Frederick Bailey is a quiet, cultured, closeted architect reluctantly drawn into the effort to save Pennsylvania Station from being demolished. But when he meets Curt, a vibrant, immature gay activist more than half his age, he is overtaken by passions he hasn't felt in years, putting everything he cares about--his friends, his family, his career and reputation--at risk. As the elegant old train station is dismantled piece by piece to make way for the crass new Madison Square Garden sports arena, Frederick must undergo a reckoning he has dreaded all his life. Award-winning author Patrick E. Horrigan delves into the fractured psyches of mid-twentieth-century gay men, conjuring a picture of New York City and the nation on the brink of explosive cultural change.

    It's a turbulent time in Ulster, and in the staunchly Catholic community to which Gabriel belongs, the strict rules for belief and behavior are clear. As Gabriel begins to suspect that he's not like other boys, he tries desperately to lock away his feelings, and his fears. But secrets have a way of being discovered, and Gabriel learns that his might not be the only ones in the Harkin family....Evoking a sense of time and place as compelling as Angela's Ashes and At Swim, Two Boys, Damian McNicholl's A Son Called Gabriel announces the arrival of a striking new literary voice.

    Germany, 1945. The Third Reich is on its knees as Allied forces bomb Berlin to break the last resistance. Yet on an airfield near Berlin, the battle is far from over for a young mechanic, Felix, who’s attached to a squadron of fighter pilots. He’s especially attached to fighter ace Baldur Vogt, a man he admires and secretly loves. But there’s no room for love at the end of the world, never mind in Nazi Germany. When Baldur narrowly cheats death, Felix pulls him from his plane, and the pilot makes his riskiest move yet. He takes a few days’ leave to recover, and he takes Felix with him. Away from the pressures of the airfield, their bond deepens, and Baldur shows Felix the kind of brotherhood he’d only ever dreamed of before. But there’s no escaping the war, and when they return, Baldur joins the fray again in the skies over Berlin. As the Allies close in on the airfield where Felix waits for his lover, Baldur must face the truth that he is no longer the only one in mortal danger.

    We follow Paul Lemoyne on a rake's progress, from low-life prostitution at the stage door of the Palace of Varieties to the salons and studios of Mayfair; from the bath-houses of Bermondsey to the rarefied circles of modern art. And behind it all lurks the mysterious figure of Albert Abbott, his lover, corrupter and Svengali.

    He was Kurt Strom, a big, good-looking southern boy who left the Detroit Tigers farm team to serve as a medic. In the blood-and-guts insanity of jungle warfare, he tended their wounds. In the comaraderie of of combat, he seduced them.

    One is a war-weary but scholarly Southerner who has seen too much bloodshed, especially the tortures inflicted upon the enemy by his vicious commanding officer, his uncle. The other is a Herculean Yankee captured by the rag-tag Confederate band and forced to become a martyr for all the sins of General Sheridan's fires. When these two find themselves admiring more than one another's spirit and demeanor, when passions erupt between captor and captive, will this new romance survive the arduous trek to Purgatory Mountain?

    Toklas. But it is the honesty and vulnerability of Sergey, our young gay narrator, that hook the reader: his stuttering childhood in the shadow of his brilliant brother, his opium-fueled evenings with his sometime lover Cocteau, his troubled love life on the margins of the Ballets Russes and its legendary cast, and his isolation in war torn Berlin where he will ultimately be arrested, sent to a camp and die in 1945. A meticulously researched novel, in which you will meet an extraordinary cast of characters including Picasso, Diaghilev, Stravinsky, Magnus Hirschfield ("Tante Magnesia"), Gertrude Stein and Alice B. Toklas, Cocteau, and of course the master himself, Vladimir Nabokov, this is ultimately the story of a beautiful and vulnerable homosexual boy growing into an enlightened and courageous man.

    In the heady years before the crash, financiers drape their mistresses in Chanel, while expatriates flock to the avant-garde bookshop Shakespeare and Company. One day in July, a young American named Rafaela Fano gets into the car of a coolly dazzling stranger, the Art Deco painter Tamara de Lempicka.Struggling to halt a downward slide toward prostitution, Rafaela agrees to model for the artist, a dispossessed Saint Petersburg aristocrat with a murky past. The two become lovers, and Rafaela inspires Tamara's most iconic Jazz Age images, among them her most accomplished—and coveted—works of art. A season as the painter's muse teaches Rafaela some hard lessons: Tamara is a cocktail of raw hunger and glittering artifice. And all the while, their romantic idyll is threatened by history's darkening tide.Inspired by real events in de Lempicka's history, The Last Nude is a tour de force of historical imagination. Avery gives the reader a tantalizing window into a lost Paris, an age already vanishing as the inexorable forces of history close in on two tangled lives. Spellbinding and provocative, The Last Nude is a novel about genius and craft, love and desire, regret, and, most of all, hope that can transcend time and circumstance.

    . . both urgent and convincing."--The New York Times Book Review In this sequel to David Feinberg's national bestseller Eighty-Sixed, B.J. Rosenthal navigates life with an HIV-positive diagnosis amidst the "constant tide of deaths" in New York City during the AIDS crisis.

    With genuine caring and concern for her boys, Franny looks after the gay men of Provincetown with the ultimate goal of making a place in the world for those who don't belong and making the world better for all.

    Due to obsessive-compulsive daily cleaning binges and a penchant for nightly online cruising for hookups, he finds his sales figures slipping despite a booming market. There's also his ongoing struggle to collect the rent from his passive-aggressive tenant and his worries about his best friend, Edward, whom he's certainly not in love with. Just as he decides to do something about his life, he meets Charlotte and Samuel, wealthy suburbanites looking for the perfect city apartment. "Happy couple," he writes in his notes. "Maybe I can learn something from them." What he ultimately discovers challenges his own assumptions about real estate, love, and desire—and what they learn from him might unravel a budding friendship, not to mention a very promising sale. Full of crackling dialogue delivered by a stellar ensemble of players, Alternatives to Sex is a smart, hilarious chronicle of life in post-traumatic, morally ambiguous America—where the desire to do good is constantly being tripped up by the need to feel good. Right now.

    From the back cover copy:Max Desir loved his Italian-American family--even after his iron-willed father exiled him from its intimate innner circle.Max Desir loved his lover, Nick, with whom he openly took up life first amid the enchantment of Rome, then amid the realities of New York.Two loves so deeply felt--in a man so painfully divided...

    He believes his destiny is to be the greatest composer of the rapidly approaching twentieth century. Only Laurence Northcliff, a young history master at The Venerable Bede School for Young Gentlemen, believes in Dylan's talent and encourages his dream, not realizing Dylan is in love with him. But Dylan's passion and belief in his future come at a high price. They will alienate him from his family and lead him on a rocky path fraught with disappointment, rejection, and devastating loss that kills his dream. A forbidden love could bring the dream back to life and rescue Dylan from despair and bitterness, but does he have the courage to reach out and take it? Will he deny the music that rules his soul?

    If it weren’t for us, the world would suffer from a dismal lack of stories," writes Bruce Benderson in this brutally candid memoir.What astonishes and intrigues is Benderson’s way of recounting, in the sweetest possible voice, things that are considered shocking,” wrote Le Monde. What’s so shocking? It’s not just Benderson’s job translating Céline Dion’s saccharine autobiography, which he admits is driving him mad; but his passion for an impoverished Romanian in "cheap club-kid platforms with dollar signs in his squinting eyes,” whom he meets while on a journalism assignment in Eastern Europe.Rather than retreat, Benderson absorbs everything he can about Romanian culture and discovers an uncanny similarity between his own obsession for the Romanian (named Romulus) and the disastrous love affair of King Carol II, the last king of Romania (1893-1953). Throughout, Benderson— "absolutely free of bitterness, nastiness, or any desire to protect himself,” wrote Le Monde—is sustained by little white codeine pills, a poetic self-awareness, a sense of humor, and an unwavering belief in the perfect romance, even as wild dogs chase him down Romanian streets.

    Sandel is an evocative portrait of boarding-school and Oxbridge life and the intense, often romantic friendships that flourish there. It is also a novel of sexual awakening, whose light touch disguises the profound emotions that such friendships generate; the relationship portrayed is partly of equals and partly, as often happens, one where it is the younger partner who decides whether and how it should persist.