They do everything together, from curling up in their basket to playing fetch in the park. Twiglet understands Fennel like no one else, especially her life-long dream of winning Crufts. There's just one problem: Fennel isn't a dog. And a girl can't win a competition for dogs, no matter how much she acts like one.Can she?

    These letters of famed missionary-author Amy Carmichael, written to specific individuals on particular occassions, have a wider message which may now for the the first time be shared by the general reader.

    Instead, she embarks on an illicit affair with her art teacher, Keyvan, and they tentatively imagine a future together.But the sudden death of her uncle, an outspoken journalist, raises many unanswered questions and when Layla’s cousin, who is visiting from America, is arrested by the morality police, the komiteh, Layla’s plans for the future begin to unravel. “I was totally captivated by this novel. Layla is torn between her heart and the restrictions of her culture. She obeys her heart though not without a price. This wonderfully poetic story keeps you hooked right to the very end.”  -  Stephanie Hale, author and broadcaster   “a bittersweet tale of betrayed trust and ruptured innocence… the feel for colour and language is vibrant” -  Guardian first novel choice   “Vividly written, fresh and eloquent, a girl’s poignant tale of love and menace in contemporary Iran.” -  Fay Weldon   “I loved this book. It gives you real insight into the world of educated middle-class Iranians in the early 21st century. We are so used to the Iranians we meet in the UK that we do not realise how hard it is to live under their political regime at home. A joy to read.” -  www.openingthebook.com   Louise Soraya Black Born in England in 1977 to an English mother and Iranian father. Her father worked for UNICEF so she spent 17 years living overseas, in countries including Iran, Pakistan, Bangladesh and Indonesia. In spite of all this travel, she had strong roots: the family spent their summers in England and winter holidays in Iran.She began an English degree at University College London, but after a year switched to Law. She spent 8 years in corporate law but was unfulfilled so began writing in her spare time. She felt it was important to write about Iran because Iran is portrayed in the media as a bleak and oppressive place.  She wanted to show Iran as a beautiful country, where the food is delicious, and Iranians are warm and hospitable. And while the media tends to paint a portrait of Iranian women as submissive and voiceless, this was not at all her experience so she created resilient and brave female characters in her novel.She had just about given up hope of finding a publisher for this novel, when she found out that Pomegranate Sky had won the Virginia Prize, a new literary prize for unpublished women writers. She was astonished and overjoyed, particularly when the novel received excellent reviews. After the birth of her son, she didn't return to law and instead, decided to focus on her writing. She has just completed her second novel.

    For Kora Garver, Horseback Inn is one of those places. Inherited from her great aunt, she spends her time caring for its guests and horses. Truth be known, it’s the thing that’s kept her going, helped her to push through her darkness. But her darkness has darkened to the point that she can no longer see the light. Once a beautiful woman, at forty, she sees herself as scarred and undesirable. Miserable and alone, ashamed of who she’s been and what she’s done, retraumatized every time she closes her eyes, she’s decided to end her life.At seventeen, Finn Warner lost what most take for granted, her sight. But she didn’t let that hold her back. She graduated from medical school at the top of her class. She finished her residency in psychiatry. She established a lucrative private practice. At forty-three, most of her dreams have been fulfilled—with one exception—that she has no one with whom to share her life. In a world where attraction often begins with sight, she’s come to accept that, in all likelihood, she’ll never have an intimate partner. But she has a rewarding career, good friends, and a great dog. That’s enough. The handsome woman counts her blessings each night and recognizes that she has more than most.When a blinding snowstorm leaves Finn in a snowdrift, she’ll stay at Horseback Inn, her favorite place to visit as a kid. While there, she’ll be reunited with Kora, the girl she held for hours when she was fourteen years old; the girl she’s never stopped thinking about; one of only a handful of girls that she’s ever held that close. When Kora takes a tumble, she’ll have the opportunity to get even closer. But she’s not sure that Kora is a lesbian. And if that’s not enough, Kora’s loaded down with baggage, more than any person should have to carry. After passion ignites, Kora will push her away. Snowbound, during the final countdown to suicide, two women, as different as night and day, are given a chance at love. But to seize it, they must navigate a difficult path through the darkness.

    Estranged from his wife and child for 30 years following an affair with one of his patients, a Jewish psychoanalyst begins a journey toward redemption which leads him to Los Angeles in search of a reconciliation with his son.

    "I mean, YOUR life isn't over. Beyond the kids. You'll go on living, doing things. This isn't it."I know, I assure him. I have the kids. They need me. They're my life now."OK," he replies, then grunts—more of a brief hum. He only hums when he thinks I'm full of shit.Shockingly single. Amy Biancolli's life went off script more dramatically than most after her husband of twenty years jumped off the roof of a parking garage. Left with three children, a three-story house, and a pile of knotty psychological complications, Amy realizes the flooding dishwasher, dead car battery, rapidly growing lawn, basement sump pump, and broken doorknob aren't going to fix themselves. She also realizes that "figuring shit out" means accepting the horrors that came her way, rolling with them, slogging through them, helping others through theirs, and working her way through life with love and laughter.Amy Biancolli is an author and journalist whose column appears in the Albany Times Union. Before that, Amy served as film critic for the Houston Chronicle where her reviews, published around the country, won her the 2007 Comment and Criticism Award from the Texas Associated Press Managing Editors Association. Biancolli is the author of House of Holy Fools: A Family Portrait in Six Cracked Parts, which earned her Albany Author of the Year. Amy lives in Albany, New York, with her three children.

    The stories range in style from the gritty noir of David Means' "Sault Ste. Marie" to the mesmerizing mythmaking of Louise Erdrich's "The Plague of Doves," while the settings include a village perched on top of an enormous whale (David Lawrence Morse's "Conceived") as well as a swank suite at the Plaza Hotel (Xu Xi's "Famine"). The three most powerful stories seem to have in common the ability to immerse readers in a character's sudden, searing moment of self-knowledge and the way that insight impacts the course of a life. In Edward P. Jones' elegiac, masterful "Old Boys, Old Girls," a hard-bitten con comes to see that redemption is within his reach. Deborah Eisenberg delicately deconstructs a young girl's attraction to an abusive man in the haunting "Windows." And, finally, the storied Alice Munro, in "Passion," conveys the complex inner world of a teenager who discovers she values risk over security.

    After all,Australia’s just Canada with more sunshine and strange animals, right?But they soon discover things aren’t so simple. Steve struggles to settle and Ashley fears he will come to regret both the move and the marriage – especially after she loses her wedding rings on Bondi Beach. Baffled, homesick and increasingly anxious (in a land renowned for ‘no worries’), she is preparing to return to Canada when Steve shockingly announces that he wants to stay in Australia. Forever.For the sake of her marriage and her happiness, Ashley must find an Australia she can belong to: she decides to travel the country, learn its history, decode its cultural quirks and connect with as many residents as she can meet. How to Be Australian is a remarkable memoir, at once familiar and faraway, that shines a fresh, funny and fascinating light onto the country we think we know.

    Morton's first two unforgettable novels in one volume: The House at Riverton plus The Forgotten Garden.

    This is the voice her readers have come to rely on - insistently honest, unflinching, self-mocking and always hilarious.In Mexico, she tries to write a novel, while the toilet explodes in the house, the gardener hoses her notes and the young maid questions her about plastic surgery. In Poland she retraces the steps of her much-loved character from Too Many Men, Ruth Rothwax, and finds herself surprised to hear Ruth's words coming out of her own mouth. In between she writes for the first time about the devastation of losing her New York home to fire and having to rebuild not only a life but a history. She also offers powerful insights into her adopted city New York, both before and after the tragic events of September 11.Brett's witty and audacious eye captures thos moments of humour, pain and love in life that move and haunt us all. Between Mexico and Poland is Lily Brett at her very best.

    They suddenly notice every tiny wrinkle, question the speed of their corporate ladder climb, or suffer from a biological clock that rivals Big Ben. Is it vanity, fear of aging, early midlife crisis, or insanity? It's actually the result of what astrologers call the "Saturn Return," a phenomenon occurring every 28 years, when Saturn completes its cycle through an individual's birth chart. At this crucial juncture, women often experience a crisis of self, unexplained chaotic feelings, or the uncertainty of personal and professional crossroads. In Surviving Saturn's Return, the first book to explore the subject, the authors combine their psychological and astrological expertise to demystify this cosmic source of strife and offer self-help strategies for surviving, even thriving, during this "quarterlife" crisis. In a fun, friendly, and reassuring tone, they explain how to deal with everything from the father complex to money to marriage to maturing confidently into adulthood.

    Her voice came back, whispering at first, then screaming. Ceremony for the Choking Ghost contains the sound of that voice returning, bringing poems about grief and its effect on the body, the body politic, memory and, of course, poems about love. From the intensely personal, "How My Family Grieved," to the political, "What Lot's Wife Would Have Said (If She Wasn't a Pillar of Salt)," Finneyfrock engages the reader with the chiseled images of a precise storyteller.

    

    Key Features: *Study methods *Introduction to the text *Summaries with critical notes *Themes and techniques *Textual analysis of key passages *Author biography *Historical and literary background *Modern and historical critical approaches *Chronology *Glossary of literary terms

    Pet owners will surely recognize her big dog antics!I have a Great Dane named MillyShe greets all the guests willy-nilly!Mistletoe hanging highBig dog kisses will flyOh Milly, you make Christmas silly!With plenty of rhyming and repetition, A Silly Milly Christmas is perfect for read alouds, early learning, elementary classrooms, and animal lovers everywhere. Great for ages 2-10.