This essay is an attempt to contribute effective strategies to engage our own time and culture once more with the Gospel of Jesus Christ and – for a weary world – to awaken the Catholic imaginative vision.

    Tyra went from dating deadbeats to dating athletes. But living the good life came at a price.... "The Skeletons In My Closet" By: LaShonda DeVaughn, Author of A Hood Chick's Story I & II - They say in order to receive true and real love, we must all take chances. Will Kenneth end up being the real deal? Or will Rita end up regretting her decision in courting a young thug? "Taking Chances" By: Mimi Renee, Author of Deadly Decisions and Pretty Bright - Despite years of women playing games to take her husband away from her, Jai was determined to hold on. Her best friend questions why she puts up with his infidelity. Jai reasons: It's just Something In His Backstroke. "Something In His Backstroke" By: Tysha - Author of The Boss...the story of a female hustler - Fairytales should all have happy endings. Unfortunately, in Zoe's world each ending comes with a tale of lies... "Sleeping With The Enemy" By: Kaie Golson

    Its cast of characters include the Notorious P.I.G., the proprietor of the house, who uses his power to satisfy his licentious fetishes. Of his customers, there's Wanda, an exotic dancer who loathes P.I.G., but only tolerates him because he has the best dope in town. Wanda's boyfriend Mike is the owner of an upscale strip club, as well as a full time pimp. Trap House is the bastard child of real life and the author's vivid imagination. Its author, Sa'id Salaam, paints a graphic portrait of the inner-workings of an under-world. He takes you so close you can almost hear the sizzle of the cocaine as it's smoked almost smell the putrid aroma of crack as it's exhaled. Yet for all the grit and grime, Trap House has the audacity to be a love story. Through the sordid sex and brutality is an underlying tale of redemption and self empowerment. Trap House drives home the realit

    Singh has been a formidable civil servant, an empathetic politician, a keen chronicler of India’s socioeconomic history and the quintessential academic that academia never got. His life’s work, as chronicled in this book has indeed been intertwined with the progress India has made. In many such cases, Singh has been not just an active contributor but has also given shape to those many momentous decisions—whether through the use of diplomacy or the rigours of understanding the mechanism of the levers of power or, for that matter, by consensus building.Portraits of Power is not just an autobiography of a man, who for several decades has played an active role in India’s march towards becoming a formidable economy; it is indeed, on multiple levels, a book that profiles myriad institutions that work in harmony to make things happen. And in everything that N.K. Singh has done, so in this book too, there is both incisive clarity and insightful anecdotal heft.This book helps readers navigate the vast complexities of India but in a way that is stark and yet elegant.From personal happenings to national movements, Portraits of Power covers it all.

    For years, she felt as though she was just an object. She wants to be loved for who she is, not what she looks like. When her father tried to force her to marry the local banker, she decided to form her own destiny and answer a mail-order bride ad.Scott is now a ghost of his former self. He used to be the beloved town sheriff for years. During a horrific accident, he lost his fiance and one side of his face got disfigured. Having to live with his own failure, he turned in his badge and set off to live as a recluse.When Scott meets Mae, he'll try to push her away. He fears to get close to anyone because he couldn’t save the love of his life last time she needed him. But, as Mae's life is threatened by an outlaw gang, he will have to tame his inner demons and rise above fear.Mae was determined to break free from her old life. Will she be able to break through Scott's defenses and help him redeem himself? Or will his past ruin her dreams forever?If you like fast-paced clean romance and action-packed stories, you won't be able to put down this addictive Novel by Ember Pierce."A Fearless Bride For A Wounded Rancher" is a stand-alone Western Historical Romance Novel of approximately 500 pages.

    It was a burglary that went wrong, and four culprits were soon arrested. Their trial was concluded swiftly, their punishments were decisive, and society breathed a sigh of relief.In Ashraf El-Ashmawi's telling, there was a fifth accomplice, Abbas, who fled to his home in the countryside to lay low until the murder trial blew over. However, he did not escape empty-handed and kept stolen documents from Cicurel's villa, ones that he imagined would lead him to a hidden safe. Abbas hatched a plan to return to the capital, find the safe, and make his fortune. The first step was to place his sister Zeinab with Cicurel's widow, Paula.Abbas’s rags-to-riches story unfolds as a tale of modern Egypt, taking in the Second World War, the 1952 revolution and rise of Nasser, the 1967 war, and the Sadat and Mubarak eras. Spanning the 1920s to the 1990s, El-Ashmawi deftly weaves together history with fiction in this intriguing English-language debut.

    Now, he dismantles the most sacred of them all: the notion that government action is the best way to solve a problem. From the myth that government can spend its way out of a crisis to the mistaken belief that labor unions protect workers, Stossel, a true libertarian, provides evidence that the reality is very different from what intuition tells us. His evidence leads to the taboo conclusions that: ·      Government already dominates health care—and that’s the problem·      The state keeps banning foods, but food bans don't make us healthier·      Government-run schools and teachers’ unions haven’t made kids smarterUtilizing his three decades in journalism, Stossel combines sharp insights, common sense, and documented facts to debunk conventional wisdom and challenge popular opinion about the role of our nation’s government.

    "Discovered" by Andy Warhol in 1966, the VU - with their original line-up of Lou Reed, John Cale, Sterling Morrison, and Mo Tucker - would soon become the house band of the avantgarde, composing songs simultaneously furious in their abrasiveness and beautiful in their pathos, standing in striking contrast to the prevailing flower power of the era. All Yesterdays' Parties gathers for the first time almost all of the published writings contemporary with the band's existence-from sources as mainstream as the New York Times to vanished voices of the counterculture like Oz, Fusion, and Crawdaddy! The book is a revealing snapshot of an era by trailblazing rock writers such as Lester Bangs, Robert Greenfield, and Paul Williams. With photographs, posters, and other visual evocations of the period throughout, All Yesterdays' Parties is an invaluable resource, a trove of lore for anyone interested in the VU, their roots, and legacy.

    Each of the ten chapters is a virtual time capsule which reminds, as we plunge headlong into the future, of the richness and importance of our past. Illustrations throughout.

    The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steeped in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then in the 1930s came Dear Lovely Death (1931) and the radical A New Song (1938). Poems such as "Good Morning Revolution" and "Let America Be America Again" made his pen one of the most forceful in America during the Great Depression.

    A timely and profound anthology from the national bestselling author of Black, White and Jewish, Representing a stunning range of essayists and novelists, both men and women, this groundbreaking anthology boldly confronts the complications, possibilities, uncertainties, and joys of being a man in the 21st century.

    

    The photos he took and the accompanying interviews became the blog Humans of New York. In the first three years, his audience steadily grew from a few hundred to over one million. In 2013, his book Humans of New York, based on that blog, was published and immediately catapulted to the top of the NY Times Bestseller List. It has appeared on that list for over twenty-five weeks to date. The appeal of HONY has been so great that in the course of the next year Brandon's following increased tenfold to, now, over 12 million followers on Facebook. In the summer of 2014, the UN chose him to travel around the world on a goodwill mission that had followers meeting people from Iraq to Ukraine to Mexico City via the photos he took.Now, Brandon is back with the follow up to Humans of New York that his loyal followers have been waiting for: Humans of New York: Stories. Ever since Brandon began interviewing people on the streets of NY, the dialogue he's had with them has increasingly become as in-depth, intriguing, and moving as the photos themselves. Humans of New York: Stories presents a whole new group of humans, complete with stories that delve deeper and surprise with greater candour.

    A few years later, he returns to Banaras to write that book.Plunging into its timeless aura, he roams its ghats and galis, sails through the cool breeze of the Ganga, walks through the heat of funeral pyres. One moment he is observing a sadhu show off his penile strength, in the next he is on a boat with a young woman who has been prophesied to marry seven times; one moment he is in conversation with the celebrated writer Kashinath Singh, who is an atheist, and in the next he is having tea with a globe- trotting priest and a god-fearing doctor ... Ghosh finds a story in every bend as he engages with quintessential Banarasis—their paan-stuffed mouths spouting expletives and wisdom with equal flair—and discovers why they are among the happiest people on earth. Then one evening at Manikarnika, as he emerges from a temple, wearing ash from the cremation ground on his forehead, he finds a bit of Banaras in himself. Aimless in Banaras is not only a sensuous portrait of India’s holiest city but also a meditation on life—and death.

      During the summer of 1972—a few short months after Nixon’s legendary visit to China—master historian Barbara W. Tuchman made her own trip to that country, spending six weeks in eleven cities and a variety of rural settlements. The resulting reportage was one of the first evenhanded portrayals of Chinese culture that Americans had ever read.   Tuchman’s observations capture the people as they lived, from workers in the city and provincial party bosses to farmers, scientists, and educators. She demonstrates the breadth and scope of her expertise in discussing the alleviation of famine, misery, and exploitation; the distortion of cultural and historical inheritances into ubiquitous slogans; news media, schools, housing, and transportation; and Chairman Mao’s techniques for reasserting the Revolution. This edition also includes Tuchman’s “fascinating” (The New York Review of Books) essay, “If Mao Had Come to Washington in 1945”—a tantalizing piece of speculation on a proposed meeting between Mao and Roosevelt that would have changed the course of postwar history.   “Shrewdly observed . . . Tuchman enters another plea for coolness, intelligence and rationality in American Asian policies. One can hardly disagree.”—The New York Times Book Review