Omm Sety’s EGYPT contains never-before-seen episodes from her life, and important, previously unknown details of Egyptian history. “Omm Sety was a controversial character... an example of a soul so consumed with a purpose that it focused the arc of her life - not in one incarnation only, but in at least two. She knew things she could not have known without some extraordinary extension of consciousness."– Stephen A. Schwartz, Director of Research, Rhine Research Center, Durham, North Carolina and author of Opening to the Infinite "With access to Omm Sety's secrets, diaries and riveting private conversations, the authors navigate this explosive material with elegance, sincerity, and sympathy. Readers may have trouble putting this book down once they start it."– John Anthony West, author of The Serpent in the Sky

    Nowhere does it survive in more starkly archaic form than in the voraciously uninhibited episodes of the Winnebago Trickster Cycle, recorded here in full. Anthropological and psychological analyses by Radin, Kerenyi, and Jung reveal the Trickster as filling a twofold role: on the one hand he is an archetypal psychic structure" that harks back to "an absolutely undifferentiated human consciousness, corresponding to a psyche that has hardly left the animal level" *Jung); on the other hand, his myth is a present-day outlet for the most unashamed and liberating satire of the onerous obligations of social order, religion, and ritual.Cover illustration by Susana Krause

    Over the years, startling evidence has been uncovered, challenging established notions of the origins of life on Earth - evidence that suggests the evidence of an advanced group of extraterrestrials who once inhabited our world.The first book of the revolutionary Earth Chronicles series offers indisputable documentary evidence of the existence of the mysterious planet of Nibiru and tells why its astronauts came to Earth eons ago to fashion mankind in their image.The product of more than thirty years of meticulous research, The 12th Planet treats as fact, not myth, the tales of Creation, the Deluge, the Tower of Babel, and the Nefilim who married the daughters of man.

    Elen Sentier grew up in a long family lineage of following the Deer Trods; in this book she tells of the old, forgotten ways of our ancestors. Through her own experience, stories, practical exercises and journeys with the deer, Elen takes you into the realm of the Boreal Forest, of which Britain is a part, to show how the Deer Goddess is the spirit of this land. To walk the deer trods is to realise how close and connected you are to nature and everything in this beautiful world which we share with our non-human brethren. You learn, too, that our everyday world and otherworld are intertwined. Elen of the Ways is both here and there at the same time. You will find her everywhere.

    Here, acclaimed scholar Stephen Greenblatt explores it with profound appreciation for its cultural and psychological power as literature. From the birth of the Hebrew Bible to the awe-inspiring contributions of Augustine, Dürer, and Milton in bringing Adam and Eve to vivid life, Greenblatt unpacks the story’s many interpretations and consequences over time. Rich allegory, vicious misogyny, deep moral insight, narrow literalism, and some of the greatest triumphs of art and literature: all can be counted as children of our “first” parents.

    

    These fascinating entries identify particular deities and giants, as well as the places where they dwell and the varied and wily means by which they forge their existence and battle one another. We meet Thor, one of the most powerful gods, who specializes in killing giants using a hammer made for him by dwarfs, not to mention myriad trolls, ogres, humans and strange animals. We learn of the ongoing struggle between the gods, who create the cosmos, and the jotnar, or giants, who aim to destroy it. In the enchanted world where this mythology takes place, we encounter turbulent rivers, majestic mountains, dense forests, storms, fierce winters, eagles, ravens, salmon and snakes in a landscape closely resembling Scandinavia. Beings travel on ships and on horseback; they eat slaughtered meat and drink mead.Spanning from the inception of the universe and the birth of human beings to the universe's destruction and the mythic future, these sparkling tales of creation and destruction, death and rebirth, gods and heroes will entertain readers and offer insight into the relationship between Scandinavian myth, history, and culture.

    In his new book, Aslan takes on a subject even more immense: God, writ large.  In layered prose and with thoughtful, accessible scholarship, Aslan narrates the history of religion as a remarkably cohesive attempt to understand the divine by giving it human traits and emotions. According to Aslan, this innate desire to humanize God is hardwired in our brains, making it a central feature of nearly every religious tradition. As Aslan writes, “Whether we are aware of it or not, and regardless of whether we’re believers or not, what the vast majority of us think about when we think about God is a divine version of ourselves.”   But this projection is not without consequences. We bestow upon God not just all that is good in human nature—our compassion, our thirst for justice—but all that is bad in it: our greed, our bigotry, our penchant for violence. All these qualities inform our religions, cultures, and governments.   More than just a history of our understanding of God, this book is an attempt to get to the root of this humanizing impulse in order to develop a more universal spirituality. Whether you believe in one God, many gods, or no god at all, God: A Human History will challenge the way you think about the divine and its role in our everyday lives.Praise for God   “Breathtaking in its scope and controversial in its claims, God: A Human History shows how humans from time immemorial have made God in their own image, and argues that they should now stop. Writing with all the verve and brilliance we have come to expect from his pen, Reza Aslan has once more produced a book that will prompt reflection and shatter assumptions.”—Bart D. Ehrman, author of How Jesus Became God   “Reza Aslan offers so much to relish in his excellent ‘human history’ of God. In tracing the commonalities that unite religions, Aslan makes truly challenging arguments that believers in many traditions will want to mull over, and to explore further. This rewarding book is very ambitious in its scope, and it is thoroughly grounded in an impressive body of reading and research.”—Philip Jenkins, author of Crucible of Faith

    A Lycanthropy Reader: Werewolves in Western Culture presents an overall examination of the history of the werewolf in Western culture, medicine, myth, and literature.TABLE OF CONTENTSIllustrationsContributorsPrefaceAcknowledmentsIntroductionsection I: Medical Cases, Diagnoses, DescriptionsSection II: Trial Records, Historical Accounts, SightingsSection II: Philosophical and Theological Approaches to MetamorphosisSection IV: Critical essays on LycanthropySection V: Myth and LEgendsSection VI: AllegoryBibliographyIndex

    The author's West Indian mail boat lay at anchor in a tropical green gulf. At the water's edge, lit by sunset, sprawled the town of Cap Haitien. Among the modern structures were the wrecked mansions of the 16th century French colonials who imported slaves from Africa and made Haiti the richest colony in the western hemisphere. In the ruins was the palace built for Pauline Bonaparte when Napoleon sent his brother-in-law with an imperial army to do battle with slaves who had won their freedom. All this was panoramic as they lay at anchor, but as night fell, it faded to vagueness and disappeared. Only the jungle mountains remained, dark, mysterious; and from their slopes came presently far across the water the steady boom of Voodoo drums.

    'A Witch's Halloween' is filled with history, folklore and myth, magical spells, authentic witches' recipes, divinations, a complete ritual for a Sabbat celebration, Halloween superstitions, and much more.

    In particular, he employs his own extensive work in the rich archives hidden away in those Franco-German borderlands in which so many cases became known. Briggs reveals how ordinary people diverted ordinary and not-so-ordinary grievances into a complex structure of blaming and scapegoating. Villagers inhabited a harsh and dangerous world, where real and fantastic fears mingled. Through his study of real cases and real lives, individual hysteria and disillusionment, institutional skepticism and opposition, Briggs skillfully and stylishly traces the ways in which beliefs about witchcraft responded to changes in European society. Witches and Neighbors is an illuminating social and cultural history of a period all too often darkened by myth and misinformation.

    These men and women regarded themselves as professional anti-witches, who (in dream-like states) apparently fought ritual battles against witches and wizards, to protect their villages and harvests. If they won, the harvest would be good, if they lost, there would be famine. The inquisitors tried to fit them into their pre-existing images of the witchesâ�� sabbat. The result of this cultural clash which lasted over a century, was the slow metamorphosis of the benandanti into their enemies â�� the witches. Carlo Ginzburg shows clearly how this transformation of the popular notion of witchcraft was manipulated by the Inquisitors, and disseminated all over Europe and even to the New World. The peasantsâ�� fragmented and confused testimony reaches us with great immediacy, enabling us to identify a level of popular belief which constitutes a valuable witness for the reconstruction of the peasant way of thinking of this age.

    They explain what happened to the goddess, when, and how she was excluded from western culture, and the implications of this loss.

    It is also a graphic history of the development of written communication and offers a singular insight into the psychology of the primitive mind.The Book of Signs contains 493 classified and documented illustrations, collected, drawn, and explained by the celebrated typographer Rudolf Koch. Divided into 14 different categories, it includes General Signs, The Cross, Monogram of Christ, Other Christian Signs, Monograms of Medieval Church and State Leaders, Stone Masons' Signs, The Four Elements, Astronomical Signs, Astrological Signs, Botanical Signs, Chemical Signs, House and Holding Marks, Miscellany, and Runes."Provides the contemporary artist with a rich design vocabulary on which to improvise."—Art in Focus."An inspiration to graphic artists everywhere."—Graphis."An artistic and typographical achievement of considerable beauty and worth."—Psychiatric Quarterly.