. . More Like Wrestling is the magnificent debut novel by one of the most acclaimed music journalists of her generation. It tells the story of Pinch and Paige, two sisters coming of age in Oakland, California, in the 1980s, a time when that beautiful, crumbling city is being transformed by tectonic shifts, both literal and figurative. The novel unfolds through the alternating narration of the two sisters: Pinch, quiet and observant, and Paige, louder and wilder but faltering under her facade. The sisters are teenage refugees from a violent home, living alone in a faded Victorian mansion where they survive by creating a closed world centered around each other and their new friends—a rowdy makeshift family of castoffs, dealers, and drama queens on the periphery of the burgeoning drug game, some looking for a way out, some looking for a way deeper in. As the sisters grow from girls into women, they are confronted with a series of surprising reversals—death, imprisonment, and, just maybe, love—that force them to come to grips with the truth about their choices, their friends, and their tangled roots.More Like Wrestling takes readers into fresh and surprising terrain, bringing a complex set of characters to vivid life with bracing honesty and sophistication. With a journalist’s eye for detail and a poet’s ear for language, Danyel Smith has written an unforgettable tale about memory, forgiveness, and love in a world built on fault lines.

    There, she finds a foreign, civilized world -- and Manus, the architect son of a wealthy, devout family. Together Deirdre and Manus build a marriage that, like Dublin itself, is fraught with hope and threatened by legacies. When Deirdre's secret resurfaces, she is forced to confront the questions "How much of our parents do we carry? Do their sins and frailties shape who we become to our own children?"

    

    With a mixture of impassioned dialogue and subtle narrative, Jhabvala examines the psychological and cultural forces that wend their paths into inextricable knots of love and conflict.

    Ackerman muses on the confines of therapy sessions, where she intersects "twice a week/in a painstaking hide-and-seek/making do with half-light, half-speak"; relishes the succulent pleasure of eating an apricot, with its "gush of taboo sweetness"; and imagines the "unupholstered voice, a life in outline" in her stunning elegy to C. S. Lewis. Whimsical, organic, and wise, the poems in I Praise My Destroyer affirm Ackerman's place as one of the most enchanting poets writing today.

    The botched parliament at Stormont lumbers from crisis to crisis and has scarcely passed any laws. At the time of writing, Sinn Féin and the DUP are refusing to share power and Northern Ireland is facing being run directly from London.This remarkable book examines power-sharing and the peace process in Northern Ireland on the twentieth anniversary of the Good Friday Agreement and asks what it has achieved beyond an end to violence. She concludes that, although it brought an end to violent blood shed on Northern Ireland's streets, it also failed to create healthy and functional politics.The Good Friday Agreement served an important purpose in 1998, but has since been out-paced by local and global politics. It is no longer fit to facilitate the peaceful politics it made possible, as the current collapse of power-sharing sadly shows.

    But five years later, in a car packed with food she has carefully prepared to nourish her husband’s dying brother, the other shoe does drop. Taylor’s husband unexpectedly proclaims he is, “done with the marriage and doesn’t want to talk about it.”With this, the life Taylor has come to know is over. Relying on the strength of a lifelong friend who refuses to let her succumb to the intense waves of grief, she slowly begins to find her way out of the shadows of grief. Over the course of two years, through appointments with attorneys and therapists, purging shared belongings, and pushing herself to meet new people and do new things, Taylor not only regains a sense of control in her life, she also learns to enjoy the new life she has built, the friendships she’s formed—and to savor her newfound strength.

    This classic book teaches the importance of respectful silence in prayer, seeking God in fidelity in love, patience in prayer, collecting yourself inwardly, and total abandonment of self to God. Shortly after Madame Guyon wrote this book, she was imprisoned for 7 years because her prayer styles unsettled the established church of the time. In her own words, Madame Guyon's goal was to "to induce the world to love God and to serve Him with comfort and success, in a simple and easy manner." Little did she know that after her death in 1717 her little treatise would be published and read all over the world. Today Madame Guyon's book reminds us that God wants us to take time with him and let His word penetrate into our heart, by praying and then silently listening and waiting on God to speak to our hearts.

    In fresh and irreverent prose, Romm captures the mo-ments before and after loss, mining the depths of grief with wit and grace.The stories in "The Mother Garden" are at once vividly realistic and infused with the bizarre -- a man uses a chicken egg to test whether he is ready for fatherhood; a daughter plants a garden of mothers to replace her own; a family's ghosts literally fall through the ceiling, disrupting daily life; a woman finds her father sleeping in the desert after twenty-six years of living without him. People stumble in relationships, start families, struggle with illness, learn to mourn -- and as in life, these acts are consuming, magical, and disorienting.Sharply funny and deeply moving, this extraordinary collection introduces a young writer of fierce originality and prodigious talent.

    Evocative, family drama and love story, rich with contemporary issues, humour, tragedy and conflict. Think Pakistani Jane Austen!

    The stories began as part of her project she was a masters student at Lancaster University in 1993, inspired by her homesickness, and her longing for the 'Terengganu air'. She explores themes of love, grief, loss and longing, and the magic in our lives. A young boy, grieving for his late father, meets a ghost who tells him that he is the king of the sea. Alia, a missing child, comes back as a chicken to bewildered parents. A daughter witnesses an affair by her unfaithful mother, but she is not sure if she was hallucinating. A young man arrives on an island, and marries a jungle spirit, a bunian. Hell breaks lose in a small village when a brash modern city woman decides to live there. A teacher who longs for a more glamorous life, literally, disappears into a movie screen.Dina Zaman, a survivor from the I Am Muslim tsunami, has been writing in the Malaysian media for over 17 years. Her first book, a collection of short stories, night & day, which was part of the Black & White series, was published by Rhino Press in 1997. She has had her works of fiction, and non-fiction, published in many journals and periodicals, locally and regionally. She is currently studying saints, and other holy men and women, and their impact on Malaysia for her next book Holy Men, Holy Women under the API Fellowship 2012-2013 programme that she has just been awarded.

    Includes DVD. What happens when a person loses hope and yet still has the urge to make a photograph or draw with a stick in the dirt? Kate Greenstreet would like you to read this book as if you had found it left behind on the empty bus seat next to you--a document not directly addressing the question Why do we make art, but one that notices that one does make art, despite conditions, and that one would regardless. THE LAST 4 THINGS comes with a DVD of two movies created by the author. A poem is made by composition, by putting things together, and when you read this book your hands tingle. THE LAST 4 THINGS brings craftsmanship to reverie; it turns dreaming into meaningful work. It is a serious approach to the grammar of our emotions and you do well to read it with your hands--Thomas Basboll.

    Her husband Ruben is a handsome philanderer who has a knack for creating phony lawsuits. Their precocious daughter Devorah, tells–and often imagines–the richly involving story of their lives. No one expects the devoted Chenia to fall under the spell of a lover of her own, but the Arnows' lives unfold in many surprises. In tart and seductive storytelling, Swimming Toward the Ocean follows husbands and wives and children through often shifting and misguided connections, illuminating the timeless patterns of immigrant life, and the search for love and a place in a new world.

    The ghost of a young murdered girl flits through every scene linking the pain and anguish of all the characters struggling to cope with urban life.

    Always has. Always will. After all, she's been spoiled rotten ever since she witnessed her mother's death as a child, and she's made the most of it-especially with her dad. So when her oldest friend, Deborah, begins to date a fine-looking, fine-acting man named Darren-Babysister doesn't think twice: she wants Darren for herself. And what Babysister wants...There are just a few little problems with their secret love affair. Babysister's devoted boyfriend is one. And Darren's lingering doubts about dumping Deborah--light-skinned, church-going, beautiful--is another. But Babysister won't let go, even after Darren crawls back to Deborah--and marries her. Following her love-crazed heart, Babysister jeopardizes friendship, family, and her own self-esteem, until a little dose of reality shows her how much she's been missing all along.