HC: Doubleday.

    Grant and Robert E. Lee. But less than two decades before they faced each other as enemies at Appomattox, they had been brothers -- both West Point graduates, both wearing blue, and both fighting in the same cadre in the Mexican War. They were not alone: Sherman, Davis, Jackson nearly all of the Civil War's greatest soldiers had been forged in the heat of Vera Cruz and Monterrey. The Mexican War has faded from our national memory, but it was a struggle of enormous significance: the first U.S. war waged on foreign soil; and it nearly doubled our nation. At this fascinating juncture of American history, a group of young men came together to fight as friends, only years later to fight as enemies. This is their story. Full of dramatic battles, daring rescues, secret missions, soaring triumphs and tragic losses, The Training Ground is history at its finest.

    Henry Clay, Daniel Webster, Dolley Madison, Henry James as a boy with his father, Horace Greeley, Edgar Allan Poe, the Prince of Wales, and Jenny Lind were among the dignitaries photographed in Mathew Brady's studio. But it was during the Civil War that he became the founding father of what is now called photojournalism and his photography became an enduring part of American history.The Civil War was the first war in history to leave a detailed photographic record, and Mathew Brady was the war's chief visual historian. Previously, the general public had never seen in such detail the bloody particulars of war--the strewn bodies of the dead, the bloated carcasses of horses, the splintered remains of trees and fortifications, the chaos and suffering on the battlefield. Brady knew better than anyone of his era the dual power of the camera to record and to excite, to stop a moment in time and to draw the viewer vividly into that moment.He was not, in the strictest sense, a Civil War photographer. As the director of a photographic service, he assigned Alexander Gardner, James F. Gibson, and others to take photographs, often under his personal supervision; he also distributed Civil War photographs taken by others not employed by him. Ironically, Brady had accompanied the Union army to the first major battle at Bull Run, but was so shaken by the experience that throughout the rest of the war he rarely visited battlefields, except well before or after a major battle. The famous Brady photographs at Antietam were shot by Gardner and Gibson.Few books about Brady have gone beyond being collections of the photographs attributed to him, accompanied by a biographical sketch. MATHEW BRADY will be the biography of an American legend--a businessman, an accomplished and innovative technician, a suave promoter, a celebrated portrait artist, and, perhaps most important, a historian who chronicled America during its finest and gravest moments of the 19th century.

    Lee. of photos.

    For Joe, a 12-year-old boy suddenly alone and 600 miles from home, it's a nightmare come true. This adventure story is a tale of a special friendship that only comes along once in a lifetime. Joe, who is white, and Peter, sixteen and a free Black, become unlikely friends and learn to depend on each other as they try to escape the desperate Confederate South. Follow these two as they trek through a war-torn countryside and witness war at its worst, up close and personal. They travel through a landscape that has been decimated by brutal battles, and they encounter people that have suffered the extreme hardships and depredation of three years of war. All the while they learn to depend on each other and grow a binding love as special as any two brothers. They will need each other more than they know-unknown to them, they are being pursued by a deranged killer. Also read John Gschwend's historical novel, Spirit In The Red Amber and his science fiction novel, Portal To The Forgotten. Scroll up, click the buy button, and enter this moving Civil War novel. johngschwend.com

    In a fitting tribute to the two hundredth anniversary of Harriet Beecher Stowe's birth, Bancroft Prize-winning historian David S. Reynolds reveals her book's impact not only on the abolitionist movement and the American Civil War but also on worldwide events, including the end of serfdom in Russia, down to its influence in the twentieth century. He explores how both Stowe's background as the daughter in a famously intellectual family of preachers and her religious visions were fundamental to the novel. And he demonstrates why the book was beloved by millions—and won over even some southerners—while fueling lasting conflicts over the meaning of America. Although vilified over the years as often as praised, it has remained a cultural landmark, proliferating in the form of plays, songs, films, and merchandise—a rich legacy that has both fed and contested American racial stereotypes.

    Lee and Ulysses S. Grant. Here are the two charismatic figures in their early years, in their roles as adversaries, and in their post-war lives.

    Alexander was involved in nearly all of the great battles of the East, from First Manassas through Appomattox, and his duties brought him into frequent contact with most of the high command of the Army of Northern Virginia, including Robert E. Lee, Stonewall Jackson, and James Longstreet. No other Civil War veteran of his stature matched Alexander's ability to discuss operations in penetrating detail - this is especially true of his description of Gettysburg. His narrative is also remarkable for its utterly candid appraisals of leaders on both sides.

    Potter’s magisterial The Impending Crisis is the single best account to date of the coming of the Civil War.” —Civil War History“The magnum opus of a great American historian.” —NewsweekNow in a new edition for the 150th Anniversary of the Civil War, David Potter’s Pulitzer Prize-winning history of antebellum America offers an indispensible analysis of the causes of the war between the states. The Journal of Southern History calls Potter’s incisive account, “modern scholarship’s most comprehensive account of the coming of the Civil War,” and the New York Times Book Review hails it as “profound and original…. History in the grand tradition.”

    Determined to serve, she became a veritable soldier, a nurse, and a one-woman relief agency operating in the heart of the conflict. Now, award-winning author Stephen B. Oates, drawing on archival materials not used by her previous biographers, has written the first complete account of Clara Barton's active engagement in the Civil War.By the summer of 1862, with no institutional affiliation or official government appointment, but impelled by a sense of duty and a need to heal, she made her way to the front lines and the heat of battle. Oates tells the dramatic story of this woman who gave the world a new definition of courage, supplying medical relief to the wounded at some of the most famous battles of the war -- including Second Bull Run, Antietam, Fredericksburg, Battery Wagner, the Wilderness, Spotsylvania, and Petersburg. Under fire with only her will as a shield, she worked while ankle deep in gore, in hellish makeshift battlefield hospitals -- a bullet-riddled farmhouse, a crumbling mansion, a windblown tent. Committed to healing soldiers' spirits as well as their bodies, she served not only as nurse and relief worker, but as surrogate mother, sister, wife, or sweetheart to thousands of sick, wounded, and dying men.Her contribution to the Union was incalculable and unique. It also became the defining event in Barton's life, giving her the opportunity as a woman to reach out for a new role and to define a new profession. Nursing, regarded as a menial service before the war, became a trained, paid occupation after the conflict. Although Barton went on to become the founder and first president of the Red Cross, the accomplishment for which she is best known, A Woman of Valor convinces us that her experience on the killing fields of the Civil War was her most extraordinary achievement.

    Particularly important today with our soldiers all over the world.

    Vann Woodward won the 1982 Pulitzer Prize for History, drawn from the diaries of a Southern aristocrat, records the disintegration and final destruction of the Confederacy.

    Period photographs illustrate this you-are-there account of the daily lives and tribulations of all who suffered through the war, from ordinary people to the Confederacy's generals and political figures.

    Bound in the publisher's original cloth over boards, spine stamped in gilt.

    Its features include a dramatic narrative packed with eyewitness accounts and hundreds of rare photographs, artifacts, and period illustrations. Evocative sidebars, detailed maps, and timelines add to the reference-ready quality of the text. From John Brown's raid to Reconstruction, Eyewitness to the Civil War presents a clear, comprehensive discussion that addresses every military, political, and social aspect of this crucial period. In-depth descriptions of campaigns and battles in all theaters of war are accompanied by a thorough evaluation of the nonmilitary elements of the struggle between North and South. In their own words, commanders and common soldiers in both armies tell of life on the battlefield and behind the lines, while letters from wives, mothers, and sisters provide a portrait of the home front. More than 375 historical photographs, portraits, and artifacts—many never before published—evoke the era's flavor; and detailed maps of terrain and troop movements make it easy to follow the strategies and tactics of Union and Confederate generals as they fought through four harsh years of war. Photoessays on topics ranging from the everyday lives of soldiers to the dramatic escapades of the cavalry lend a breathtaking you-are-there feeling, and an inclusive appendix adds even more detail to what is already a magnificently meticulous history.