You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Now in paperback, "Complete Short Poetry" gathers all of Zukofsky's poetry outside his 800-page magnum opus entitled" "A""--including work that appeared in "All: The Collected Short Poems, 1923-1964," the experimental transliteration (with Celia Zukofsky) of Catullus, the limited edition "80 Flowers," as well as several fugitive pieces never before collected."Zukofsky is the American Mallarm," writes Hugh Kenner, "and given the peculiar intentness of the American preoccupation with language--obsessive, despite what you may read in the newspapers--his work is more disorienting by far than his exemplar's ever was. Mallarm had a long poetic tradition from which to deviate into philology. Zukofsky received a philological tradition, which he raised to a higher power."

    Including such subjects as "I Heart Unending Paranoia," "Because You Know You're Avoiding Going Somewhere But Don't Even Know Where Yet," and "I'm Not Going To Change My Clothes Today," Pink's collection is bizarre, funny, and original.

    Advances in technology, shifts in demographics, and developments in global politics will all play a part in dramatically transforming our future. But this book is not about predicting the future-it's about understanding the principles that will shape it. Scores of youth-oriented church-planting movements have come and gone quickly over the last century, many of them with the potential to literally change the world for Christ. Unfortunately, most didn't survive because they were unable to maintain what made them so effective in their first twenty years.The same mission, values, and culture that inspire movements must also sustain them. Simple to say. Not so easy to do. 100 Years From Now explores the importance of understanding mission, values, and culture in order to grow and sustain a movement for generations."100 Years from Now invites a truly global conversation on what the Spirit is saying to the churches about God's mission for every nation." -Dr. Timoteo Gener, President and Professor of Theology, Asian Theological Seminary

    The pieces of each mom's life-the work life, mom life, social life, etc.-are mended together through Christ to complete her one whole life, set apart because of Him.This book is a stepping stone to help working mothers reset their spiritual and emotional health, habits, and relationship with God. There are performance pressures at work, home, and mind-sets that affect a mom's ability to feel complete and live more closely aligned with God. This book includes the beginning steps for moms to walk in wholeness and holiness by asking God for more.

    Most of the songs are simple, erotic lyrics. Some are attributed to legendary courtesans, while others may have been sung at harvest festivals or marriage celebrations. In addition to the folk songs, Rexroth offers a wide sampling of Chinese verse: works by 60 different poets, from the third century to our own time. Rexroth always translated Chinese poetry—as he said—“solely to please myself.” And he created, with remarkable success, English versions which stand as poems in their own right.

    

    The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steeped in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then in the 1930s came Dear Lovely Death (1931) and the radical A New Song (1938). Poems such as "Good Morning Revolution" and "Let America Be America Again" made his pen one of the most forceful in America during the Great Depression.

    And he also showed that within him beat the heart of an artist -- a major factor in his resilience and recovery.Now with Who Will Cry for the Little Boy?, his first collection of poetry, Antwone Fisher reveals the inner truths that took him from a tumultuous childhood to the man he is today. The powerful poems presented here range from impressions and expressions of Antwone's years growing up to the love that he has gained from the family he made for himself as an adult.From the title poem -- which is featured prominently in the movie Antwone Fisher -- a plaintive, haunting tribute to a childhood lost to abuse and neglect, to "Azure Indigo," the uplifting and touching poem about his daughters, many readers will find their own feelings and experiences reflected in this lyrical and passionate collection.

    It's for Christian women of all ages, confident or questioning gender norms, who want to experience their femininity as a powerful identity that they can define and re-define as they grow as disciples. The Girl Deconstruction Project is part sledgehammer, part manifesto, and filled with personal stories, biblical insights and wisdom for living full, free and fierce.

    Her unabashed faith shines through as she shares details of her life as an adviser to her best friend, Beatrice, and as a voice of reason to her women's Sunday school class, the Willing Workers. The pettiness of the women at the Apostolic Bible Church gets under Esmeralda's skin, but when she rallies them to the side of an impoverished mother with AIDS, the very best of human love and compassion is portrayed.Told in delightfully eccentric first-person narration, this story will inspire, uplift, amuse, and move readers to tears. Despite Esmeralda's lack of education and sophistication-or perhaps because of it-she is used mightily by God and meets everyday challenges with gumption, humor, and grace. Her struggle to maintain her faith in the midst of pain and suffering is a timeless and universal theme with which many will identify, and the love and mercy the story unfolds will delight both young and old.

    K. Williams by turns ruminative, stalked by "the conscience-beast, who harries me," and "riven by idiot vigor, voracious as the youth I was for whom everything was going too slowly, too slowly." Poems about animals and rural life are set hard by poems about shrapnel in Iraq and sudden desire on the Paris Métro; grateful invocations of Herbert and Hopkins give way to fierce negotiations with the shades of Coleridge, Dostoevsky, and Celan. What the poems share is their setting in the cool, spacious, spotlit, book-lined place that is Williams's consciousness, a place whose workings he has rendered for fifty years with inimitable candor and style.

    Following her parents' divorce, April was dragged to Boston to live with her mother. Her only glimmer of happiness there has come through her new friend Sara Downey, who is not only smart and popular, but is also a true friend. Sara soon sets April up on a blind date with John, a Mormon from the Rocky Mountains. He returns home, but April dreams of their next meeting. Then Sara is diagnosed with cancer. Sara begins a search for God and the ultimate purpose of life while April finds herself filled with cynicism and doubt. While at a party, she meets Sam, a new friend who designates himself her conscience. Sam is headed to BYU, and when April finds out that his roommate is going to be John, she conspires to get her parents to send her there for college. Reunited with John, April finds herself confronting her past, as well as facing the quest looming in front of her, which urges her down a path she can ultimately never deny-the truth.

    An omnibus of Corrie Ten Boom's three autobiographical stories concerning her family's protection of Jews during the Nazi occupation of Holland, their own experiences in concentration camps, and her final forgiveness of her concentration camp guard.

    Heaney's performance reminds us that Beowulf, written near the turn of another millennium, was intended to be heard not read.Composed toward the end of the first millennium of our era, Beowulf is the elegiac narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. He then returns to his own country and lives to old age before dying in a vivid fight against a dragon.The poem is about encountering the monstrous, defeating it, and then having to live on in the exhausted aftermath. In the contours of this story, at once remote and uncannily familiar at the end of the twentieth century, Seamus Heaney finds a resonance that summons power to the poetry from deep beneath its surface.