For nearly forty years, the films of George A. Romero have presented viewers with hellish visions of our world overrun by flesh-eating ghouls. This study proves that Romero's films, like apocalyptic literature or Dante's Commedia, go beyond the surface experience of repulsion to probe deeper questions of human nature and purpose, often giving a chilling and darkly humorous critique of modern, secular America.

    The farther one travels (through geography, through art, through science, through time), the more everything seems to converge — at least, it does if you're looking through Weschler's giddy, brilliant eyes. Weschler combines his keen insights into art, his years of experience as a chronicler of the fall of Communism, and his triumphs and failures as the father of a teenage girl into a series of essays sure to illuminate, educate, and astound.

    Gretel likes to pick wildflowers. Gretel is one of the subjects on the farm, and she is Doctor Gottlieb's responsibility, but she knows something she isn't telling -- and if Doctor Gottlieb doesn't figure it out, it may be his body in a ditch next. This story is set in the world of Ian Tregillis's Milkweed series, which began with Bitter Seeds.

    It chronicles these events in a connected narrative, from the onset of the illness to reflections in the years after the death. The book is, most of all, a series of acts of understanding. The poems are impelled by a passion to know, and a freedom to follow wherever the truth may lead. The book goes into area of feeling and experience rarely entered in poetry.The ebullient language, the startling, far-reaching images, the sense of extraordinary connectedness seize us immediately. Sharon Olds transforms a harsh reality with truthfulness, with beauty, with humor--and without bitterness.The deep pain in The Father arises from a death, and from understanding a life. But there is joy as well. In the end, we discover we have been reading not a grim accounting but an inspiriting tragedy, transcending the personal. The radiance and daring that have always distinguished Sharon Old's work find here their most powerful expression.

    In nineteenth-century New England another sort of vampire was relentlessly ravishing the populace, or so it was believed by many rural communities suffering the plague of tuberculosis. Indeed, as this fascinating book shows, the vampire of folk superstition figures significantly in the attempt of early Americans to reasonably explain and vanquish the dreaded affliction then known as consumption. In gripping narrative detail, folklorist Michael E. Bell reconstructs a distant world, where on March 17, 1892, three corpses were exhumed from a Rhode Island cemetery. One of them, Mercy Brown, who had succumbed to consumption, appeared to have turned over in her grave. Mercy's family cut out her heart, which still held clots of blood, burned it on a nearby rock, and fed the ashes to her ailing brother. To Mercy's community she had become a vampire living a spectral existence and consuming the vitality of her siblings. From documents written as early as 1790 to a recent conversation with a descendant of Mercy Brown, Bell investigates twenty cases in which the vampiric dead were exhumed to save the ailing living. He also explores a widespread folk tradition that has survived generations, as ordinary people today strive to battle extraordinary diseases like Ebola or AIDS with a deeply rooted belief in their power to heal themselves. "Bell's absorbing account is ... a major contribution to the study of New England folk beliefs."—Boston Globe "Filled with ghostly tales, glowing corpses, rearranged bones, visits to hidden graveyards.... This is a marvelous book."—Providence Journal

    Snyder proves once again that she is fearless in mapping every corner of the literary landscape. Not content to be confined to any single region, she guides readers through dark realms of fantasy into the churning industry of steampunk, from the dizzying heights of science fiction down to the most desolate depths of horror.The strength of the tales that make up this quiet cataclysm—for example “Magdala Amygdala,” winner of the 2013 Stoker Award for Superior Achievement in Short Fiction—do not compete. Instead they overlap to create a vista of ethical armageddons at once thorny and hopeful. Snyder’s irresistible prose and stunning eye for detail bind together a collection that defies expectation but delivers deep satisfaction.Table of ContentsMagdala AmygdalaHowever …. (with Gary Braunbeck)Spare the RodMiz Ruthie Pays Her RespectsThe Good GirlThe Cold GalleryAbandonment OptionThe Cold Blackness BetweenI Fuck Your SunshineCarnal HarvestAntumbraDiamante and StrassTiger Girls vs. the ZombiesRepent, Jessie Shimmer!The Leviathan of Trincomalee

    Everything seems to be running smoothly until one night when the silence is broken by the sound of peacocks screeching. When Ben leaves the house to investigate, he sees a terrifying sight: two lions shot dead from bullets sent straight to their hearts. Someone is out there, someone with a score to settle . . . and there's no telling who will be the next victim.      Includes a reader's guide.

    Originally available only in limited-edition hardcover, these tales run the gamut from devilish fantasy to twisted courtroom drama to vampire-robot western. Each story has an introduction in which the author relates the background of and inspiration for the story, whether it was drawn from history, literature, or pure imagination. The title story, about a serial killer in Texas in the 1930s, won the 1999 Bram Stoker Horror Award for long fiction.

    David Montgomery, Farnam Professor of History at Yale University since 1979, is the author of Worker's Control in America (CUP, 1979) and is co-editor of the journal International Labor and Working Class History.

    These are the portraits of today's tongue-in-cheek masculinity, as conceived by Emmy Award-winning director and photographer Robert Trachtenberg. Red-Blooded American Male presents 100 of his most imaginative, striking, and unconventionally sexy portraits of both celebrities and regular guys going about their thoroughly modern lives. No longer do men have to be serious businessmen or hunky firefighters to be deemed attractive--they can also ride tricycles and get pedicures. Revealing a surprising (and often self-deprecating) side to Mel Brooks, Seth Rogan, Jimmy Fallon, Jerry Seinfeld, Jon Hamm, Conan O'Brien, and more, this gorgeous coffee-table book features an introduction about male images and stereotypes plus pithy captions about each photo's shoot, giving readers a peek behind the curtain of a famed portrait photographer's creative process.

    A man massive in his size, his passions, and his gifts, Wolfe has long been considered something of an unconscious genius, whose undisciplined flow of prose was shaped into novels by his editor, the celebrated Maxwell Perkins.In this definitive and compelling biography, Pulitzer Prize-winning historian David Herbert Donald dismantles that myth and demonstrates that Wolfe was a boldly aware experimental artist who, like James Joyce, William Faulkner, and John Dos Passos, deliberately pushed at the boundaries of the modern novel. Donald takes a new measure of this complex, tormented man as he reveals Wolfe's difficult childhood, when he was buffeted between an alcoholic father and a resentful mother; his "magical" years at the University of North Carolina, where his writing talent first flourished; his rise to literary fame after repeated rejection; and the full story of Wolfe's passionate affair with Aline Bernstein, including their intimate letters.

    Carpenter’s father, George—a back-to-the-land homesteader and troubled Korean War veteran—has spent decades battling his inner demons while largely absenting himself from his children’s lives. Though George is ultimately found, Carpenter is forced to confront the truth: her time with her dad—now seventy-three years old—is limited, and the moment to restore their relationship is now. Gone Feral is the story of Carpenter’s search for her parents’ broken past in the harsh wilds of Idaho.The story starts in San Miguel de Allende in 1969, where Carpenter’s free-spirited parents meet and fall in love. Their whirlwind romance continues through Europe and ends on 180 acres near Idaho’s Clearwater River. Carpenter and her sister are born into a free, roaming childhood, but soon the harsh reality of living on the land—loneliness, backbreaking labor—tears the family apart. Carpenter’s mother packs the girls and heads for the straight life in Washington State while George remains on the ranch, tied to the land and his vision of freedom.In Gone Feral, Carpenter—now a grown woman leading an untraditional life, not unlike her parents’, raising livestock and growing vegetables in the city—finds herself contemplating a family of her own. Before that can happen, she knows she has to return to Idaho to discover why her father chose this life of solitude. She quickly finds that George is not living the principled, romantic life she imagined, and the truth is more com-plicated—and dangerous—than anything she suspected. As she comes to know the real George, Carpenter looks to her own life and comes to recognize her father’s legacy in their shared love of animals, of nature, and of the written word; their dangerous stubbornness and isolating independence. Finally, Gone Feral sees the birth of Carpenter’s own daughter, an experience that teaches that a parent’s love is itself a wild thing: unknowable, fierce, and ever changing. In reckoning with her past, Carpenter clears the road to her future.Raw, funny, unsentimental, alive with unforgettable characters and pitch-perfect dialogue, Gone Feral marks Carpenter’s transformative passage from daughter to mother, a wry and rough tale of life lived on the margins and redemption between generations.

    A Gathering of Saints is an astonishing report on one of this century's most puzzling, cunningly executed crimes. 16 pages of photos.

    It was alive with ten hundred thousand fireflies darting in the night and frogs booming at them. But Grandpa said it was dangerous, too - they had to keep on the path - when SPLASH Grandpa fell in! Aunt Hinka came to the rescue in her little boat just in time! Oh, what a menacing and magical journey it was from Peppermint Street.

    They found him in his study; the only key in his pocket, and a suit of medieval armor over him, its sharp broadsword thrust through his ribs. He had been a man who loved life and took what he wanted from it, a man with many enemies. On the night of his death, Wolfe Quinlan had angered everyone in his life---his abused wife, his alienated children, the mistress he refused to see, the business partner that he had cuckolded, his not-to-honest lawyer, the mad priest whose "devil worship" cult Wolfe had violently disavowed. Under Blackie Ryan's mild questioning, each will tell each her or her story---and in these tales of twisted passions the priest will seek the clue to Wolfe Quinlan's death. Find it he must...If no one else to die. This is #1 in A Father Blackie Ryan Story.