River Hymns is the lyrical journey of a young black man’s spiritual reckoning with his family history.

    It took ten years and a half a million miles of travel across three continents to find it, but finally, in an astonishing feat of genealogical detective work, he discovered not only the name of "the African"—Kunta Kinte—but the precise location of Juffure, the very village in The Gambia, West Africa, from which he was abducted in 1767 at the age of sixteen and taken on the Lord Ligonier to Maryland and sold to a Virginia planter.Haley has talked in Juffure with his own African sixth cousins. On September 29, 1967, he stood on the dock in Annapolis where his great-great-great-great-grandfather was taken ashore on September 29, 1767. Now he has written the monumental two-century drama of Kunta Kinte and the six generations who came after him—slaves and freedmen, farmers and blacksmiths, lumber mill workers and Pullman porters, lawyers and architects—and one author.But Haley has done more than recapture the history of his own family. As the first black American writer to trace his origins back to their roots, he has told the story of 25,000,000 Americans of African descent. He has rediscovered for an entire people a rich cultural heritage that slavery took away from them, along with their names and their identities. But Roots speaks, finally, not just to blacks, or to whites, but to all people and all races everywhere, for the story it tells is one of the most eloquent testimonials ever written to the indomitability of the human spirit.

    Barbeau, in keeping with the popular thinking of the time, believed First Nations cultures were about to disappear completely, and that it was up to him to preserve what was left of these dying cultures while he could. Unfortunately, his methods of preserving First Nations cultures included purchasing totem poles and potlatch items from struggling communities in order to sell them to museums. While Barbeau strove to protect First Nations cultures from vanishing, he ended up playing an active role in dismantling the very same cultures he tried to save.Drawing inspiration from Barbeau’s canonical book Totem Poles, Jordan Abel explores the complicated relationship between First Nations cultures and ethnography. His poems simultaneously illuminate Barbeau’s intentions and navigate the repercussions of the anthropologist’s actions.Through the use of erasure techniques, Abel carves out new understandings of Barbeau’s writing – each layer reveals a fresh perspective, each word takes on a different connotation, each letter plays a different role, and each punctuation mark rises to the surface in an unexpected way. As Abel writes his way ever deeper into Barbeau’s words, he begins to understand that he is much more connected to Barbeau than he originally suspected.

    Oxford Street is a sea of long hair and flared jeans; prog rock prevails. But Ron Watts, the 100 Club’s “rock night” manager, has witnessed the impromptu and chaotic gigs at High Wycombe College of Art. He invites the Sex Pistols to start a residency in central London, and over the next eighteen months, everything changes.            Unlike many writers, Phil Strongman was actually at the 100 Club punk festival in September 1976 and witnessed punk’s violent and dramatic rise. After tracing its underground roots in New York and Detroit, Strongman shows how the Sex Pistols and the Clash, along with their confreres, took rock ’n’ roll closer to the edge than any band before them. But after the outrage over the Pistols’ legendary outburst on Bill Grundy’s TV show catapulted the band into the center of a press feeding frenzy, it was swiftly eclipsed by the blossoming of a new movement in time for the Queen’s Silver Jubilee. Punk had traveled from the underground to the mainstream in the space of six months.            Based on new interviews with Malcolm McLaren, Jah Wobble, Glen Matlock, Roadent, and many more, Strongman vividly re-creates the punk eruption and charts its spread across Britain and to the West Coast of the United States. Thirty years after its inception, UK punk has found its definitive account in Pretty Vacant.

    Before embarking on the path to his golden future, however, he takes a detour through Harlem, where he intends to live "authentically" with "real black people."Mason takes the name "Malik" and moves into the orbit of the ever—fabulous Carmen, uptown diva and doyenne of Harlem. Carmen, always ready to have a handsome young man at her fabulous soirees and to add to her devoted entourage, happily takes him under her wing. Fueled by his parents' money and dodging the people who remember him as Mason Randolph, "Malik" masquerades as a "ghettonian," exploring the wonders and pleasures of a Harlem in the midst of a second Renaissance. But his odyssey takes a different turn when he meets Kyra, whose world mirrors the one he has abandoned. As he contemplates the choices Kyra has made, and begins to reexamine his own presumptions about identity and authenticity, Mason realizes that everyone has something to hide and that to get what we want, we have to be willing to let go of our secrets.People compared Brian Keith Jackson's remarkable first novel, The View from Here, to the works of Alice Walker and Toni Morrison, and Publishers Weekly called it "an extraordinary debut...[by] a formidable craftsman and exceptionally gifted storyteller." A novel rich in humor and insight, The Queen of Harlem will earn Jackson a much—deserved place in the center of today’s literary landscape.From the Hardcover edition.

    As a woman, a black, and a lesbian, Brand arrives at a rigorous and nakedly ruthless reclamation of the poetic.

    . . These poems literally vibrate with Kearney's precocious intellect and passion. They hum, they bang, they bite. What else can I say? I have never encountered poetry like this before."—Terrance Hayes

      MK Asante was born in Zimbabwe to American parents: a mother who led the new nation’s dance company and a father who would soon become a revered pioneer in black studies. But things fell apart, and a decade later MK was in America, a teenager lost in a fog of drugs, sex, and violence on the streets of North Philadelphia. Now he was alone—his mother in a mental hospital, his father gone, his older brother locked up in a prison on the other side of the country—and forced to find his own way to survive physically, mentally, and spiritually, by any means necessary. Buck is a powerful memoir of how a precocious kid educated himself through the most unconventional teachers—outlaws and eccentrics, rappers and mystic strangers, ghetto philosophers and strippers, and, eventually, an alternative school that transformed his life with a single blank sheet of paper. It’s a one-of-a-kind story about finding your purpose in life, and an inspiring tribute to the power of education, art, and love to heal and redeem us.

    In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present--titles that feature or in some way comment on the black female figure in Western art.Bracketed by Lewis's own autobiographical poems, Voyage is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin--five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story?Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire--how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race--a full embrace of its pleasure and horror, in equal parts.From the Hardcover edition.

    . . . Heartfelt, passionate and slick.”— Kirkus, starred review

    

    

    

    She has a man in her life, mom in rehab & her best friend by her side. Even with all of these positives, Promyse is still hit with a couple of unexpected negatives. Smoke went from feeling himself to being cocky & arrogant all in a blink of an eye. With his new found royal fame the only thing on his mind is getting money and ruling with an iron fist. Too busy being caught up in his own hype, he never sees his competition lurking in the shadows. A new dude by the name of Saigon is looking to reinvent Promyse and have her shining like the true Queen she is. Paulie & Khy thought they had a relationship many would deem as goals. But when issues arise and smart mouths start to fly one of them is pushed into the arms of another. Everyone’s least favorite girl is back & still out for revenge. Lola was labeled positive for the package but that’s not slowing her down. Still on the fast track to getting her man, she finds new ways to try and get her man to realize with her is where he needs to be. All hope isn’t lost for Promyse as she straddles the fence, but with a thug like Smoke & a boss like Saigon fighting for her heart how could she not be a little bad?

    Just when they believe they have it all figured out, the truth may destroy them both. Will one sister be willing to risk it all, or will they both be left with nothing? Find out in the next installment of the Female Hustler Series.