From a history of anti-Asian racism to a deconstruction of the city's urban sprawl; from an examination of local food trends to a survey of the city's politically radical past, Vancouver Special is a love letter to the city, taking a no-holds-barred look at Lotusland with verve, wit, and insight.

    As her path intersects with others--often only briefly, but always intensely--she will encounter people who, by turns, want to rescue, control, become, change, and escape her, revealing difficult yet shining truths about who they are and what they yearn for. There is the childhood playmate who comes to fear Astra's unpredictable ways; the stranger who rescues her from homelessness and then has to wrestle with his own demons; the mother who hires Astra as a nanny even as her own marriage goes off the rails; the man who takes a leap of faith and marries her. Even as Astra herself remains the elusive yet compelling axis around which these narratives turn, her story reminds us of the profound impact that an individual can have on those around her, and the power struggles at play in all our relationships, no matter how intimate. A beautifully constructed and revelatory novel, Astra explores what we're willing to give and receive from others, and how well we ever really know the people we love the most.

    In middle age she sells the house she raised her daughters in, slips off the shell of her old life, and steps out for a first, tentative foray into real contentment--directly into the path of a man twenty years her junior. Her story explodes into multiple points of view. Through the eyes of her lover, Matt, her ex-husband, Larry, her two daughters (one a former addict), her grandson, and a friend who both supports and betrays her, we watch Ellen negotiate the middle years of her tumultuous life as the pieces of who she is finally come together. In its entirety, Ellen in Pieces explores love in its varied forms, the nature of regret (and the possibility of recovery from it), and that greatest human test, mortality.Exquisitely written, absorbing and intelligent, this new novel by Caroline Adderson shows her at the top of her form. Ellen in Pieces is a deeply affecting story, an emotional mirror for all our lives.

    . . victims. Barry and Honey Sherman appeared to lead charmed lives. But the world was shocked in late 2017 when their bodies were found in a bizarre tableau in their elegant Toronto home. First described as murder-suicide -- belts looped around their necks, they were found seated beside their basement swimming pool -- police later ruled it a staged, targeted double murder. Nothing about the case made sense to friends of the founder of one of the world's largest generic pharmaceutical firms and his wife, a powerhouse in Canada's charity world. Together, their wealth has been estimated at well over $4.7 billion.There was another side to the story. A strategic genius who built a large generic drug company -- Apotex Inc. -- Barry Sherman was a self-described workaholic, renowned risk-taker, and disruptor during his fifty-year career. Regarded as a generous friend by many, Sherman was also feared by others. He was criticized for stifling academic freedom and using the courts to win at all costs. Upset with building issues at his mansion, he sued and recouped millions from tradespeople. At the time of his death, Sherman had just won a decades-old legal case involving four cousins who wanted 20 percent of his fortune.Toronto Star investigative journalist Kevin Donovan chronicles the unsettling story from the beginning, interviewing family members, friends, and colleagues, and sheds new light on the Shermans' lives and the disturbing double murder. Deeply researched and authoritative, The Billionaire Murders is a compulsively readable tale of a strange and perplexing crime.

    What unfolds is a completely enveloping story that spans a few pivotal years of his youth. Moving from city to country, summer to winter, wellbeing to illness, the novel charts the deepening bond between mother and son even as the family comes apart. Set in the mid-1990s, when Quebec is on the verge of leaving Canada, this captivating novel is an unconventional coming of age story as only Elizabeth Hay could tell it. It draws readers in with its warmth, wisdom, its vivid sense of place, its searching honesty, and nuanced portrait of the lives of one family and those closest to it. Hay explores the mystery of how members of a family can hurt each other so deeply, and remember those hurts in such detail, yet find openings that shock them with love and forgiveness. This is vintage Elizabeth Hay at the height of her powers.

    This is the tale of "The Black Donnellys"—a notorious family of Irish settlers who were viciously attacked while they slept in their Lucan, Ontario farmhouse on February 4, 1880.Here, in this definitive account of this sordid episode in Canadian history, first published in 1962 and continuously in print since then, author Orlo Miller sets out to separate fact from fiction, and legend from reality, to bring us the truth behind the Donnelly murders. Combining exhaustive research based on contemporary newspaper accounts, court records and personal diaries, with personal insights and dramatic re-creations, Miller's chilling revelations shed new light on this infamous case in the annals of Canadian crime.You will be taken on a journey of terrible bloodlust, unbending loyalties, and fatal revenge in the re-telling of an event whose infamy still lives in popular culture today.

    Guest Edited by Catherine Leroux and Madeleine Thien.2017 marks the 150th anniversary of the Canadian Confederation, when the British colonies of Canada, Nova Scotia and New Brunswick were united.In this special issue of Granta, we celebrate the diversity of social, political and literary life in Canada, the largest country in the western hemisphere, and one of the few where the experiment of multiculturalism appears to have workedBringing you the best new fiction, reportage, photography, poetry and memoir from Canada, this issue showcases the best of both the English and French literary communities, throwing a spotlight on an enigmatic nation with a rich literary heritage.

    Leo takes his two young sons out to the lake to write resolutions on paper boats. That same frigid morning, Vera sets out for a walk with her dog along the lake, leaving her husband in bed with a hangover.But she never returns. She places a call to the police saying she's found a boy in the woods, but the call is cut short by a muffled cry. Did one of Leo's sons see Vera? What are they hiding about that day? And why are they so scared of their own father?Told from shifting perspectives, How a Woman Becomes a Lake is a compelling, lyrical novel about family, new beginnings, and costly mistakes, and asks, what do you do when the people who are meant to love you the most, fail?

    [MacIvor is a writer with an angular sense of humour and an uncommon knack for probing basic elements and truths of human behaviour." ?Vit Wagner, Toronto StarThis Is a Play is a hilarious postmodern romp through the interior lives of actors in a bad play."Ingenious, whimsical, a lyrical lunacy in the writing, This Is A Play is a theatre experience comedy you might associate with Tom Stoppard." ?Liam Lacey, Globe and Mail

    Mitchell began publishing in the 1940s and more than 300 radio scripts created for broadcast on the Canadian Broadcasting Corporation's national radio airwaves between 1950 and 1958, Jake and the Kid has won a special place in the mythology of the Canadian Prairies. Mitchell didn't just conjure up life in the 1940s in the fictional community of Crocus, Saskatchewan. He made Jake Trumper and the unnamed Kid a part of Canadians' lives. They could laugh at Jake's homespun thoughts on everything from "wimmin" to the Riel Rebellion of 1885 (Jake claiming that he helped take care of "Looie" Riel) to Canadian heroes like Prime Minister Sir Wilfred Laurier (better known as "Wilf" to Jake). A gentle satire pervades Mitchell's evocative recreation of small-town life as seen through the eyes of a wide-eyed little boy and the hired man who becomes his hero. The stories were compiled in book form in 1961 and won Mitchell his first Stephen Leacock Memorial Medal. They still have the magic that captured the Canadian imagination for nearly two decades. --Jeffrey Canton

    Taking us from the Fjord of Eternity to the streets of St. John’s and the swamps of Orlando, these stories show us the timeless, the tragic, and the miraculous hidden in the underbelly of our everyday lives. A missing rock god may have jumped a cruise ship — in the Arctic. A grieving young woman may live next to a serial rapist. A man’s last day on earth replays in the minds of others in a furiously sensual, heartrending fugue. Something for Everyone is Moore at the peak of her prowess — she seems bent on nothing less than rewiring the circuitry of the short story itself.

    He is the only remaining original member of the group since the inception of April Wine in 1969. Goodwyn grew up poor and is the classic “small-town kid makes good” success story. As a young teen, Goodwyn honed his skills, playing in bands such as East Gate Sanctuary and Woody’s Termites. From the very beginning, Goodwyn plotted the course of the band. His unique but classic rock voice gives April Wine a distinct and immediately recognizable sound. Ranging from hard rock classics to soulful ballads, his vocal range and style can really grab a hold of you. His songwriting skills are prolific. He has penned virtually every April Wine song. He has a knack with words and seems to have an ability to write a catchy tune at will. Through the ups and downs and changing faces of the band, the one thing that has remained constant is Myles Goodwyn. Even today and with their latest release and shift in direction, his voice is as strong and apparent as ever. Now in its fourth decade, April Wine continues to charge ahead as one of Canada’s very best rock bands. And as far as rock history goes, Myles Goodwyn is already a living legend (especially in the annals of Canadian rock history), being known as one of the all-time greats.In Just Between You and Me, Goodwyn shares the story of his upbringing, first at home in rural New Brunswick and then in the music business as the lead singer of one of Canada’s most popular bands ever, April Wine.

    Others, more personal, concern themselves with love, with the fragility of the natural world, and with death, especially in the elegiac series of meditations on the death of a parent. But they also inhabit a contemporary landscape haunted by images of the past. Generous, searing, compassionate, and disturbing, this poetry rises out of human experience to seek a level between luminous memory and the realities of the everyday, between the capacity to inflict and the strength to forgive.

    Only Mr. Davies, author of Fifth Business, The Manticore, and World of Wonders, could have woven together their destinies with such wit, humour-and wisdom.

    With subtle humour, Conlin picks the locks on the long-closed doors of two families and bares the ugly, painful skeletons everyone knew were there but chose to hide.” — Sylvia D. Hamilton, author of And I Alone Escaped To Tell YouThe Speed of Mercy captures the unbearable cost of childhood betrayal and what happens when history is suppressed, our past is forgotten — yet finding the truth can change the future. Christy Ann Conlin rips into the myths and stereotypes about older women and those on the edge of conventional society to reveal the timeless gift of mercy in this feminist tour de force.“Christy Ann Conlin is a conjurer: of place, people, and the haunting past. I was instantly caught up in the darkly mysterious world and indelible characters she has brought to life. Gripping, suspenseful, and lyrically written, The Speed of Mercy caught me by the throat and didn’t let go.” — Alix Ohlin, Scotiabank Giller Prize–shortlisted author of Dual Citizens