Green.Kat Richardson’s Greywalker finds herself in too deep when a “simple job” goes bad and Harper Blaine is enmeshed in a tangle of dark secrets and revenge from beyond the grave.For centuries, the being that we know as Noah lived among us. Now he is dead, and fallen-angel-turned-detective Remy Chandler has been hired to find out who killed him in a whodunit by Thomas E. Sniegoski.

    An elderly lady with Charles Bonnet syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence. A woman born with a genetic abnormality is mistaken for a vampire, and a crime committed long ago is revenged in the Arctic via a 1.9 billion-year-old stromatolite.In these nine tales, Margaret Atwood ventures into the shadowland earlier explored by fabulists and concoctors of dark yarns such as Robert Louis Stevenson, Daphne du Maurier and Arthur Conan Doyle - and also by herself, in her award-winning novel Alias Grace. In Stone Mattress, Margaret Atwood is at the top of her darkly humorous and seriously playful game.

    A telegraph operator finds an unexpected companion in the middle of the Amazon. A doctor is beset by seizures, in which he is possessed by a second, perhaps better, version of himself. And in Regency London, a bare-knuckle fighter prepares to face his most fearsome opponent, while a young mother seeks a miraculous cure for her ailing son.At times funny and irreverent, always moving and deeply urgent, these stories---among them a National Magazine Award and a Pushcart Prize winner---cap a fifteen-year project. From the Nile's depths to the highest reaches of the atmosphere, from volcano-racked islands to an asylum on the outskirts of Rio de Janeiro, these are tales of ecstasy, epiphany, and what the New York Times Magazine called the "struggle for survival...hand to hand, word to word," by "one of the finest prose stylists in American fiction."

    It is a June unlike any other before, with temperatures soaring to asphyxiating heights. All across the world, freak weather patterns—and the life-shattering catastrophes they entail—have become the norm. The twenty-first century has entered a new phase. But Gabrielle Fox’s main concern is a personal one: to rebuild her life after a devastating car accident that has left her disconnected from the world, a prisoner of her own guilt and grief. Determined to make a fresh start, and shake off memories of her wrecked past, she leaves London for a temporary posting as an art therapist at Oxsmith Adolescent Secure Psychiatric Hospital, home to one hundred of the most dangerous children in the country. Among them: the teenage killer Bethany Krall.Despite two years of therapy, Bethany is in no way rehabilitated and remains militantly nonchalant about the bloody, brutal death she inflicted on her mother. Raised in evangelistic hellfire, the teenager is violent, caustic, unruly, and cruelly intuitive. She is also insistent that her electroshock treatments enable her to foresee natural disasters—a claim which Gabrielle interprets as a symptom of doomsday delusion.But as Gabrielle delves further into Bethany’s psyche, she begins to note alarming parallels between her patient’s paranoid disaster fantasies and actual incidents of geological and meteorological upheaval—coincidences her professionalism tells her to ignore but that her heart cannot. When a brilliant physicist enters the equation, the disruptive tension mounts—and the stakes multiply. Is the self-proclaimed Nostradamus of the psych ward the ultimate manipulator or a harbinger of global disaster on a scale never seen before? Where does science end and faith begin? And what can love mean in “interesting times”?With gothic intensity, Liz Jensen conjures the increasingly unnerving relationship between the traumatized therapist and her fascinating, deeply calculating patient. As Bethany’s warnings continue to prove accurate beyond fluke and she begins to offer scientifically precise hints of a final, world-altering cataclysm, Gabrielle is confronted with a series of devastating choices in a world in which belief has become as precious - and as murderous—as life itself.

    This collection includes a selection of his science fiction and fantasy stories from the last five years — sixteen of his best — plus a new novelette.In addition to these seventeen selections, The Hidden Girl and Other Stories also features an excerpt from the forthcoming book three in the Dandelion Dynasty series, "The Veiled Throne".Contents:- Ghost Days (2013)- Maxwell's Demon (2012)- The Reborn (2014)- Thoughts and Prayers (2019)- Byzantine Empathy (2018)- The Gods Will Not Be Chained (2014)- Staying Behind (2011)- Real Artists (2011)- The Gods Will Not Be Slain (2014)- Altogether Elsewhere, Vast Herds of Reindeer (2011)- The Gods Have Not Died in Vain (2015)- Memories of My Mother (2012)- Dispatches from the Cradle: The Hermit - Forty-Eight Hours in the Sea of Massachusetts (2016)- Grey Rabbit, Crimson Mare, Coal Leopard (2020)- A Chase Beyond the Storms: An excerpt from "The Veiled Throne", Book 3 of the Dandelion Dynasty- The Hidden Girl (2017)- Seven Birthdays (2016)- The Message (2012)- Cutting (2012)

    Mara Carlyle’s senior year is going as normally as could be expected, until—wa-bam!—fellow senior Katelyn Ogden explodes during third period pre-calc.Katelyn is the first, but she won’t be the last teenager to blow up without warning or explanation. As the seniors continue to pop like balloons and the national eye turns to Mara’s suburban New Jersey hometown, the FBI rolls in and the search for a reason is on.Whip-smart and blunt, Mara narrates the end of their world as she knows it while trying to make it to graduation in one piece. It's an explosive year punctuated by romance, quarantine, lifelong friendship, hallucinogenic mushrooms, bloggers, ice cream trucks, “Snooze Button™,” Bon Jovi, and the filthiest language you’ve ever heard from the President of the United States.Aaron Starmer rewrites the rulebook with Spontaneous. But beneath the outrageous is a ridiculously funny, super honest, and truly moving exemplar of the absurd and raw truths of being a teenager in the 21st century . . . and the heartache of saying goodbye.

     This captivating new collection of fantastic short fiction is sure to cement her reputation as one of the most original storytellers working in the fantasy and speculative fiction genres today. Whether spinning tales of the mysterious young woman and the dreadful pirate captain Henry Morgan in the original novella “The Maid on the Shore,”or the tiny California beach community assaulted by Lovecraftian terrors in “Calamari Curls,” or the girl menaced by a haunting photograph and a trio of aspiring vampires at the heart of “Portrait, With Flames,” Kage Baker distinguishes herself throughout Dark Mondays as a storyteller extraordinaire, crafting intricately woven plots, compelling characters, and captivating settings filled with convincing detail. As likely to shock and surprise as it is to fill you with a sense of weird wonder and delight, Dark Mondays will entrance you with its inventive prose, astound you with its action, and seduce you with its style. Dark Mondays features five never-before-published stories, including the forty-one-thousand-word pirate novel, “The Maid on the Shore,” which chronicles the lesser known aspects of Captain Henry Morgan’s infamous sacking of Panama City.

    Gone. Everyone, except the kids trapped in the FAYZ - an invisible dome that was created by an alien virus. Inside the FAYZ, animals began to mutate and teens developed dangerous powers. the terrifying new world was plagued with hunger, lies, and fear of the unknown.Now, four years later, meteorites are hitting Earth with a virus that is even deadlier. Humans will mutate into monsters and the whole world will be exposed.But power corrupts. As some teens begin to morph into heroes, they will find that others become dangerously out of control and that the world is on the brink of a monstrous battle between good and evil. And there is only one thing more terrifying than the fear of the unknown: when history repeats itself.In this first of a trilogy, Michael Grant has created a stunning follow-up to the globally bestselling Gone series.

    Moore offers up ten autumnal tales of the darker things that lurk just around the corner of Indian Summer. A man learns of a town's obsession with scarecrows and tries to find the answers as to why they are so important. Children move through familiar streets and find that Halloween makes everything different. Tis' the season when ghosts are real, witches soar through the night, and things in the Beldam Woods are not always what they seem. Sometimes it's the monsters that wear the masks.

    Included are two original stories, several rarities and out of print tales, as well as a few "best of the year" inclusions. Stephen Graham Jones is a master storyteller. What does happen after the people lights have gone off? Crack the spine and find out. With an introduction by Joe R. Lansdale.Stephen Graham Jones is the author of fifteen novels and five collections, and has some two hundred stories published. Stephen's been an NEA Fellow and has won the Texas Institute of Letters Award for Fiction and the Independent Publishers Award for Multicultural fiction. He's forty-two, married with a couple of kids, and lives in Boulder, Colorado.WINNER, Short Story Collection, THIS IS HORRORNOMINATED, Short Story Collection, BRAM STOKER AWARDSNOMINATED, Short Story Collection, SHIRLEY JACKSON AWARDS

    14 original teen paranormal short stories YA talent, united with the common theme of road trips.Contents:Introduction by Melissa Marr & Kelley Armstrong1 Giovanni’s Farewell by Claudia Gray2 Scenic Route (The Forest of Hands and Teeth #0.5) by Carrie Ryan3 Red Run by Kami Garcia4 Things About Love (Genies #1.5) by Jackson Pearce5 Niederwald (Soul Screamers #4.5) by Rachel Vincent6 Merely Mortal (Wicked Lovely #5.5) by Melissa Marr7 Facing Facts (Darkest Powers #3.6) by Kelley Armstrong8 Let’s Get this Undead Show on the Road by Sarah Rees Brennan9 Bridge (Shade #2.5) by Jeri Smith-ReadySkin Contact (The Body Finder #2.5) by Kimberly Derting10 Leaving by Ally Condie11 At The Late Night, Double Feature, Picture Show by Jessica Verday12 IV League by Margaret Stohl13 Gargouille by Mary E. Pearson14 The Third Kind by Jennifer Lynn Barnes15 Automatic (The Morganville Vampires: Extras) by Rachel Caine

    Lovecraft)By turns bizarre, unsettling, spooky, and sublime, Ancient Sorceries and Other Weird Stories showcases nine incomparable stories from master conjuror Algernon Blackwood. Evoking the uncanny spiritual forces of Nature, Blackwood's writings all tread the nebulous borderland between fantasy, awe, wonder, and horror. Here Blackwood displays his best and most disturbing work-including the title story, the inspiration for Val Lewton's classic film Cat People; "The Willows," which Lovecraft singled out as "the single finest weird tale in literature"; "The Wendigo"; "The Insanity of Jones"; and "Sand.""Of the equality of Mr. Blackwood's genius there can be no dispute; for no one has ever approached the skill, seriousness, and minute fidelity with which he records the overtones of strangeness in ordinary things and experiences." --H.P. Lovecraft

    In the process, Smith sets off an explosive chain of events that send him straight to the waiting room in Hell where he is offered a one-time chance to absolve himself.Satan, a bartender also known as Snappy, wants Smith to hurry back to earth and put a very bad hombre out of commission. Someone Smith has already met in the town of Falling Rock. A fellow named Quill, who has, since Smith’s departure, sold his soul to the Old Ones, and has been possessed by a nasty, scaly, winged demon with a cigar habit and a bad attitude. Quill wants to bring about the destruction of the world, not to mention the known universe, and hand it all over: moon, stars, black spaces, cosmic dust, as well as all of humanity, to the nasty Lovecraftian deities that wait on the other side of the veil. It’s a bargain made in worse places than Hell.Even Satan can’t stand for that kind of dark business. The demon that has possessed Quill, a former co-worker of Satan, has gone way too far, and there has to be a serious correction.And though Smith isn’t so sure humanity is that big of a loss, the alternative of him cooking eternally while being skewered on a meat hook isn’t particularly appealing. Smith straps on a gift from Snappy, a holstered Colt pistol loaded with endless silver ammunition, and riding a near-magical horse named Shadow, carrying an amazing deck of cards that can summon up some of the greatest gunfighters and killers the west has ever known, he rides up from hell, and back into Falling Rock, a town that can be entered, but can’t be left.It’s a opportunity not only for Smith to experience action and adventure and deal with the living dead and all manner of demonic curses and terrible prophecies, it’s a shot at love with a beautiful, one-eyed, redheaded-darling with a whip, a woman named Payday. But it’s an even bigger shot at redemption.Saddle up, partner. It’s time to ride into an old fashioned pulp and horror adventure full of gnashing teeth, exploding dynamite, pistol fire, and a few late night kisses.

    The stories of Henghis Hapthorn, Old Earth's "foremost freelance discriminator", combine mystery and science fantasy while simultaneously recalling the arch irony of Gene Wolfe and the sly fancies of Jack Vance.

    Kiernan’s short fiction was first published in 1995. Over the intervening decade and a half, she has proven not only one of dark fantasy and science fiction’s most prolific and versatile authors, but, to quote Ramsey Campbell, “One of the most accomplished writers in the field, and very possibly the most lyrical.” S. T. Joshi has written, “Kiernan’s witchery of words creates a mesmerizing effect that we haven’t seen since the days of Lovecraft and Bradbury.”Two Worlds and In Between: The Best of Caitlín R. Kiernan (Volume One) presents a stunning retrospective of the first ten years of her work, a compilation of more than two hundred thousand words of short fiction, including many of her most acclaimed stories, as well as some of the author’s personal favorites, several previously uncollected, hard-to-find pieces, and her sf novella, The Dry Salvages, and a rare collaboration with Poppy Z. Brite. Destined to become the definitive look at the early development of Kiernan’s work, Two Worlds and In Between is a must for fans and collectors alike, as well as an unprecedented introduction to an author who, over the course of her career, has earned the praise of such luminaries as Neil Gaiman, Peter Straub, Charles De Lint, and Clive Barker.