The Starters series are original stories in a variety of formats: narrative, interactive, and comic strip. They contain glossaries and exercises and are carefully graded in structure and vocabulary. Cassettes are available for some titles.

    Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, these superb stories share Vonnegut’s audacious sense of humor and extraordinary range of creative vision.Alternative cover edition here

    In the middle, meanwhile, are The Great Switcheroo and The Last Act, two stories exploring a darker side of desire and pleasure.In the black comedies of Switch Bitch Roald Dahl brilliantly captures the ins and outs, highs and lows of sex.'Dahl is too good a storyteller to become predictable' Daily TelegraphRoald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.

    "The Red Bow,"about a town consumed by pet-killing hysteria, won a 2004 National Magazine Award and "Bohemians," the story of two supposed Eastern European widows trying to fit in in suburban USA, is included in The Best American Short Stories 2005. His new book includes both unpublished work, and stories that first appeared in The New Yorker, Harper's, and Esquire. The stories in this volume work together as a whole whose impact far exceeds the simple sum of its parts. Fans of Saunders know and love him for his sharp and hilarious satirical eye. But In Persuasion Nation also includes more personal and poignant pieces that reveal a new kind of emotional conviction in Saunders's writing.Saunders's work in the last six years has come to be recognized as one of the strongest-and most consoling-cries in the wilderness of the millennium's political and cultural malaise. In Persuasion Nation's sophistication and populism should establish Saunders once and for all as this generation's literary voice of wisdom and humor in a time when we need it most.

    New mean girl. New crush. New diary so I can spill about all of it…I put a lot of really personal stuff in this diary along with my sketches and doodles.But, mostly it’s about how TRAUMATIC it was transferring to my new private middle school, Westchester Country Day.And, how a lot of the CCP (Cool, Cute & Popular) kids were really SNOBBY and made my life TOTALLY miserable. People like, oh, I don’t know, maybe…MACKENZIE HOLLISTER!!And, it just so happened that I got stuck with a locker right next to hers. I could NOT believe I had such CRAPPY luck. I knew right then and there it was going to be a VERY, VERY long school year :-( !

    Thompson's legions of fans have waited a decade for this book. They will not be disappointed. His notorious Screwjack is as salacious, unsettling, and brutally lyrical as it has been rumored to be since the private printing in 1991 of three hundred fine collectors' copies and twenty-six leather-bound presentation copies. Only the first of the three pieces included here—"Mescalito," published in Thompson's 1990 collection Songs of the Doomed—has been available to the public, making the trade edition of Screwjack a major publishing event. "We live in a jungle of pending disasters," Thompson warns in "Mescalito," a chronicle of his first mescaline experience and what it sparked in him while he was alone in an L.A. hotel room in February 1969—including a bout of paranoia that would have made most people just scream no, once and for all. But for Thompson, along with the downside came a burst of creativity too powerful to ignore. The result is a poetic, perceptive, and wildly funny stream-of-consciousness take on 1969 America as only Hunter S. Thompson could see it. Screwjack just gets weirder with its second offering, "Death of a Poet." As Thompson describes this trailer-park confrontation with the dark side of a deservingly doomed friend: "Whoops, I thought. Welcome to the night train." The heart of the collection lies in its final, title piece, an unnaturally poignant love story. What makes the romantic tale "Screwjack" so touching, for all its queerness, is the aching melancholy in its depiction of the modern man's burden: that "we are doomed. Mama has gone off to Real Estate School...and after that maybe even to Law School. We will never see her again." Ostensibly written by Raoul Duke, "Screwjack" begins with an editor's note explaining of Thompson's alter ego that "the first few lines contain no warning of the madness and fear and lust that came more and more to plague him and dominate his life...." "I am guilty, Lord," Thompson writes, "but I am also a lover—and I am one of your best people, as you know; and yea tho I have walked in many strange shadows and acted crazy from time to time and even drooled on many High Priests, I have not been an embarrassment to you...." Nor has Hunter S. Thompson been to American literature. Quite the contrary: What the legendary Gonzo journalist proves with Screwjack is just how brilliant a prose stylist he really is, amid all the hilarity. As Thompson puts it in his introduction, the three stories here "build like Bolero to a faster & wilder climax that will drag the reader relentlessly up a hill, & then drop him off a cliff....That is the Desired Effect."

    It is the story of Chauncey Gardiner - Chance, an enigmatic but distinguished man who emerges from nowhere to become an heir to the throne of a Wall Street tycoon, a presidential policy adviser, and a media icon. Truly "a man without qualities," Chance's straightforward responses to popular concerns are heralded as visionary. But though everyone is quoting him, no one is sure what he's really saying. And filling in the blanks in his background proves impossible. Being There is a brilliantly satiric look at the unreality of American media culture that is, if anything, more trenchant now than ever.

    Echoes of Waiting for Godot resound, reality and illusion mix, and where fate leads heroes to a tragic but inevitable end.

    Contains the books Carry On, Jeeves, The Inimitable Jeeves and Very Good, Jeeves and the short stories Jeeves Makes an Omelette and Jeeves and the Greasy Bird.

    In these he jotted down his first ideas, whenever he used one, he crossed it out at once. But even the ones which are left undeveloped are splendid as promises.One such jotting reads: "Humour is the whole truth." This might have served as the motto for Please Sir!, one of the world's unforgettable, unfading books. Unfading, in spite of the fifty years which have elapsed, and in spite of a series of educational reforms. It reaches to the raw centre, the never-congealed experience, through which we have all passed at the time of our greatest sensitivity, in the state of highest tension, in our teens.For is there anyone who has never crept along silent, deserted school corridors, when classes had already begun, who had never been struck by the dark terror of being fatally, irrevocably late? And is there anyone who does not recall the deadly, frozen silence before opening an exam paper, when the one subject not properly covered turned out to be the compulsory question? And who did not, especially in Hungarian schools where examination is carried out by oral tests, try to shrink behind his desk, become annihilated, step out from life just this once, while the teacher was rustling his notebook to call the next to be examined? And who has never tried to explain a school report at home, and who has never been tempted to sell a textbook second-hand, at a time when pocket-money seemed far more desirable than a grammar?These were the great moments of life; and Karinthy, even in his early work, is a grand master of prose. He does not have to set the scene-there is never a superfluous word - we are in the thick of it at once, at explosion point. Every situation he creates chokes the reader in a suddenly tightened noose of memory.

    It is doubtful that Bennett could have made up the eccentric Miss Shepherd if he tried, but his poignant, funny but unsentimental account of their strange relationship is akin to his best fictional screen writing.Bennett concedes that "One seldom was able to do her a good turn without some thoughts of strangulation", but as the plastic bags build up, the years pass by and Miss Shepherd moves into Bennett's driveway, a relationship is established which defines a certain moment in late 20th-century London life which has probably gone forever. The dissenting, liberal, middle-class world of Bennett and his peers comes into hilarious but also telling collision with the world of Miss Shepherd: "there was a gap between our social position and our social obligations. It was in this gap that Miss Shepherd (in her van) was able to live". Bennett recounts Miss Shepherd's bizarre escapades in his inimitable style, from her letter to the Argentinean Embassy at the height of the Falklands War, to her attempts to stand for Parliament and wangle an electric wheelchair out of the Social Services. Beautifully observed, The Lady in the Van is as notable for Bennett's attempts to uncover the enigmatic history of Miss Shepherd, as it is for its amusing account of her eccentric escapades. --Jerry Brotton

    For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason! Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams. . . .

    He tells enormous lies. He picks fights with girls. No one likes him—except Carla, the new school counselor. She thinks Bradley is sensitive and generous, and knows that Bradley could change, if only he weren't afraid to try. But when you feel like the most-hated kid in the whole school, believing in yourself can be the hardest thing in the world...

    It is 1937 in Brooklyn during the heart of the Depression. Fifteen-year-old Eugene Jerome lives in Brighton Beach with his family. He is witty, perceptive, obsessed with sex, and forever fantasizing his baseball-diamond triumphs as star pitcher for the New York Yankees. As our guide through his "memoirs," Eugene takes us through a series of trenchant observations and insights that show his family meeting life's challenges with pride, spirit, and a marvelous sense of humor. But as World War II looms ever closer, Eugene sees his own innocence slipping away as the first important era of his life ends—and a new one begins.This semiautobiographical classic was adapted into a film by Simon’s longterm professional partner, Gene Saks, who directed, among many others, Biloxi Blues, The Odd Couple, Broadway Bound, and Lost in Yonkers.

    Twelve episodes in the everyday life of the community of Mariposa