--Hanoi to Hoboken: a round trip ticket --Living with other women --Take a lesbian to lunch --The last straw --The shape of things to come --Roxanne Dunbar --Gossip --Leadership vs. stardom --The last picture show --A manifesto for the feminist artist --Love song for feminists from Flamingo Park --I am a woman --The good fairy --It's all Dixie cups to me --The lady's not for burning.

    The story of Sackville-West's marriage to Harold Nicolson is one of intrigue and bewilderment. In Portrait of a Marriage, their son Nigel combines his mother's memoir with his own explanations and what he learned from their many letters. Even during her various love affairs with women, Vita maintained a loving marriage with Harold. Portrait of a Marriage presents an often misunderstood but always fascinating couple.

    BUCKLE YOUR SEAT BELT AND GET READY TO RIDE!

    These 49 short stories, poems, interviews and essays—fiction and nonfiction—make up a powerful collection of original and new writing by 41 women. does your mama know? is ready to take its place in the halls of literary African-American lesbian voices.

    In new afterwords, the co-editors reveal how the book came to be and what happened to their lives when, for the first time in history, a lesbian book from a small publisher went mainstream. Each nun in these stories describes her individual and searing path in, or out of, the convent to discover and face the truth of herself. Still myth-shattering, the stories remind us of the courage required to live—and love—in congruence with our authentic selves. "Oblivious to the controversies that surrounded the initial publication of Lesbian Nuns: Breaking Silence, whether they originated within the Catholic Church or the lesbian feminist movement, thousands of readers across the decades have embraced the book and found their lives changed by its message of empowerment." - Joanne E. Passet, Ph.D., Professor of History, Indiana University East

    This innovative primer highlights sexual liberation as it traces the lineage of “witch feminism.” Juxtaposing scholarly research on the demonization of women and female sexuality that has continued since the witch hunts of the early modern era with pop occulture analyses and interviews with activists, artists, scholars, and practitioners of witchcraft, this book enriches our contemporary conversations about reproductive rights, sexual pleasure, queer identity, pornography, sex work, and more.Kristen J. Sollee is instructor at The New School and founding editrix of Slutist, an award-winning sex positive feminist website."

    An ex–Southern Baptist born in Kentucky, she was camping in an Avenue B loft, scribbling poems, and playing in an underground band, trying to figure out her next move. A couple of months later she was consumed by the Lesbian Avengers, instigating direct action campaigns, battling cops on Fifth Avenue, mobilizing 20,000 dykes for a march on Washington, D.C., and eating fire—literally—in front of the White House.At once streetwise and wistful, Eating Fire is a witty and urgent coming-of-age memoir spanning two decades, from the Culture War of the early 1990s to the War on Terror. Cogswell’s story is an engaging blend of picaresque adventure, how-to activist handbook, and rigorous inquiry into questions of identity, resistance, and citizenship. It is also a compelling, personal recollection of friendships and fallings-out and of finding true love—several times over. After the Lesbian Avengers imploded, Cogswell describes how she became a pioneering citizen journalist, cofounding the Gully online magazine with the groundbreaking goal of offering “queer views on everything.”The first in-depth account of the influential Lesbian Avengers, Eating Fire reveals the group’s relationship to the queer art and activist scene in early ’90s New York and establishes the media-savvy Avengers as an important precursor to groups such as Occupy Wall Street and La Barbe, in France. A rare insider’s look at the process and perils of street activism, Kelly Cogswell’s memoir is an uncompromising and ultimately empowering story of creative resistance against hatred and injustice.

    What is it that two women do together exactly? The Lesbian Sex Haiku Book (with Cats!) is a humorous guide to lesbian sex, dating rituals, and relationships, and aims to dispel all myths. Haiku paired with hilarious watercolor illustrations of cats in various stages of sexual awkwardness will enlighten, demystify, remystify, and most importantly entertain as you learn about all the aspects involved in girl-on-girl action. From lesbian pick-up lines: Pronounce Annie Proulx's name correctly—watch lady's cargo pants fall off. To icebreaker haiku for first dates: It has been MANY years, but I'm not done griping about The L Word. To, of course, the mechanics of lesbian sex: It's like straight sex but afterwards we ask ourselves, "We just had sex, right?" Lesbian sex is like water polo—no one really knows the rules. This laugh-out-loud book is the perfect gift to amuse and educate your friends, loved ones, and lovers.

    The Disappearing L explores the rise and fall of the hugely popular women-only concerts, festivals, bookstores, and support spaces built by and for lesbians in the era of woman-identified activism. Through the stories unfolding in these chapters, anyone unfamiliar with the Michigan festival, Olivia Records, or the women’s bookstores once dotting the urban landscape will gain a better understanding of the era in which artists and activists first dared to celebrate lesbian lives. This book offers the backstory to the culture we are losing to mainstreaming and assimilation. Through interviews with older activists, it also responds to recent attacks on lesbian feminists who are being made to feel that they’ve hit their cultural expiration date.“The Disappearing L is both an ‘insider’ story and a well-written analysis of a neglected piece of cultural history. Morris delivers convincing arguments about why the lesbian-feminist era was important not only to the individuals who lived it but also to a broader understanding of what has come to be called ‘LGBT’ history. No one could be better positioned to write this book than Morris.” — Lillian Faderman, author of The Gay Revolution: The Story of the StruggleBonnie J. Morris is Adjunct Professor of Women’s Studies at both George Washington University and Georgetown University. She is the author of several books, including Eden Built by Eves: The Culture of Women’s Music Festivals and Lubavitcher Women in America: Identity and Activism in the Postwar Era, also published by SUNY Press.

    but now they are taking oversharing to a whole new level. Discussing sexuality, revealing secrets and empowering others, OVERSHARE is a book packed with Rose and Rosie's unique take on friendships, fame, mental health and LGBT issues.As visibly out members of the LGBT community, they open up about their own experiences, both together and as individuals, and have written this book in the hope that it gives strength to those who have faced similar difficulties. They are spreading a message of positivity and inclusivity, and want everyone to feel comfortable in their own skin, no matter what their sexuality. Delve deep into the unfiltered highs and lows of Rose and Rosie's life: family relationships, secrets of a happy marriage, struggles with OCD and anxiety, finding love and navigating the world as a gay couple. Get ready to laugh, cry, cringe and OVERSHARE.

    Free love, common-law and transient marriages, serial partners, cohabitation outside of wedlock, queer relations, and single motherhood were among the sweeping changes that altered the character of everyday life and challenged traditional Victorian beliefs about courtship, love, and marriage. Hartman narrates the story of this radical social transformation against the grain of the prevailing century-old argument about the crisis of the black family.In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship that were indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work.Beautifully written and deeply researched, Wayward Lives recreates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them—domestic service, second-class citizenship, and respectable poverty—and whose intimate revolution was apprehended as crime and pathology. For the first time, young black women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, Wayward Lives recovers their radical aspirations and insurgent desires.

    Even though the glass ceiling is cracked, most women stay comfortably beneath it, and everywhere we hear about vitally important “hardwired” differences between male and female brains. The neuroscience we read about in magazines, newspaper articles, books, and sometimes even scientific journals increasingly tells a tale of two brains, and the result is more often than not a validation of the status quo. Women, it seems, are just too intuitive for math, men too focused for housework.Drawing on the latest research in neuroscience and psychology, Cordelia Fine debunks the myth of hardwired differences between men’s and women’s brains, unraveling the evidence behind such claims as men’s brains aren’t wired for empathy, and women’s brains aren’t made to fix cars. She then goes one step further, offering a very different explanation of the dissimilarities between men’s and women’s behavior. Instead of a “male brain” and a “female brain,” Fine gives us a glimpse of plastic, mutable minds that are continuously influenced by cultural assumptions about gender.Delusions of Gender provides us with a much-needed corrective to the belief that men’s and women’s brains are intrinsically different--a belief that, as Fine shows with insight and humor--all too often works to the detriment of ourselves and our society.

    Explored are the issues behind forty artefacts from ancient times to the present, and from cultures across the world, to ask a question that concerns us all: how easily can we recognize love in history? Concise and beautifully illustrated with objects from the British Museum’s far-ranging collection, A Little Gay History provides an intriguing and valuable insight into the range, diversity and complexity of same-sex experiences. It has been named a Stonewall Book Award-Israel Fishman Non-Fiction Award Honor Book for 2014.AuthorR. B. Parkinson is internationally known as a specialist in Ancient Egyptian texts and a curator of ancient Egyptian culture at the British Museum. His books for the British Museum Press include Voices from Ancient Egypt, The Tomb-Chapel of Nebamun, and (for children) The Pocket Guide to Ancient Egyptian Hieroglyphs.

    By examining the perilous intersections of identity, categorization, and community, contributors challenge societal mores and countercultural norms. Nobody Passes explores and critiques the various systems of power seen (or not seen) in the act of “passing.” In a pass-fail situation, standards for acceptance may vary, but somebody always gets trampled on. This anthology seeks to eliminate the pressure to pass and thereby unearth the delicious and devastating opportunities for transformation that might create.Mattilda, aka Matt Bernstein Sycamore, has a history of editing anthologies based on brazen nonconformity and gender defiance. Mattilda sets out to ask the question, “What lies are people forced to tell in order to gain acceptance as 'real'.” The answers are as varied as the life experiences of the writers who tackle this urgent and essential topic.

    Holding all accountable, this collection fully embraces the loss, grief, and abundant joy that come with charting one’s own path in identity, life, and love.In the HospitalMy mother was in the hospital & everyone wanted to be my friend.But I was busy making a list: good dog, bad citizen, shortskeleton, tall mocha. Typical Tuesday.My mother was in the hospital & no one wanted to be her friend.Everyone wanted to be soft cooing sympathies. Very reasonablepigeons. No one had the time & our solution to itwas to buy shinier watches. We were enamored withwhat our wrists could declare. My mother was in the hospital& I didn’t want to be her friend. Typical son. Tall latte, short tale,bad plot, great wifi in the atypical café. My mother was in the hospital& she didn’t want to be her friend. She wanted to be the familygrocery list. Low-fat yogurt, firm tofu. She didn’t trust my fatherto be it. You always forget something, she said, even whenI do the list for you. Even then.