In Germany, a military family welcomes the birth of a second child. In the aftermath of 9/11, both families - dads, moms, and kids - will fight the war on terror. A harrowing true story that spans America's first decade post-9/11, The Day Before 9/11 portrays in riveting detail the sacrifices made by military families serving overseas and the enduring pain that accompanies the tragic loss of life.

    A new collection by the much praised poet whose second book THE DEAD AND THE LIVING, was both the Lamont Poetry Selection for 1983 and winner of the National Book Critics Circle Award.

    A lawyer who doesn’t care. A secret buried for thirty years. An Amazon US/UK Top 10 Bestseller in - Crime Fiction - International Mystery & Crime - Conspiracy Thrillers - Legal Thrillers - Kidnapping - Financial Thriller - Political Thrillers & Suspense Meet Sam Williams. Lawyer, loser, man on the way down. Sam's about to walk into a prison riot. Meet a woman who isn't what she seems. And wind up on the wrong side of some people who'll stop at nothing to keep him quiet. Sam thought things were going badly yesterday. Now he'll be lucky to see tomorrow. Read what Amazon customers are saying about The Art of Staying Dead... "A brilliant read for thriller action readers" "The suspense is perfectly timed and believable, the atmosphere and characterisation spot on" "The well-thought-out plot moves along at a relentless pace" "A pacy thriller with a rich seam of laconic humour" "Engaging, fast-paced and genuinely thrilling" And watch the explosive trailer here: https://www.youtube.com/watch?v=aNQZl...

    Winner of the 2011 Norma Farber First Book Award from the Poetry Society of America. John Beer's first collection, THE WASTE LAND AND OTHER POEMS, employs the wit of a philosopher and the ear of a poet to stage ways of reading that are political, personal, and theoretical. The speaker of these poems also brings humor to the dissecting table, to prod the legacies of great works of the imagination while balancing irony and affection.

    Wright’s most intimate thoughts and images appear before us in dramatic and spectral short narratives: mesmerizing poems whose colloquial sound and rhythms announce a new path for this luminous and masterful poet. In these journeys, we hear the constant murmured “yes” of creation—“it will be packing its small suitcase soon; it will leave the keys dangling from the lock and set out at last,” Wright tells us. He introduces us to the powerful presences in his world (the haiku master Basho, Nietzsche, St. Teresa of Avila, and especially his father, James Wright) as he explores the continually unfolding loss of childhood and the mixed blessings that follow it. Taken together, the pieces deliver the diary of a poet—“a fairly good egg in hot water,” as he describes himself—who seeks to narrate his way through the dark wood of his title, following the crumbs of language. “Take everything,” Wright suggests, “you can have it all back, but leave for a little the words, of all you gave the most mysteriously lasting.” With a strong presence of the dramatic in every line, Kindertotenwald pulls us deep into this journey, where we too are lost and then found again with him.

    His first collection, set in the Midwest, alternately features a childhood Wisconsin farm, the record-breaking storm that destroyed it, and the turbulent marriage that recalls it. Love and wonder mingle in these lines.

    Notley's work has always been highly narrative, and her new book mixes short lyrics with long, expansive lines of poetry that often take the form of prose sentences, in an effort "to change writing completely." The title piece, a folksong-like lament, makes a unified tale out of many stories of many people; the middle section, "The Black Trailor," is a compilation of noir fictions and reflections; while the shorter poems of "Hemostatic" range from tough lyrics to sung dramas. Full of curative power, music, and the possibility of transformation, In the Pines is a genre- bending book from one of our most innovative writers.

    It appears random...until US Marshal Jack Dillon recognizes one of the victims. An Ace of Spades in the victims mouth? Someone's seen too many movies. At least that's the thinking until the card appears in another victim, and another, and another one after that, and... Fortunately they have a suspect... But then there's another murder he couldn't have possibly done. Somethings awfully wrong and it's up to US Marshal Jack Dillon to find out what's happening, and fast!

    Something is wrong.” Frederick Seidel—the “ghoul” (Chicago Review), the “triumphant outsider” (Contemporary Poetry Review)—returns with a dangerous new collection of poems. Nice Weather presents the sexual and political themes that have long preoccupied Seidel—and thrilled and offended his readers. Lyrical, grotesque, elegiac, this book adds new music and menace to his masterful body of work.

    The only requirement for membership is a desire for healthy and loving relationships. We gather together to support and share with each other in a journey of self-discovery—learning to love the self. Living the program allows each of us to become increasingly honest with ourselves about our personal histories and our own codependent behaviors. We rely upon the Twelve Steps and Twelve Traditions for knowledge and wisdom. These are the principles of our program and guides to developing honest and fulfilling relationships with ourselves and others. In CoDA, we each learn to build a bridge to a Higher Power of our own understanding, and we allow others the same privilege. This renewal process is a gift of healing for us. By actively working the program of Co-Dependents Anonymous, we can each realize a new joy, acceptance, and serenity in our lives.

    Poemland alternates brilliantly between the deadpan, the spectacular, and the outrageous.If you open your mouth to start to complain I will fill it with whipped cream . . .There is a floating sadness nearby . . .Chelsey Minnis is the author of three previous collections. A graduate of the University of Colorado at Boulder and the Iowa Writers' Workshop, she currently lives in Boulder, Colorado.

    Among them, there has been Jack Gilbert and his orthodoxy, a strictness that has required of this poet, now in the seventh decade of his severe life, the penalty of his having had almost no fame at all. In an era that puts before the artist so many sleek and official temptations, keeping unflinchingly to a code of "silence, exile, and cunning" could not have been managed without a show of strictness well beyond the reach of the theater of the coy. The "far, stubborn, disastrous" course of Jack Gilbert's resolute journey--not one that would promise in time to bring him home to the consolations of Penelope and the comforts of Ithaca but one that would instead take him ever outward to the impossible blankness of the desert--could never have been achieved in the society of others. What has kept this great poet brave has been the difficult company of his poems--and now we have, in Gilbert's third and most silent book, what may be, what must be, the bravest of these imperial accomplishments.