. . . Krauss’s depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss’s stories capture characters at moments in their lives when they’re hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers.”  —Molly Antopol, New York Times Book Review “From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction.” — Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women’s coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss’s stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

    “Scroll Through the Weapons” is about a couple taking care of their underfed and almost feral nieces and nephews. “Signal to the Faithful” follows a boy as he takes a tense road trip with his priest. And “Baby, You’re Gonna Be Mine,” the title story, is about a narcissistic rock star who moves back home during a rough patch. These stories all build on each other in strange and remarkable ways, showcasing Wilson’s crackling wit and big heart.Filled with imagination and humor, Baby, You’re Gonna Be Mine is an exuberant collection of captivating and charmingly bizarre stories that promise to burrow their way into your heart and soul.

    Already an award-winning writer, ZZ Packer now shares with us her debut, Drinking Coffee Elsewhere. Her impressive range and talent are abundantly evident: Packer dazzles with her command of language, surprising and delighting us with unexpected turns and indelible images, as she takes us into the lives of characters on the periphery, unsure of where they belong. We meet a Brownie troop of black girls who are confronted with a troop of white girls; a young man who goes with his father to the Million Man March and must decides where his allegiance lies; an international group of drifters in Japan, who are starving, unable to find work; a girl in a Baltimore ghetto who has dreams of the larger world she has seen only on the screens in the television store nearby, where the Lithuanian shopkeeper holds out hope for attaining his own American Dream.With penetrating insight that belies her youth—she was only nineteen years old when Seventeen magazine printed her first published story—ZZ Packer helps us see the world with a clearer vision. Drinking Coffee Elsewhere is a striking performance—fresh, versatile, and captivating. It introduces us to an arresting and unforgettable new voice.Brownies --Every tongue shall confess --Our Lady of Peace --The ant of the self --Drinking coffee elsewhere --Speaking in tongues --Geese --Doris is coming

    Worries I’ve never shared. Thoughts that circle and collide and die screaming because they never make it outside my head. Stuff like that, if you let it go—it’s a survival risk.Sixteen-year-old Nate McKee is doing his best to be invisible. He’s worried about a lot of things—how his dad treats Nance and his twin half-brothers; the hydro crop in his bedroom; his reckless friend, Merrick.Nate hangs out at the local youth centre and fills his notebooks with things he can’t say. But when some of his pages are stolen, and his words are graffitied at the centre, Nate realises he has allies. He might be able to make a difference, change his life, and claim his future. Or can he?This Is How We Change the Ending is raw and real, funny and heartbreaking—a story about what it takes to fight back when you’re not a hero.

    A man finds God and finally wants to father a child-only his wife is now forty-two years old. A coach's son discovers his sexuality on the football field. A roommate's bizarre secret liberates a repressed young woman. From the unforeseen consequences of a polite social lie to the turmoil caused by the hair on a woman's chin, Donoghue dramatizes the seemingly small acts upon which our lives often turn. Many of these stories involve animals and what they mean to us, or babies and whether to have them; some replay biblical plots in modern contexts. With characters old, young, straight, gay, and simply confused, Donoghue dazzles with her range and her ability to touch lightly but delve deeply into the human condition.

    A recent widower and his adult son ferry to a craggy Scottish island in search of puffins. An actress who plays a children’s game-show villainess ushers in the New Year with her deadbeat half brother. A mother, pining for her children, feasts on loaves of challah to fill the void. A new couple navigates a tightrope walk toward love. And on a trip to a Texas water park with their son, two fathers each confront a personal fear. With sentences that crackle and spark and showcase her trademark wit, McCracken traces how our closely held desires—for intimacy, atonement, comfort—bloom and wither against the indifferent passing of time. Her characters embark on journeys that leave them indelibly changed—and so do her readers. The Souvenir Museum showcases the talents of one of our finest contemporary writers as she tenderly takes the pulse of our collective and individual lives.

    She's breathing gently, long slow breaths. I imagine her soul going in and out: wanting to leave, wanting to come back, wanting to leave, wanting to come back. The day will soon harden into what we need to do. But for now we have each other. . . ."He met Candy amid a lush Sydney summer. Gorgeous, sexy, free-spirited Candy. They fell in love fast, lots of laughter and lust, the days melting warmly into each other. He never planned to give her a habit. But she wanted a taste. And wasn't love, after all, about sharing lives? Candy had a bit of money and in the beginning, everything was beautiful. Heady, heroin-hazed days, the world open and inviting. But when the money ran out, the craving remained, and the days ceased their luxurious stretch.But there was still love. Only now, it was a threesome. Heroin had its own demands, its own timetable, and thoughts of nabbing the next fix hurled them into each day. Then, when desperation sets in, Candy will stop at nothing to secure a blast, as she and her lover become hostage to the nightmarish world of addiction. Painful, sexy, tender, and charged with dark humor, Candy provocatively charts the daily rituals of two lovers maintaining a long-term junk habit. Told in stunningly vivid prose and set against the backdrop of suburban and urban Australia, Candy is both an electrifying and frightening glimpse of contemporary life and love.

    There's no trace at all of Elliot, there hasn't been for some weeks and Paul, his younger brother, is the only one who seems to be active in the search. Taking Elliot's place on their antagonistic cousin's boat, Paul soon learns how many opportunities there are to get lost in those many thousands of kilometres of lonely coastline.Fierce, evocative and memorable, this is an Australian story set within an often wild and unforgiving sea, where mysterious influences are brought to bear on the inhospitable town and its residents. Sam Carmody is a real literary talent, with an artist's inquiring mind and a natural feel for the beauty and toughness of language. Charlotte Wood, author of the award-winning The Natural Way of Things

    Alone in his apartment, he reads stories aloud to the point he has them memorized. Sometimes he fantasizes that he wrote them. Sometimes, when they’re his very favorite stories, he’ll fantasize about reading them in front of an audience and taking credit for them. The audience in these fantasies always loves him and gives him the respect he deserves.David Sedaris didn’t write the stories in Children Playing Before a Statue of Hercules . But he did read them. And he liked them enough to hand pick them for this collection of short fiction. Featuring such notable writers as Lorrie Moore, Alice Munro, Joyce Carol Oates, Jean Thompson, and Tobias Wolff, Children Playing Before a Statue of Hercules includes some of the most influential and talented short story writers, contemporary and classic.Perfect for fans who suffer from Sedaris fever, Children Playing Before a Statue of Hercules will tide them over and provide relief.2 hrs 56 mins

    Three marriages left behind. Life begins in earnest.It's 1977, and warm, bohemian Libby - stay-at-home mother, genius entertainer and gifted cook - is lonely. When she meets Carol, who has recently emigrated from London with her controlling husband and is feeling adrift, and Anna, who loves her career but not her marriage, the women form an unexpected bond.Their husbands aren't happy about it, and neither are their daughters. Set against a backdrop of inner-city grunge and 70s glamour, far-out parties and ABBA songs, The Women and The Girls is a funny, questioning and moving novel about love, friendship, work, family, and freedom.A kind of Monkey Grip meets 'Nine to Five', The Women and The Girls explores the price - and the rewards - of family and friendship in the Age of Aquarius - and at the dawning of the Age of Divorce.'Laura Bloom has such a unique talent for modern historical fiction and this time it was a joy to be catapulted back to the 1970s. When I turned the last page I was so sad to say goodbye to her beautifully observed characters. A delight from start to finish!' Liane Moriarty

    That same year, she began receiving scattered chapters in the mail of a self-help manual, the Guidebook, whose anonymous author promised to make her life soar to heights beyond her wildest dreams.The Guidebook’s missives have remained a constant in Abi’s life—a befuddling yet oddly comforting voice through her family’s grief over her brother’s disappearance, a move across continents, the devastating dissolution of her marriage, and the new beginning as a single mother and café owner in Sydney.Now, two decades after receiving those first pages, Abi is invited to an all-expenses paid weekend retreat to learn “the truth” about the Guidebook. It’s an opportunity too intriguing to refuse. If Everything is Connected, then surely the twin mysteries of the Guidebook and a missing brother must be linked?What follows is completely the opposite of what Abi expected––but it will lead her on a journey of discovery that will change her life––and enchant readers. Gravity Is the Thing is a smart, unusual, wickedly funny novel about the search for happiness that will break your heart into a million pieces and put it back together, bigger and better than before.

    “I am looking for the artful way any given story is conveyed,” writes Roxane Gay in her introduction to The Best American Short Stories 2018, “but I also love when a story has a powerful message, when a story teaches me something about the world.” The artful, profound, and sometimes funny stories Gay chose for the collection transport readers from a fraught family reunion to an immigration detention center, from a psychiatric hospital to a coed class sleepover in a natural history museum. We meet a rebellious summer camper, a Twitter addict, and an Appalachian preacher—all characters and circumstances that show us what we “need to know about the lives of others.”

    Years before he'd been robbed of the world title that had his name on it - and then drugs, his brother, and the disappearance and murder of his girlfriend and had done the rest. Out of the blue, a young would-be biographer comes knocking and stirs up memories Dennis thought he'd buried. It takes Dennis a while to realise that she's not there to write his story at all.Daring, ambitious, dazzling, The Life is also as real as it gets - a searing, beautiful novel about fame and ambition and the price that must sometimes be paid for reaching too high.Malcolm Knox is the author of Summerland, A Private Man and Jamaica, which was shortlisted for the Prime Minister's Award last year and won the Colin Roderick Award. He is also a Walkley-Award-winning journalist and author of many non-fiction titles. He came late to surfing, but is now an obsessively enthusiastic surfer, and writes about surfing and the surf with authority and great passion.

    The only person she sees regularly is Henry, who comes after school for drawing lessons.When a girl in Henry's class goes missing, Jen is pulled back into the depths of her own past. When she was Henry's age she lost her father and her best friend Michael - both within a week. The whole town talked about it then, and now, nearly forty years later, they're talking about it again.Everyone is waiting - for the girl to be found and the summer rain to arrive. At last, when the answers do come, like the wet, it is in a drenching, revitalising downpour.

    They casserole. They pinwheel. They pump the salad spinner like it's a CPR dummy. And then they kill a party crasher, carefully stepping around the body to pull cookies out of the oven. These twelve irresistible stories take us from a haunted prewar Manhattan apartment building to the set of a rigged reality television show, from the unique initiation ritual of a book club to the getaway car of a pageant princess on the lam, from the gallery opening of a tinfoil artist to the fitting room of a legendary lingerie shop. Vicious, fresh, and nutty as a poisoned Goo Goo Cluster, American Housewife is an uproarious, pointed commentary on womanhood.