Outside is the camp, the barbed wire, the guard towers, the city, the country that hates us. We are not free. But we are not alone.”  We Are Not Free, is the collective account of a tight-knit group of young Nisei, second-generation Japanese American citizens, whose lives are irrevocably changed by the mass U.S. incarcerations of World War II.Fourteen teens who have grown up together in Japantown, San Francisco.Fourteen teens who form a community and a family, as interconnected as they are conflicted.Fourteen teens whose lives are turned upside down when over 100,000 people of Japanese ancestry are removed from their homes and forced into desolate incarceration camps.In a world that seems determined to hate them, these young Nisei must rally together as racism and injustice threaten to pull them apart.

    But on the anniversary of his death, not long before her seventeenth birthday, she finds a mysterious letter from her deceased father, addressed to her stepfather. Claire never even knew that they had met.Claire knows she should let it go, but she can’t shake the feeling that something’s been kept from her. In search of answers, Claire combs through anything that will give her information about her father... until she discovers he was a member of the yakuza, the Japanese mafia. The discovery opens a door that should have been left closed.So begins the race to outrun his legacy as the secrets of her father’s past threaten Claire’s friends and family, newfound love, and ultimately her life.

    But a sudden tragedy forces Esperanza and Mama to flee to California during the Great Depression, and to settle in a camp for Mexican farm workers. Esperanza isn't ready for the hard labor, financial struggles, or lack of acceptance she now faces. When their new life is threatened, Esperanza must find a way to rise above her difficult circumstances--Mama's life, and her own, depend on it.

    She wasn't even born when the bombing of Hiroshima took place. Every year Nozomi joins her family at the lantern-floating ceremony to honor those lost in the bombing. People write the names of their deceased loved ones along with messages of peace, on paper lanterns and set them afloat on the river. This year Nozomi realizes that her mother always releases one lantern with no name. She begins to ask questions, and when complicated stories of loss and loneliness unfold, Nozomi and her friends come up with a creative way to share their loved ones' experiences. By opening people's eyes to the struggles they all keep hidden, the project teaches the entire community new ways to show compassion.Soul Lanterns is an honest exploration of what happened on August 6, 1945, and offers readers a glimpse not only into the rich cultural history of Japan but also into the intimate lives of those who recognize--better than most--the urgent need for peace.

    Marie, the only black girl in the eighth grade willing to befriend her white classmate Lena, discovers that Lena's father is doing horrible things to her in private.

    Haoyou looked about him and saw the whole world beneath him. And it was his. He could breathe! Today Haoyou was a kite, a windhover riding on spread wings. The great Miao, master of the Jade Circus, offers twelve-year-old Haoyou the amazing chance to change his life—to escape from his family's poverty and the pain of his father's recent death—by becoming a kite rider!Strapped onto a beautiful scarlet-and-gold kite, Haoyou is sent into the sky to soar perilously among the clouds and entertain the awestruck crowds below. Traveling the Empire as part of the Jade Circus, Haoyou earns freedom, money, and unexpected fame—as he skillfully performs for local villagers who believe he can bring back messages from lost loved ones whose spirits haunt the sky. Miao even plans for Haoyou to perform before the Mongol conqueror Kublai Khan himself!But what about the duties that bind Haoyou to the ground—his duties to his family, especially to his widowed mother? And is the Great Miao all that he seems, or could he be using Haoyou in a treacherous plot?From incredibly versatile Carnegie Medalist Geraldine McCaughrean, author of The Stones Are Hatching, comes this dazzling story of adventure, betrayal, family, and sacrifice set in the dramatic, dangerous world of thirteenth-century China.

    Newbery Honor author Suzanne Fisher Staples turns to India for her newest novel, published to starred reviews, about a young girl whose destiny calls her to dance.

    But this year she will be mysteriously transported into the past. Only she knows the horrors that await.

    Brown, who takes readers on a journey to Japan, where she was sent as a child in the 1980s to reconnect to her family’s roots.When twelve-year-old Waka’s parents suspect she can’t understand basic Japanese, they make the drastic decision to send her to Tokyo to live for several months with her strict grandmother. Forced to say goodbye to her friends and what would have been her summer vacation, Waka is plucked from her straight-A-student life in rural Kansas and flown across the globe, where she faces the culture shock of a lifetime.In Japan, Waka struggles with reading and writing in kanji, doesn’t quite mesh with her complicated and distant Obaasama, and gets made fun of by the students in her Japanese public-school classes. Even though this is the country her parents came from, Waka has never felt more like an outsider.If she’s always been the “smart Japanese girl” in America but is now the “dumb foreigner” in Japan, where is home? And who will Waka be when she finds it?

    Lines you cross, lines you don’t cross. That clear?”New London, Texas. 1937. Naomi Vargas and Wash Fuller know about the lines in East Texas as well as anyone. They know the signs that mark them.“No Negroes, Mexicans, or dogs.”They know the people who enforce them.“They all decided they’d ride out in their sheets and pay Blue a visit.”But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive.“More than grief, more than anger, there is a need. Someone to blame. Someone to make pay.”Ashley Hope Pérez takes the facts of the 1937 New London school explosion—the worst school disaster in American history—as a backdrop for a riveting novel about segregation, love, family, and the forces that destroy people.

    She yearns to be in school, but she’s needed on the family farm. The longer she’s out of school, the more likely it is that she’ll be sent off to a Chinese factory . . . perhaps never to return. Her only hope is an American woman who buys one of her decorative vine baskets for a staggering sum and says she will return in three weeks for more. Mehrigul must brave terrible storms, torn-up hands from working the fields, and her father’s scorn to get the baskets done. The stakes are high, and time is passing. A powerful intergenerational story of a strong, creative young artist in a cruelly oppressive society.

    When their underground transport arrives at the rendezvous point, chaos ensues, and Fadi is left dragging his younger sister Mariam through the crush of people. But Mariam accidentally lets go of his hand and becomes lost in the crowd, just as Fadi is snatched up into the truck. With Taliban soldiers closing in, the truck speeds away, leaving Mariam behind. Adjusting to life in the United States isn't easy for Fadi's family, and as the events of September 11th unfold the prospects of locating Mariam in a war torn Afghanistan seem slim. When a photography competition with a grand prize trip to India is announced, Fadi sees his chance to return to Afghanistan and find his sister. But can one photo really bring Mariam home? Based in part on Ms. Senzai's husband's own experience fleeing his home in Soviet-controlled Afghanistan in the 1970's, Shooting Kabul is a powerful story of hope, love, and perseverance.

    Then, like an urgent ticking clock, events erupt that change everything. The Young Lords, a Puerto Rican activist group, dump garbage in the street and set it on fire, igniting a powerful protest. When Abuela steps in to take charge, Evelyn is thrust into the action. Tempers flare, loyalties are tested. Through it all, Evelyn learns important truths about her Latino heritage and the history makers who shaped a nation. Infused with actual news accounts from the time period, Sonia Manzano has crafted a gripping work of fiction based on her own life growing up during a fiery, unforgettable time in America, when young Latinos took control of their destinies.

    His white father has acknowledged him and raised him openly—something unusual in post-Civil War Georgia. But as he grows into a man he learns that life for someone like him is not easy. Black people distrust him because he looks white. White people discriminate against him when they learn of his black heritage. Even within his own family he faces betrayal and degradation. So at the age of fourteen, he sets out toward the only dream he has ever had: to find land every bit as good as his father's, and make it his own. Once again inspired by her own history, Ms. Taylor brings truth and power to the newest addition to the award-winning Logan family stories.

    Not because of the kiss, but because it was the day her father announced that the family was moving from St. Louis all the way to Palestine. Though her father grew up there, Liyana knows very little about her family’s Arab heritage. Her grandmother and the rest of her relatives who live in the West Bank are strangers and speak a language she can’t understand. It isn’t until she meets Omer that her homesickness fades. But Omer is Jewish, and their friendship is silently forbidden in this land. How can they make their families understand? And how can Liyana ever learn to call this place home?