Yet the literary landscape of this dynamic part of the world has been bound together not by borders and nationalities, but by a common experience of Western imperialism. Keenly aware of the collected scars left by a legacy of colonial rule, the acclaimed writer Reza Aslan, with a team of four regional editors and seventy-seven translators, cogently demonstrates with Tablet and Pen how literature can, in fact, be used to form identity and serve as an extraordinary chronicle of the disrupted histories of the region.Acting with Words Without Borders, which fosters international exchange through translation and publication of the world’s finest literature, Aslan has purposefully situated this volume in the twentieth century, beyond the familiar confines of the Ottoman past, believing that the writers who have emerged in the last hundred years have not received their full due. This monumental collection, therefore, of nearly two hundred pieces, including short stories, novels, memoirs, essays and works of drama—many of them presented in English for the first time—features translated works from Arabic, Persian, Urdu, and Turkish. Organized chronologically, the volume spans a century of literature—from the famed Arab poet Khalil Gibran to the Nobel laureates Naguib Mahfouz and Orhan Pamuk, from the great Syrian-Lebanese poet Adonis to the grand dame of Urdu fiction, Ismat Chughtai—connected by the extraordinarily rich tradition of resplendent cultures that have been all too often ignored by the Western canon.By shifting America’s perception of the Middle Eastern world away from religion and politics, Tablet and Pen evokes the splendors of a region through the voices of its writers and poets, whose literature tells an urgent and liberating story. With a wealth of contextual information that places the writing within the historical, political, and cultural breadth of the region, Tablet Pen is transcendent, a book to be devoured as a single sustained narrative, from the first page to the last. Creating a vital bridge between two estranged cultures, "this is that rare anthology: cohesive, affecting, and informing" (Publishers Weekly).

    Summer of '42 is the story of Hermie and the lovely Dorothy, of Hermie's frantic efforts to become a man, and of his glorious and heartbreaking initiation into sex.

    By the time Owen was killed at the age of 25 at the Battle of Sambre, he had written what are considered to be the most important British poems of WWI. This definitive edition is based on manuscripts of Owen's papers in the British Museum and other archives.

    In April 2004, the world was shocked by the brutal pictures of beatings, dog attacks, sex acts, and the torture of prisoners held at Abu Ghraib in Iraq. As the story broke, and the world began to learn about the extent of the horrors that occurred there, the U.S. Army dispatched Colonel Larry James to Abu Ghraib with an overwhelming assignment: to dissect this catastrophe, fix it, and prevent it from being repeated. A veteran of deployments to Guantanamo Bay, Cuba, and a nationally well-known and respected Army psychologist, Colonel James's expertise made him the one individual capable of taking on this enormous task. Through Colonel James's own experience on the ground, readers will see the tightrope military personnel must walk while fighting in the still new battlefield of the war on terror, the challenge of serving as both a doctor/healer and combatant soldier, and what can-and must-be done to ensure that interrogations are safe, moral, and effective. At the same time, Colonel James also debunks many of the false stories and media myths surrounding the actions of American soldiers at both Abu Ghraib and Guantanamo Bay, and he reveals shining examples of our men and women in uniform striving to serve with honor and integrity in the face of extreme hardship and danger. An intense and insightful personal narrative, Fixing Hell shows us an essential perspective on Abu Ghraib that we've never seen before.

    Calling herself Riverbend, she has offered searing eyewitness accounts of daily life in the war zone and has garnered a worldwide audience hungry for unfiltered news and fresh analysis." "Riverbend's blog, Baghdad Burning, collected here for the first time, responds to events both personal and political - from the impact on her family of the invasion's aftermath to the Abu Ghraib prison abuses. She reveals for us most sharply the fate of Iraqi women, whose rights and freedoms are falling victim to rising fundamentalisms." Describing the reality of regime change in Iraq in a voice at turns outraged, witty, and deeply moving, Riverbend is a witness to the recent events that are shaping the future of her homeland.

    His characters, for whom the closest-though hopelessly inadequate-description might be "eccentrics," share the stage with swamp elves and midgets living in the backyard. His fiction is unlike anybody else's and is as dark, hilarious, and affecting as any ever written. It's also writing that lays bare the agony of adolescence and plows, as the Cleveland Plain Dealer once put it, "the fields of puzzling wonder that precede the responsibilities and disappointments of adulthood."What bred and fed Nordan's imagination, his originality, his indefatigable sense of humor? The answers aren't obvious. But now that Lewis Nordan produces, directs, and stars in his own story, we just might find out.Nordan's mother was widowed when he was a baby, and she went back to her home town to remarry and raise her only son "Buddy." Itta Bena, Mississippi, was a prototypical fifties Delta town, so drowsy that even before puberty, Nordan had made his escape plans. What happened next was pretty typical-a stint in the Navy, college in Mississippi, very early marriage, young fatherhood, alcoholism, infidelities, broken hearts. But in Nordan's hands, the typical turns into the transcendent and, at the heart of things, there is always the irrepressible laughter.Horrible things and horribly funny things happen in Boy with Loaded Gun, but it's that heart that leads us through Lewis Nordan's dark tunnel and back into the light.

    Through a collage aesthetic and a multiplicity of voices, these poems take us from coast to coast, New York to LA, and toward uneasy questions about intimacy, love, death, and the human spirit. Dimitrov critiques America’s long-lasting obsessions with money, celebrity, and escapism—whether in our personal, professional, or family lives. What defines a life? Is love ever enough? Who are we when together and who are we by ourselves? These questions echo throughout the poems, which resist easy answers. The voice is both heartfelt and skeptical, bruised yet playful, and always deeply introspective.from "Water"What is aging exactly?There are new jobs and peopleand someone dies before noon every day.I am swimming and swimming…in May or an ocean,I don’t see the reason. “But that’s unimportant,” you said.“Just keep doing it over again until one day you can’t.”Spring excites us and we know what it is every time.The minutes in meetings are life’s most undistinguished;that’s obvious. And what’s obvious makes us all foolsthen fast friends.Alex Dimitrov is the author of Together and by Ourselves (Copper Canyon Press, 2017), Begging for It (Four Way Books, 2013), and the online chapbook American Boys (Floating Wolf Quarterly, 2012). He is the recipient of the Stanley Kunitz Prize from the American Poetry Review and a Pushcart Prize. His poems have been published in Poetry, The Yale Review, Kenyon Review, Slate, Tin House, Boston Review, and the American Poetry Review. He is the Senior Content Editor at the Academy of American Poets where he edits the popular online series Poem-a-Day and American Poets magazine. He has taught creative writing at Rutgers University-New Brunswick, Marymount Manhattan College, Bennington College, and lives in New York City.

    When a former congressional aide becomes part of the staff of the governor of a small Southern state, he watches in horror, admiration, and amazement, as the governor mixes calculation and sincerity in his not-so-above-board campaign for the presidency.From the Hardcover edition.

    military's top priority -- trumping even the search for Osama bin Laden. No brutality was spared in trying to squeeze intelligence from Zarqawi's suspected associates. But these "force on force" techniques yielded exactly nothing, and, in the wake of the Abu Ghraib scandal, the military rushed a new breed of interrogator to Iraq. Matthew Alexander, a former criminal investigator and head of a handpicked interrogation team, gives us the first inside look at the U.S. military's attempt at more civilized interrogation techniques -- and their astounding success. The intelligence coup that enabled the June 7, 2006, air strike onZarqawi's rural safe house was the result of several keenly strategized interrogations, none of which involved torture or even "control" tactics. Matthew and his team decided instead to get to know their opponents. Who were these monsters? Who were they working for? What were they trying to protect? Every day the "'gators" matched wits with a rogues' gallery of suspects brought in by Special Forces ("door kickers"): egomaniacs, bloodthirsty adolescents, opportunistic stereo repairmen, Sunni clerics horrified by the sectarian bloodbath, Al Qaeda fanatics, and good people in the wrong place at the wrong time. With most prisoners, negotiation was possible and psychological manipulation stunningly effective. But Matthew's commitment to cracking the case with these methods sometimes isolated his superiors and put his own career at risk. This account is an unputdownable thriller -- more of a psychological suspense story than a war memoir. And indeed, the story reaches far past the current conflict in Iraq with a reminder that we don't have to become our enemy to defeat him. Matthew Alexander and his ilk, subtle enough and flexible enough to adapt to the challenges of modern, asymmetrical warfare, have proved to be our best weapons against terrorists all over the world.

    But those who seek instead a true widening of the horizons of meaning, coupled with a sure-handed mastery of the craft of poetry, will find this latest collection satisfying indeed.Here is a man who matches superb gifts with a truly subtle imagination, into whose depths he is courageously traveling--pioneering--in exploratory penetrations into areas of life that are too often evaded or denied. "The Firebombing," "Slave Quarters," "The Fiend"--these poems, with the others that comprise the present volume, show a mature and original poet at his finest.

    Verbatim reports of speeches by leaders, and comments of bystanders—set against an idealized backdrop of the proletariat united with soldiers, sailors, and peasants—are balanced by passionate narratives describing the fall of the provisional government, the assault on the Winter Palace, and Lenin's seizure of power.Accompanied by contemporaneous photographs, this gripping record by a western journalist has been acclaimed worldwide since its first publication in 1919. Endorsed by Lenin as a "truthful and most vivid exposition," the work was the basis for the Academy Award-winning 1981 film Reds.

    Published just a year after On the Road put the Beat Generation on the map, The Dharma Bums is sparked by Kerouac's expansiveness, humor, and a contagious zest for life.

    

    But no, they looked to the New World for their extraordinary new adventure...No-one has ever sailed an English narrowboat in the US before, for reasons that become clear during the 9-month voyage of the Phyllis May - including 30-mile sea crossings, blasting heat, tornadoes, hurricanes and all manner of intimidating wildlife. But the real danger comes from the Good Ole Boys and Girls of the Deep South. Colonels, bums, captains, planters, heroes, drunks, gongoozlers, dancing dicks and beautiful spies - they all want to meet the Brits on the painted boat and their thin dog and take them home and party them to death. And from the Phyllis May, a thousand miles of the little-known South-East Seaboard unfold at six miles an hour- the golden marshes of the Carolinas, the incomparable cities of Charleston and Savannah, and the lost arcadias of Georgia and Florida.Beautifully written, lovingly observed, and very funny, Narrow Dog to Indian River takes you on a dangerous, surprising and always entertaining journey.

    Within hours, the video footage of her death, captured on a roving camera-phone, had circled the globe. It was also the moment of choice for Arash Hejazi—a writer who had originally trained as a doctor—who tried and failed to save Neda’s life. Within days Hejazi left Iran to tell the world the story the government was denying: Neda had died at the hands of the pro-government militia.  The Gaze of the Gazelle is Hejazi’s personal story of how that tragedy came to be and how it will change the course of politics in Iran for a new generation. In a tale that mingles politics and the personal, mythology and history, Hejazi tries to answer the question: How did it come to this? His quest for an answer leads him through the story of the decades long aftermath of the Iranian Revolution, when Ayatollah Khomeini was brought back from exile to drive the Shah from his throne and set up the Islamic Republic of Iran.Against the background of Saddam Hussein’s invasion of Iran and the prolonged war that followed, Hejazi skillfully interweaves his own story and those of his family and friends with the machinations of the mullahs and politicians who seek to control Iranian lives. This timely, moving, and eloquent book describes the determination of a new generation to recover hope in the name of Neda, who gave her life in pursuit of a freer and better world.