Hough goes back to the beginning with this eBook exclusive novella, the prequel to the New York Times bestseller The Darwin Elevator. An indispensable introduction to a trilogy wrought with action, imagination, and mystery, The Dire Earth is sure to thrill new readers and diehard fans alike.   In the middle of the twenty-third century, an inexplicable disease engulfs the globe, leaving a trail of madness and savagery in its wake. Dutch air force pilot Skyler Luiken discovers he is immune to the disease when he returns from a mission to find the world in chaos, but he soon realizes that he’s not the only one to have endured the apocalypse. Elsewhere, the roguish Skadz, the cunning Nigel, and the tough-as-nails Samantha each make their way toward the last remaining bastion of sanity: Darwin, Australia, home to a mysterious alien artifact that may hold the key to the survival of the human race.

    If you enjoy small 'bite-size' stories, or are a fan of micro-fiction and flash fiction, you'll appreciate these sharply written, miniature creations from a "masterful wordsmith."

    Now at last, in “Let the Old Dreams Die,” the title story in this absolutely stunning collection, we get a glimpse of what happened next to the pair. Fans of Let the Right One In will have to read the story, which is destined to generate much word of mouth both among fans and online.“Let the Old Dreams Die” is not the only stunner in this collection. In "Final Processing," Lindqvist also reveals the next chapter in the lives of the characters he created in Handling the Undead. “Equinox” is a story of a woman who takes care of her neighbor’s house while they are away and readers will never forget what she finds in the house. Every story meets the very high standard of excellence and fright factor that Lindqvist fans have come to expect. Totally transcending genre writing, these are world class stories from possibly the most impressive horror writer writing today.

    The stories are: The Beckoning Fair One, Phantas, Rooum, Benlian, Io, The Accident, The Cigarette Case, & Hic Jacket.Excerpt: ...off!" he ordered me. "I'll send for you again when I want you!" He thrust me out. "An asylum, Mr. Benlian," I thought as I crossed the yard, "is the place for you!" You see, I didn't know him then, and that he wasn't to be judged as an ordinary man is. Just you wait till you see.... And straight away, I found myself vowing that I'd have nothing more to do with him. I found myself resolving that, as if I were making up my mind not to smoke or drink-and (I don't know why) with a similar sense that I was depriving myself of something. But, somehow, I forgot, and within a month he'd been in several times to see me, and once or twice had fetched me in to see his statue. In two months I was in an extraordinary state of mind about him. I was familiar with him in a way, but at the same time I didn't know one scrap more about him. Because I'm a fool (oh, yes, I know quite well, now, what I am) you'll think I'm talking folly if I even begin to tell you what sort of a man he was. I don't mean just his knowledge (though I think he knew everything-sciences, languages, and all that) for it was far more than that. Somehow, when he was there, he had me all restless and uneasy; and when he wasn't there I was (there's only the one word for it) jealous-as jealous as if he'd been a girl! Even yet I can't make it out.... And he knew how unsettled he'd got me; and I'll tell you how I found that out. Straight out one night, when he was sitting up in my place, he asked me: "Do you like me, Pudgie?" (I forgot to say that I'd told him they used to call me Pudgie at home, because I was little and fat; it was odd, the number of things I told him that I wouldn't have told anybody else.) "Do you like me, Pudgie?" he said. As for my answer, I don't know how it spurted out. I was much more surprised than he was, for I really didn't intend it. It was for all the world as if somebody else was talking with my mouth. "I loathe and adore you!" it came; and then I looked round,...

    Awe meets ache. Terror becomes transcendence. Regret gives way to rebirth. Fifteen short stories and one poem span nearly every twisted corner of the horror and dark fiction genres:A woman experiences an emotional reckoning inside a haunted house. A father sees his daughter rescued after a cold case is solved, only to learn the tragic limits of his love. A man awakens a vengeful spirit and learns the terrible price of settling scores. A boy comes of age into awareness of a secret universe of Lovecraftian scale. A young woman confronts the deathly price of existence inside a German concentration camp during the Holocaust. And much, much more…Gutted: Beautiful Horror Stories features the most celebrated voices in dark fiction, as well as a number of exciting, new talents, including: Clive Barker, Neil Gaiman, Ramsey Campbell, Paul Tremblay, John F.D. Taff, Lisa Mannetti, Damien Angelica Walters, Josh Malerman, Christopher Coake, Mercedes M. Yardley, Brian Kirk, Stephanie M. Wytovich, Amanda Gowin, Richard Thomas, Maria Alexander and Kevin Lucia. With a foreword from Cemetery Dance magazine founder Richard Chizmar.

    He carries a secret about himself to which not even he has the answer . . .He is hired to find a missing baby. One that was taken away at birth . . . Or was it?His investigation takes him to a mysteriously located place called Perfect Rest. It is supposed to be a nursing home for the elderly . . . But is it?Here Dismas will discover the dark secret of the Others. And in an astonishing and spectacular finale he will resolve the enigma of his own existence . . .

    Bounds, and a reclusive islander shares his world with shape-changing selkies in Robert Holdstock's haunting tale The Silvering.Late-night office workers are menaced by hungry horrors in Ramsey Cambell's claustrophobic Down There, while the monsters of both Brian Lumley's The Thin People and Basil Copper's The Flabby Men share only a semblance of humanity. The King of the Monsters himself turns up in Godzilla's Twelve Step Program by Joe R. Lansdale, R. Chetwynd-Hayes' The Shadmock and Clive Barker's Rawhead Rex are genuinely new monsters, and the last monster-fighter and the last classic monster confront each other in Kim Newman's The Chill Clutch of the Unseen.If you like monsters, then there are plenty to choose from in this creature-filled collection boasting some of the biggest names in horror, fantasy and science fiction.Contents:Introduction: How to Make a Monster by Stephen JonesVisitation by David J. SchowDown There by Ramsey CampbellThe Man He Had Been Before by Scott EdelmanCalling All Monsters by Dennis EtchisonThe Shadmock by R. Chetwynd-HayesThe Spider Kiss by Christopher FowlerCafé Endless: Spring Rain by Nancy HolderThe Medusa by Thomas LigottiIn the Poor Girl Taken by Surprise by Gemma Files Downmarket by Sydney J. BoundsFat Man by Jay LakeThe Thin People by Brian LumleyThe Hill by Tanith LeeGodzilla's Twelve Step Program by Joe R. Lansdale.220 Swift by Karl Edward WagnerOur Lady of the Sauropods by Robert SilverbergThe Flabby Man by Basil CopperThe Silvering by Robert HoldstockSomeone Else's Problem by Michael Marshall SmithRawhead Rex by Clive BarkerThe Chill Clutch of the Unseen by Kim Newman

    The carnival is about to begin, and the show is to die for... Grab your ticket and take a seat. The ringmaster’s opening act? A creature showcasing its bloody feat.There are haunting spirits with much to tell. Tales of torture and screams straight from the burning flames of hell.Tick-tock goes the time, seconds passing by as you slowly lose your mind.Watch.Wait.Listen.Evil is coming, and it’s striking from behind.Horror and fear, like filth on your skin it clings,Question is, are you brave enough to endure…The Carnival of Strange Things?

    One legendary music venue. We all know the old cliché: Sex, drugs and rock and roll. Now, add demons, other dimensions, monsters, revenge, human sacrifice, and a dash of the truly inexplicable. This is the story of the (fictional) San Francisco music venue, The Shantyman.In Welcome to the Show, seventeen of today's hottest writers of horror and dark fiction come together in devilish harmony to trace The Shantyman's history from its disturbing birth through its apocalyptic encore.Featuring stories by Brian Keene, John Skipp, Mary SanGiovanni, Robert Ford, Max Booth III, Glenn Rolfe, Matt Hayward, Bryan Smith, Matt Serafini, Kelli Owen, Jonathan Janz, Patrick Lacey, Adam Cesare, Alan M Clark, Somer Canon, Rachel Autumn Deering and Jeff Strand.Compiled by Matt Hayward. Edited by Doug Murano.Bring your curiosity, but leave your inhibitions at the door. The show is about to begin…TOC: Alan M Clark – What Sort of Rube Jonathan Janz – Night and Day and in Between John Skipp – In the Winter of No Love Patrick Lacey – Wolf with Diamond Eyes Bryan Smith – Pilgrimage Rachel Autumn Deering – A Tongue like Fire Glenn Rolfe – Master of Beyond Matt Hayward – Dark Stage Kelli Owen – Open Mic Night Matt Serafini – Beat on the Past Max Booth III – True Starmen Somer Canon – Just to be Seen Jeff Strand – Parody Robert Ford – Ascending Adam Cesare – The Southern Thing Brian Keene – Running Free Mary SanGiovanni – We Sang in Darkness Proudly represented by Crystal Lake Publishing—Tales from the Darkest Depths.

    Contributors include the bestselling M.R. Carey, Genevieve Cogman, Catriona Ward, Rio Youers and L.L. McKinney.Within these pages you'll find myriad approaches to Alice, from horror to historical. There's even a Wild West tale from Angela Slatter, poetry, and a story by Laura Mauro which presents us with a Japanese folklore-inspired Wonderland.Alison Littlewood, Cavan Scott and Catriona Ward make the more outlandish elements their own, while James Lovegrove instead draws on the supernatural. Cat Rambo takes us to a part of Wonderland we haven't seen before and Lilith Saintcrow gives the legend a science-fiction spin. The nightmarish reaches of the imagination are the breeding ground for M.R. Carey's visions, while Robert Shearman, George Mann, Rio Youers and Mark Chadbourn's tales have a deep-seated emotional core which will shock, surprise and tug on the heart-strings.So, it's time now to go down the rabbit hole, or through the looking-glass or... But no, wait. By picking up this book and starting to read it you're already there, can't you see?Contents: Alice in Armor by Jane YolenWonders Never Cease by Robert ShearmanWhere Were No Birds to Fly by M.R. CareyThe White Queen's Pawn by Genevieve CogmanDream Girl by Cavan ScottGood Dog, Alice! by Juliet MarillierThe Hunting of the Jabberwock by Jonathan GreenAbout Time by George MannSmoke 'Em If You Got 'Em by Angela SlatterVanished Summer Glory by Rio YouersBlack Kitty by Catriona WardThe Night Parade by Laura MauroWhat Makes a Monster by L.L. McKinneyThe White Queen's Dictum by James LovegroveTemp Work by Lilith SaintcrowEat Me, Drink Me by Alison LittlewoodHow I Comes to Be the Treacle Queen by Cat RamboSix Impossible Things by Mark ChadbournRevolution in Wonder by Jane Yolen

    LovecraftActor, journalist, devotee of Celtic Christianity and the Holy Grail legend, Welshman Arthur Machen is considered one of the fathers of weird fiction, a master of mayhem whose work has drawn comparisons to H. P. Lovecraft and Edgar Allan Poe. Readers will find the perfect introduction to his style in this new collection. With the title story, an exercise in the bizarre that leaves the reader disoriented virtually from the first page, Machen turns even fundamental truths upside down. "There have been those who have sounded the very depths of sin," explains the character Ambrose, "who all their lives have never done an 'ill deed.'"

    Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources, and the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

    Survivors live underground, ever on the defensive against rotters -- mindless corpses that troll the sweltering surface. A new menace has evolved, set on human annihilation.

    The house, abandoned for 40 years, harbors a dark family secret--a grim bloodline poisoned by suicide, strange disappearances, voodoo rituals, and rumors of murder.

    These unflinching tales, including three original pieces, consider a woman born with her heart exposed and the heartless killer who protects her; a wolf who is willingly ensnared by a devious academic; a businessman resurrected to play at politics; and an ingenious mouse dreaming beyond the laboratory. With the perceptiveness of Joyce Carol Oates, the inventiveness of Ray Bradbury, and the emotional resonance of Alice Sebold, The Fate of Mice is a meditation on the very art of storytelling: mythic, beautiful, and often brutal, filled with authentic compassion.