Kendi, author of the number one bestseller How To Be an Antiracist, and fellow historian Keisha N. Blain, Four Hundred Souls begins with the arrival of twenty enslaved Ndongo people on the shores of the British colony in mainland America in 1619, the year before the arrival of the Mayflower. In eighty chronological chapters, the book charts the tragic and triumphant four-hundred-year history of Black American experience in a choral work of exceptional power and beauty. Contributors include some of the best-known scholars, writers, historians, journalists, lawyers, poets and activists of contemporary America who together bring to vivid life countless new facets to the drama of slavery and resistance, segregation and survival, migration and self-discovery, cultural oppression and world-changing artistic, literary and musical creativity. In these pages are dozens of extraordinary lives and personalities, rescued from the archives and restored to their rightful place in America's narrative, as well as the ghosts of millions more.Four Hundred Souls is an essential work of story-telling and reclamation that redefines America and changes our notion of how history is written.

    The long poem was the beginning of Cesaire's quest for negritude, and it became an anthem of Blacks around the world. With its emphasis on unusual juxtapositions of object and metaphor, manipulation of language into puns and neologisms, and rhythm, Cesaire considered his style a "beneficial madness" that could "break into the forbidden" and reach the powerful and overlooked aspects of black culture. Clayton Eshleman and Annette Smith achieve a laudable adaptation of Cesaire's work to English by clarifying double meanings, stretching syntax, and finding equivalent English puns, all while remaining remarkably true to the French text. Their treatment of the poetry is marked with imagination, vigor, and accuracy that will clarify difficulties for those already familiar with French, and make the work accessible to those who are not. Andre Breton's introduction, A Great Black Poet, situates the text and provides a moving tribute to C saire. Notebook of a Return to the Native Land is recommended for readers in comparative literature, post-colonial literature, African American studies, poetry, modernism, and French.

    This thinly fictionalized account of Claude Brown's childhood as a hardened, streetwise criminal trying to survive the toughest streets of Harlem has been heralded as the definitive account of everyday life for the first generation of African Americans raised in the Northern ghettos of the 1940s and 1950s. When the book was first published in 1965, it was praised for its realistic portrayal of Harlem -- the children, young people, hardworking parents; the hustlers, drug dealers, prostitutes, and numbers runners; the police; the violence, sex, and humor. The book continues to resonate generations later, not only because of its fierce and dignified anger, not only because the struggles of urban youth are as deeply felt today as they were in Brown's time, but also because the book is affirmative and inspiring. Here is the story about the one who "made it," the boy who kept landing on his feet and became a man.

    I’d think you would be happy to see me here, establishing a business, putting down roots.” “When your roots pull mine out, we have a problem.” Leslie Baker, owner of Potter Lake’s original hometown beauty shop, the Curl & Dye, has a problem. Her problem isn’t her dwindling customer base. And it’s not the shifty, shady Mayor of the idyllic lakeside town. Her problem is a muscular, handsome, 6’4” former basketball superstar with a solid physique and colorful sleeve tattoos. Kade “KC” Cavanaugh is back in Potter Lake following his NBA retirement and the business he’s opened, a slick and shiny co-ed salon, directly competes with Curl & Dye. KC is all too eager to to pick things up where they left off fifteen years ago, but Leslie can’t forget how he pushed her away after an intimate encounter, then dropped out of college and left her behind for the bright lights of professional ball. Though she won’t admit it, time and maturity have eaten away at Leslie's anger and her long-buried attraction to Kade Cavanaugh has resurfaced. With a vengeance. Now there is a larger problem: Leslie and KC find themselves in the center of a city wide drama, and with both sides of Potter Lake at war and their livelihoods at stake, the two have to stop sniping at each other and start working together. And maybe, in the process, forget the past and revive a budding romance that was very special...a very long time ago.

    It is deep dive into emotions, empathy, acceptance, healing and insights into a different perspective towards life. The book embraces you in silence and stillness of thoughts. The book is an attempt to connect to souls, to reflect upon them, unbiased and together embrace a new beginning and a beautiful journey called life.

    What he witnessed there, with 10,000 participants, is shocking.In Blue Front, Collins describes the brutal lynching of a black man and, as an afterthought, a white man, both of them left to the mercilessness of the spectators. The poems patch together an arresting array of evidence—newspaper articles, census data, legal history, postcards, photographs, and Collins's speculationsabout her father's own experience. The resulting work, part lyric and part narrative, is a bold investigation into hate, mob mentality, culpability, and what it means to be white in a country still haunted by its violently racist history.

    SmithThe poems in Scriptorium are primarily concerned with questions of religious authority. The medieval scriptorium, the central image of the collection, stands for that authority but also for its subversion; it is both a place where religious ideas are codified in writing and a place where an individual scribe might, with a sly movement of the pen, express unorthodox religious thoughts and experiences. In addition to exploring the ways language is used, or abused, to claim religious authority, Scriptorium also addresses the authority of the vernacular in various time periods and places, particularly in the Appalachian slang of the author's East Tennessee upbringing. Throughout Scriptorium, the historical mingles with the personal: poems about medieval art, theology, and verse share space with poems that chronicle personal struggles with faith and doubt.

    Carter G. Woodson shows us the weakness of Euro-centric based curriculums that fail to include African American history and culture. This system mis-educates the African American student, failing to prepare them for success and to give them an adequate sense of who they are within the system that they must live. Woodson provides many strong solutions to the problems he identifies. A must-read for anyone working in the education field.

    

    This book is both a satire of the civil rights problems in the United States in the late 60s and a serious attempt to focus on the issue of black militancy.

    This is the poetry of a beautiful life.

    W. E. B. Du Bois (1868–1963) played a key role in developing the strategy and program that dominated early 20th-century black protest in America. In this collection of essays, first published together in 1903, he eloquently affirms that it is beneath the dignity of a human being to beg for those rights that belong inherently to all mankind. He also charges that the strategy of accommodation to white supremacy advanced by Booker T. Washington, then the most influential black leader in America, would only serve to perpetuate black oppression.Publication of The Souls of Black Folk was a dramatic event that helped to polarize black leaders into two groups: the more conservative followers of Washington and the more radical supporters of aggressive protest. Its influence cannot be overstated. It is essential reading for everyone interested in African-American history and the struggle for civil rights in America.

     Steven works overtime to prove to Imani that she is the only one for him and he whisks her off to Vegas. Meanwhile, Imani discovers that someone close to her has eyes for Steven. Just when Raina thought everything was smooth sailing for her and Jason, his ex-wife partnered with his mother and dropped a bomb on the happy couple. Will this break Raina and Jason apart or will it only solidify the love they share for each other. In this sequel of White Boys Packing Too, the couples are tested to see if what they have is the real deal when there are others out to tear them apart.

    In fact, that was the last thing she wanted. However, a chance encounter with Jericko Cook, A.K.A. Ricko, might just change her mind. Then again, it might prove why she’s steered clear of bad boys in the first place. Between shoot outs, other women vying for his attention and a long list of deceptive characters lurking, Arianna might not be able to handle being a dope boy’s woman, or she could find out there’s a lot more thug in her than she thought. Ricko was living life and enjoying the fruits of his labor. As the man in charge, cars, money, hoes and clothes weren’t just a saying to him; it was his everyday reality. He didn’t realize that real love was the only thing he had been lacking, but it could be just what he needed. Mia had it easy. She got all the perks of a relationship except a title. Getting Ricko to commit to her was proving harder than she thought. When he pushes her to the side for what she thought was just the new flavor of the week, she realizes that Arianna isn’t going anywhere. But, Mia will stop at nothing to get what she wants, even if that means making sure no one else can have him. Sophia is Arianna’s best friend, and she is always down to ride. She’s no stranger to the street life like her friend, so when she gets the chance to get with a certified thug in Ricko’s brother, Jabari Cook, she jumps at the chance to be the Bonnie to his Clyde. Will she be prepared for the ride this young thug has in store for her, or will she have to give up? Jabari Cook is looking to get to the money, everything else is irrelevant. He is on a mission to take what he believes is rightfully his and will stop at nothing to claim his throne. Jabari will remove whoever or whatever is in the way of his money; family or not. Sophia wants to be his ride or die, but will she be used as a pawn to get him where he wants to be, or will he finally meet his match? Come take this ride through the streets of Chicago with these two brothers as they build their empire while juggling deception and love.