As mind-bending as it is delightful, Lewis Carroll’s 1865 novel is pure magic for young and old alike.

    It is most certainly not for you.Because this book is FULL of impossible things.Are you still reading?Good.Then let us begin . . .A Boy Called Christmas is a tale of adventure, snow, kidnapping, elves, more snow, and an eleven-year-old boy called Nikolas, who isn't afraid to believe in magic.

    When the town-folk send for St. George to slay the dragon, the boy needs to come up with a clever plan to save his friend and convince the townsfolk to accept him. This story first appeared as a chapter in Grahame's Dream Days and was first published as a separate book by Holiday House in 1938 with illustrations by Ernest H. Shepard.

    Janner Igiby, his brother Tink, their crippled sister Leeli are gifted children as all children are, loved well by a noble mother and ex-pirate grandfather. But they will need all their gifts and all that love to survive the evil pursuit of the venomous Fangs of Dang who have crossed the dark sea to rule the land with malice and pursue the Igibys who hold the secret to the lost legend and jewels of good King Wingfeather of the Shining Isle of Anniera.Andrew Peterson spins a quirky and riveting tale of the Igibys’ extraordinary journey from Glipwood’s Dragon Day Festival and a secret hidden in the Books and Crannies Bookstore, past the terrifying Black Carriage, clutches of the horned hounds and loathsome toothy cows surrounding AnkleJelly Manor, through the Glipwood Forest and mysterious treehouse of Peet the Sock Man (known for a little softshoe and wearing tattered socks on his hands and arms), to the very edge of the Ice Prairies. Full of characters rich in heart, smarts, and courage, On the Edge of the Dark Sea of Darkness presents a world of wonder and a tale children of all ages will cherish, families can read aloud, and readers’ groups are sure to discuss for its layers of meaning about life’s true treasure and tangle of the beautiful and horrible, temporal and eternal, and good and bad.

    He'll have to master strange powers, outrun super-powered mercenaries, and unlock the mysterious powers of the Zodiac.

    Till the Green Ember rises, or the end of the world.Heather and Picket are extraordinary rabbits with ordinary lives until calamitous events overtake them, spilling them into a cauldron of misadventures. They discover that their own story is bound up in the tumult threatening to overwhelm the wider world. Kings fall and kingdoms totter. Tyrants ascend and terrors threaten. Betrayal beckons, and loyalty is a broken road with peril around every bend.Where will Heather and Picket land? How will they make their stand?

    Perfect for young readers who love whimsical stories about magic!The Whangdoodle was once the wisest, the kindest, and the most extraordinary creature in the world. Then he disappeared and created a wonderful land for himself and all the other remarkable animals—the ten-legged Sidewinders, the little furry Flukes, the friendly Whiffle Bird, and the treacherous, "oily" Prock. It was an almost perfect place where the last of the really great Whangdoodles could rule his kingdom with "peace, love and a sense of fun"—apart from and forgotten by people.But not completely forgotten. Professor Savant believed in the Whangdoodle. And when he told the three Potter children of his search for the spectacular creature, Lindy, Tom, and Ben were eager to reach Whangdoodleland.With the Professor's help, they discovered the secret way. But waiting for them was the scheming Prock, who would use almost any means to keep them away from his beloved king. Only by skill and determination were the four travelers able to discover the last of the really great Whangdoodles and grant him his heart's desire.The novel was originally published in 1974. This edition includes a foreword by Julie Andrews.

    A curl-up-on-the-sofa debut from a uniquely talented author.Eleven year-old Tilly has lived above her grandparents' bookshop ever since her mother disappeared shortly after she was born. Like the rest of her family, Tilly loves nothing more than to escape into the pages of her favourite stories.One day Tilly realises that classic children's characters are appearing in the shop through the magic of `book wandering' - crossing over from the page into real life.With the help of Anne of Green Gables and Alice in Wonderland. Tilly is determined to solve the mystery of what happened to her mother all those years ago, so she bravely steps into the unknown, unsure of what adventure lies ahead and what dangers she may face.

    She doesn't have a friend in the world, except her pet mouse, Pemberley, with whom she shares her dingy attic bedroom.Then, on the heels of a rather devastating announcement made by her mother and father, Tabitha receives a mysterious invitation to the country estate of the wealthy but reclusive Countess of Windermere, whose mansion is rumored to be haunted. There, she finds herself among five other children, none of them sure why they've been summoned. But soon, a very big secret will be revealed— a secret that will change their lives forever and put Tabitha’s investigative skills to the test.

    But Dominic is an orphan, living his entire life with one foster family after another and has no family to call his own. Not wanting to be part of this conversation, Dominic flees from his class and hides in the museum until everyone leaves and it's dark and deserted. Now, his only solace is the recorded voices on the display telephones of the immigrants who came to Ellis Island so long ago. But to Dominic's surprise, the voice of the Italian immigrant suddenly begins to speak directly to him! And before he knows it, he's transported back in time--to Italy in 1908. There he unlocks the door to his past, where he discovers what it means to be loved--and to be part of a family!

    She heard songs on the wind, rhythms on the rain, and hope in the beat of a butterfly’s wing.Harper lives in the City of Clouds, an enchanting place where it rains every day and an umbrella is always a good idea. With her Aunt Sassy, her beloved cat, Midnight, and all of her neighbors in the Tall Apartment Block, every day is full of possibility.But when every cat in the city goes missing—including Midnight—Harper is determined to find all of the precious pets. And she’ll need a magic, flying umbrella to help in her search. Recruiting friends from her building to help, the magic umbrella whisks them into the sky on the trail of the cats and adventure.They stumble on the Midnight Orchestra—tabbies on triangle, Siamese singing, Persians on piccolo—all under the direction of its fearsome, wild conductor. But can the group use their talents, quick thinking, musical skill, and a little magic to stage a rescue like no other?Harper and the Scarlet Umbrella is a spellbinding tale of friendship, music, and magic featuring a diverse cast, brought to life through stunning illustrations. A perfect book to be shared and treasured.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    The story is immediately engaging—two fourth-grade boys who write comic books and love to pull pranks find themselves in big trouble. Mean Mr. Krupp, their principal, videotapes George and Harold setting up their stunts and threatens to expose them. The boys' luck changes when they send for a 3-D Hypno-Ring and hypnotize Krupp, turning him into Captain Underpants, their own superhero creation. Later, Pilkey includes several pages of flip-o-ramas that animate the action. The simple black-and-white illustrations on every page furnish comic-strip appeal. The cover features Captain Underpants, resplendent in white briefs, on top of a tall building. This book will fly off the shelves.

    In Cordelia's world, Making - crafting items such as hats, cloaks, watches, boots and gloves from magical ingredients - is a rare and ancient skill, and only a few special Maker families remain.When Cordelia's father Prospero and his ship, the Jolly Bonnet, are lost at sea during a mission to collect hat ingredients, Cordelia is determined to find him. But Uncle Tiberius and Aunt Ariadne have no time to help the littlest Hatmaker, for an ancient rivalry between the Maker families is threatening to surface. Worse, someone seems to be using Maker magic to start a war.It's up to Cordelia to find out who, and why . . .Featuring illustrations by Paola Escobar.

    But they were not enough for Fausto, so he conquered a boat and set out to sea…Working for the first time in traditional lithography, Oliver Jeffers, combines art with prose, hand set using traditional lead type, to create a modern-day fable.