet in this place—peopled by the gruesome, grotesque, and monstrous—where violence and savagery are the norm, Jamie finds that his worst enemy is himself. When he applies the white face paint, he is transformed into JJ, the most vicious clown of all. And JJ wants Jamie dead!

    A young woman visits her father following his nervous breakdown, and a devoted sister is profoundly unsettled by the sermon her brother insists on reciting. Whether in childhood or Vietnam, in memory or the eternal present, these people are revealed in the extenuating, sometimes extreme circumstances of everyday life, and in the complex consequences of their decisions—that, for instance, can bring together an innocent inner-city youth and a little girl attacked, months earlier, by a dog in a wintry park. Yet each story, however crucial, is marked by Mr. Wolff’s compassionate understanding and humor.In short, fiction of dazzling emotional range and absolute authority.

     Evi—a classically-trained ballerina—was nine months pregnant when her husband Eamon was killed in the line of duty on a steamy morning in July. Now, it is winter, and Eamon's adopted brother Dalton has moved in to help her raise six-month-old Noah. Whiskey & Ribbons is told in three intertwining, melodic voices: Evi in present day, as she’s snowed in with Dalton during a freak blizzard; Eamon before his murder, as he prepares for impending fatherhood and grapples with the danger of his profession; and Dalton, as he struggles to make sense of his life next to Eamon’s, and as he decides to track down the biological father he’s never known. In the vein of Jojo Moyes’ After You, Whiskey & Ribbons explores the life that continues beyond loss, with a complicated brotherly dynamic reminiscent of Elizabeth Strout’s The Burgess Boys. It’s a meditation on grief, hope, motherhood, brotherhood and surrogate fatherhood. Above all, it’s a novel about what it means—and whether it’s possible—to heal.