Ravenous hunger and violent rage have brought them together under a cunning, ferocious leader.Man has betrayed his best friend - now the dogs will have their day. It's a bitter winter, and the dogs of summer have grown hungry... and vicious!This new Paperbacks From Hell edition of David Fisher's The Pack (1976) features a new introduction by Will Errickson and the original cover painting by Lydia Rosier.

    But the gallery you are about to visit specializes in the most irresistibly riveting art of all--the art of horror, as practiced to perfection by the greatest modern masters of that ghoulish trade. With twenty gripping, hair-raising selections, Gallery of Horror is one of the very best anthologies ever assembled. But beware--these are writers for whom no leap into the unknown evil is too bold or frightening. Are you ready for it?Contents Aim for the Heart • (1983) • shortstory by Craig Shaw GardnerCanavan's Back Yard • [Canavan] • (1958) • shortstory by Joseph Payne BrennanDeath to the Easter Bunny! • (1983) • shortstory by Alan RyanDerelicts • (1983) • shortstory by Steve Rasnic TemDown Among the Dead Men • (1982) • novelette by Gardner Dozois and Jack DannGravid Babies: A Novel of Horrific Menace in Considerable Synopsis • (1983) • shortstory by Michael BishopIn Darkness, Angels • (1983) • novelette by Eric Van LustbaderIntroduction (Gallery of Horror) • (1983) • essay by Charles L. Grant (aka Introduction (The Dodd, Mead Gallery of Horror))Nona • (1978) • novelette by Stephen KingNunc Dimittis • (1983) • novelette by Tanith LeeOut of Sorts • (1983) • shortstory by Bernard TaylorPetey • (1979) • novella by T. E. D. KleinSomething Nasty • (1983) • shortstory by William F. NolanTalent • (1953) • shortstory by Theodore SturgeonThe Arrows • (1983) • shortstory by Chelsea Quinn YarbroThe Chair • (1983) • novelette by Dennis EtchisonThe Conqueror Worm • (1983) • shortstory by Stephen R. DonaldsonThe Crazy Chinaman • (1983) • shortstory by John CoyneThe Rubber Room • (1980) • shortstory by Robert BlochThe Sunshine Club • (1983) • shortstory by Ramsey CampbellThe Typewriter • (1983) • novelette by David Morrell

    The people of Deacons Kill have seen terrible storms before, and they settle down uneasily to wait it out. But this one is different. As the drifts creep higher, a train appears out of the storm, arriving on rusty abandoned tracks–an antique circus train bringing clowns...and shadows...and death

    She sent for a wartime secret service colleague to come and help. What they discovered was horrifying beyond anything they could have imagined.Dennis Wheatley returned in this audiobook to his black magic theme which he had made so much his own with his famous best seller The Devil Rides Out. In the cumulative shock of its revelations, the use of arcane knowledge, the mounting suspense, and acceleration to a fearful climax, he out-does even that earlier achievement. This is, by any standards, a terrific story.

    Now the final nightmare must explode. Now the killing frenzy must begin...

    He’s everybody’s buddy, has a great sense of humor, works hard at his typical boring job to provide for the wife and kids. And he is a Stranger. Michael seethes with furious impatience for the coming of the Time of the Strangers, when he and millions like him will be able at last to reveal their true selves to a horrified, helpless world.

    We meet a school teacher, his wife, and their young son, Billy. One thing, one seemingly minor thing, goes wrong. And all that was safe and ordinary slowly unravels into nightmare. This familiar premise for the contemporary horror novel has rarely, if ever, been developed so brilliantly as in Bentley Little's The Mailman. A tall, pale postal carrier with carrot-red hair may seem an unlikely candidate for the embodiment of evil, but Little reveals the personality behind the mailman's ever-present smile with such finesse, you'll be more than happy to fall under his spell. By the time the frightened town folk are chanting, "No mail! No mail! No mail! No mail!"--and Billy ends up half-naked in a dark room, next to a soiled wedding dress--you'll be jumping right out of your skin.

    Billy Halleck, good husband and loving father, is both beneficiary and victim of the American good life: He has an expensive home, a nice family, and a rewarding career as a lawyer...but he is also fifty pounds overweight and edging into heart attack country.

    Now they are about to learn what happens to those who believe they can bury the past -- and get away with murder.

    Then they found the first body, strangely swollen and still warm. One hundred fifty were dead, 350 missing. But the terror had only begun in the tiny mountain town of Snowfield, California.At first they thought it was the work of a maniac. Or terrorists. Or toxic contamination. Or a bizarre new disease.But then they found the truth. And they saw it in the flesh. And it was worse than anything any of them had ever imagined...

    In San Francisco, Emily Blake and her husband David, a dermatologist, by an old Victorian in Pacific Heights and hope to start a family. Emily's happy plans are threatened when David begins an affair with a beautiful patient named Jennie. A visit to a mysterious young boy in the Mission District named Lupe starts a chain of events in motion that result in Jennie's death -- by spontaneous combustion -- a murder trial, a media circus, and demon possession.

    As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts' plight. With John, Marjorie's father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend.Fifteen years later, a bestselling writer interviews Marjorie's younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, long-buried secrets and painful memories that clash with what was broadcast on television begin to surface--and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.

    A novel of mind-shattering horror, and a new breed of slime-ridden, oozing slugs lurking in the waist-high grass, developing a taste for new things...for blood, for flesh...human flesh!

    A memo to her boss that's replaced by obscene insults. Amanda—a successful architect in a happy marriage—finds her life going off kilter by degrees. She starts smoking again, and one night for no reason, without even the knowledge that she's doing it, she burns her husband with a cigarette. At night she dreams of a beautiful woman with pointed teeth on the shore of a blood-red sea.The new voice in Amanda's head, the one that tells her to steal things and talk to strange men in bars, is strange and frightening, and Amanda struggles to wrest back control of her life. Is she possessed by a demon, or is she simply insane? Described as “a new kind of psychological thriller” by George Pelecanos and “this year's scariest novel” by Time Out New York, Come Closer has become a modern classic “with a kick that will stay with the reader for days afterward” (The Dallas Morning News).

    . .Paul Kelly had a very big temper for such a small boy. When he tired of his toys he smashed them. When a dog or cat got in his way, he kicked them. And when other children told on him, he made sure they were very, very sorry . . .CHILD’S PLAY . . .But that was nothing compared to what Paul discovered next. Which was that if he didn’t like certain people, he could make it so he’d never have to see them again. Ever. And no one would suspect such a little boy of such a horrible deed. Of such monstrous powers. No one would ever guess that killing could be much more fun than playing with dump trucks and sandboxes. Especially the way Paul did it . . .