He takes students from the days of the shogunate--the feudal overlordship of the Tokugawa family--through the modernizing revolution launched by midlevel samurai in the late nineteenth century; the adoption of Western hairstyles, clothing, and military organization; and the nation's first experiments with mass democracy after World War I. Gordon offers the finest synthesis to date of Japan's passage through militarism, World War II, the American occupation, and the subsequent economic rollercoaster. But the true ingenuity and value of Gordon's approach lies in his close attention to the non-elite layers of society. Here students will see the influence of outside ideas, products, and culture on home life, labor unions, political parties, gender relations, and popular entertainment. The book examines Japan's struggles to define the meaning of its modernization, from villages and urban neighborhoods, to factory floors and middle managers' offices, to the imperial court. Most importantly, it illuminates the interconnectedness of Japanese developments with world history, demonstrating how Japan's historical passage represents a variation of a process experienced by many nations and showing how the Japanese narrative forms one part of the interwoven fabric of modern history. With a sustained focus on setting modern Japan in a comparative and global context, The Modern History of Japan is ideal for undergraduate courses in modern Japanese history, Japanese politics, Japanese society, or Japanese culture.

    It turned what had been a Japanese imperialist adventure in China into a general war between the two oldest and proudest civilizations of the Far East. Ultimately, it led to Pearl Harbor and to seven decades of tumultuous history in Asia. The Battle of Shanghai was a pivotal event that helped define and shape the modern world. In its sheer scale, the struggle for China’s largest city was a sinister forewarning of what was in store only a few years later in theaters around the world. It demonstrated how technology had given rise to new forms of warfare and had made old forms even more lethal. Amphibious landings, tank assaults, aerial dogfights, and—most important—urban combat all happened in Shanghai in 1937. It was a dress rehearsal for World War II—or, perhaps more correctly, it was the inaugural act in the war, the first major battle in the global conflict. Actors from a variety of nations were present in Shanghai during the three fateful autumn months when the battle raged. The rich cast included China’s ascetic Generalissimo Chiang Kai-shek and his Japanese adversary, General Matsui Iwane, who wanted Asia to rise from disunity, but ultimately pushed the continent toward its deadliest conflict ever.

    The Chinese are inordinately proud of having invented, among a whole host of other things, the compass (without which the world would have got lost), paper (without which books would not exist), the printing press (ditto), porcelain (no pretty matching chinaware), silk (no decadence), pasta (what would the Italians eat?), the wheelbarrow (how would civilisation have fared without it?) and the bristle toothbrush. A guide to understanding the Chinese which dispels or confirms preconceived prejudices with humor and insight.

    One glimpse of her through a window as she put on lipstick was enough to capture Rao's heart, the moment that sparked a union that would last almost sixty years. Our Story is that epic romance told through his paintings and accompanying text. We see Pingru and Meitang through the decades, in both poverty and good fortune--looking for work, opening a restaurant, moving cities, mending shoes, raising their children, and being separated for seventeen years by the government when Pingru is sent to a labor camp. As they age, China undergoes extraordinary growth, political turmoil, and cultural change. When Meitang passes away in 2008, Pingru memorializes his wife and their relationship the only way he knows how: through painting. In an outpouring of love and grief, he puts it all on paper. It's a tale at once tragic and inspiring, of enduring love and simple values, an old-fashioned story that unfolds in a nation rapidly becoming modern. Spanning 1923 to 2008, Our Story is a truly singular graphic memoir.

    The author of The Soong Dynasty gives us our most vivid and reliable biography yet of the Dowager Empress Tzu Hsi, remembered through the exaggeration and falsehood of legend as the ruthless Manchu concubine who seduced and murdered her way to the Chinese throne in 1861.

    One of the most influential businesswomen of China today, Lan Yan grew up in the company of the country's powerful elite, including Zhou Enlai, Deng Xiaoping, and other top leaders. Her grandfather, Yan Baohang, originally a nationalist and close to Chiang Kai-shek and his wife, Soong May-ling, later joined the communists and worked as a secret agent for Zhou Enlai during World War II. Lan's parents were diplomats, and her father, Yan Mingfu, was Mao's personal Russian translator.Inspite of their elevated status, the Yan's family life was turned upside down by the Cultural Revolution. One night in 1967, in front of a terrified ten-year-old Lan, Red Guards burst into the family home and arrested her grandfather. Days later, her father was arrested, accused of spying for the Soviet Union. Her mother, Wu Keliang, was branded a counter-revolutionary and forced to go with her daughter to a re-education camp for more than seven years, where Lan came of age as a high school student.In recounting her family history, Lan Yan brings to life a century of Chinese history from the last emperor to present day, including the Cultural Revolution which tore her childhood apart. The little girl who was crushed by the Cultural Revolution has become one of the most active businesswomen in her country. In telling her and her family's story, she serves up an intimate account of the history of contemporary China.

    This discovery set her on a time-sensitive mission: to understand how her own family had somehow wound up in Canada.Chop Suey Nation weaves together Hui’s own family history with those dozens of Chinese restaurant owners from coast to coast. Along her trip, she meets a Chinese-restaurant owner/small-town mayor, the owner of a Chinese restaurant in a Thunder Bay curling rink, and the woman who runs a restaurant alone on the very remote Fogo Island. Hui also explores the fascinating history behind “chop suey” cuisine, detailing the invention of classics like “ginger beef” and “Newfoundland chow mein,” and other uniquely Canadian fare like the “Chinese pierogi” of Alberta.Hui, who grew up in authenticity-obsessed Vancouver, starts out her journey with a dim view of “fake" small-town Chinese food. But along the way she comes to understand the values that drive these restaurants — perseverance, entrepreneurialism and deep love for family. Using her own family’s story as a touchstone, she reveals the importance of these restaurants to this country’s history and makes the case for why chop suey cuisine is quintessentially Canadian.

    Mao Zedong was one of the most important figures of the twentieth century, the most important in the history of modern China. A complex figure, he was champion of the poor and brutal tyrant, poet and despot. Pantsov and Levine show Mao’s relentless drive to succeed, vividly describing his growing role in the nascent Communist Party of China. They disclose startling facts about his personal life, particularly regarding his health and his lifelong serial affairs with young women. They portray him as the loyal Stalinist that he was, who never broke with the Soviet Union until after Stalin’s death. Mao brought his country from poverty and economic backwardness into the modern age and onto the world stage. But he was also responsible for an unprecedented loss of life. The disastrous Great Leap Forward with its accompanying famine and the bloody Cultural Revolution were Mao’s creations. Internationally Mao began to distance China from the USSR under Khrushchev and shrewdly renewed relations with the U.S. as a counter to the Soviets. He lived and behaved as China’s last emperor.

    In this extraordinary collection of hundreds of internal government and Communist Party documents, secretly smuggled out of China, we learn how these events came to pass from behind the scenes. The material reveals how the most important decisions were made; and how the turmoil split the ruling elite into radically opposed factions. The book includes the minutes of the crucial meetings at which the Elders decided to cashier the pro-reform Party secretary Zhao Ziyang and to replace him with Jiang Zemin, to declare martial law, and finally to send the troops to drive the students from the Square. Just as the Pentagon Papers laid bare the secret American decision making behind the Vietnam War and changed forever our view of the nation's political leaders, so too has The Tiananmen Papers altered our perception of how and why the events of June 4 took the shape they did. Its publication has proven to be a landmark event in Chinese and world history.

    In The Lady and the Panda, Vicki Constantine Croke gives us the remarkable account of Ruth Harkness and her extraordinary journey, and restores Harkness to her rightful place along with Sacajawea, Nellie Bly, and Amelia Earhart as one of the great woman adventurers of all time.Ruth was the toast of 1930s New York, a dress designer newly married to a wealthy adventurer, Bill Harkness. Just weeks after their wedding, however, Bill decamped for China in hopes of becoming the first Westerner to capture a giant panda–an expedition on which many had embarked and failed miserably. Bill was also to fail in his quest, dying horribly alone in China and leaving his widow heartbroken and adrift. And so Ruth made the fateful decision to adopt her husband’s dream as her own and set off on the adventure of a lifetime.It was not easy. Indeed, everything was against Ruth Harkness. In decadent Shanghai, the exclusive fraternity of white male explorers patronized her, scorned her, and joked about her softness, her lack of experience and money. But Ruth ignored them, organizing, outfitting, and leading a bare-bones campaign into the majestic but treacherous hinterlands where China borders Tibet. As her partner she chose Quentin Young, a twenty-two-year-old Chinese explorer as unconventional as she was, who would join her in a romance as torrid as it was taboo.Traveling across some of the toughest terrain in the world–nearly impenetrable bamboo forests, slick and perilous mountain slopes, and boulder-strewn passages–the team raced against a traitorous rival, and was constantly threatened by hordes of bandits and hostile natives. The voyage took months to complete and cost Ruth everything she had. But when, almost miraculously, she returned from her journey with a baby panda named Su Lin in her arms, the story became an international sensation and made the front pages of newspapers around the world. No animal in history had gotten such attention. And Ruth Harkness became a hero. Drawing extensively on American and Chinese sources, including diaries, scores of interviews, and previously unseen intimate letters from Ruth Harkness, Vicki Constantine Croke has fashioned a captivating and richly textured narrative about a woman ahead of her time. Part Myrna Loy, part Jane Goodall, by turns wisecracking and poetic, practical and spiritual, Ruth Harkness is a trailblazing figure. And her story makes for an unforgettable, deeply moving adventure.From the Hardcover edition.

    China Under Mao narrates the rise and fall of the Maoist revolutionary state from 1949 to 1976--an epoch of startling accomplishments and disastrous failures, steered by many forces but dominated above all by Mao Zedong.Mao's China, Andrew Walder argues, was defined by two distinctive institutions established during the first decade of Communist Party rule: a Party apparatus that exercised firm (sometimes harsh) discipline over its members and cadres; and a socialist economy modeled after the Soviet Union. Although a large national bureaucracy had oversight of this authoritarian system, Mao intervened strongly at every turn. The doctrines and political organization that produced Mao's greatest achievements--victory in the civil war, the creation of China's first unified modern state, a historic transformation of urban and rural life--also generated his worst failures: the industrial depression and rural famine of the Great Leap Forward and the violent destruction and stagnation of the Cultural Revolution.Misdiagnosing China's problems as capitalist restoration and prescribing continuing class struggle against imaginary enemies as the solution, Mao ruined much of what he had built and created no viable alternative. At the time of his death, he left China backward and deeply divided.

    Wilfred Grenfell, the eccentric missionary; Sam Steele, the most famous of all Mounted Policemen; and Isaac Jorges, the 17th-century priest who courted martyrdom. Many of the stories of these figures read like the wildest of fiction: Cariboo Cameron, who, after striking it rich in B.C., pickled his wife’s body in alcohol and gave her three funerals; Mina Hubbard, the young widow who trekked across the unexplored heart of Labrador as an act of revenge; and Almighty Voice, the renegade Cree, who was the key figure in the last battle between white men and Aboriginals in North America. Spanning more than two centuries and four thousand miles, this book demonstrates how our frontier resembles no other and how for better and for worse it has shaped our distinctive sense of Canada.

    Written by scholars at the forefront of new thinking, many of whom are rising stars in their fields, the Oxford History of Art series offers substantial and innovative texts that clarify, illuminate, and debate the critical issues at the heart of art history today. Providing a fresh new look at art that moves away from traditional elitist approaches, the series makes use of new research and methodologies, as well as newly accessible and non-canonical works to offer comprehensive coverage of the art world from archaic and classical Greek art to twentieth-century design and photography, from the artistry of African-American and Native North Americans to the masterpieces of Europe, Polynesia, and Micronesia. Lavishly illustrated and superbly designed, the Oxford History of Art brings new substance and verve to the exciting and ubiquitous world of art.China boasts a history of art spanning 5,000 years and embracing a wide diversity of images and objects--from jade tablets, painted silk handscrolls and fans to ink and lacquer painting, porcelain-ware, sculpture, and calligraphy. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, while largely ignoring those art forms most highly prized by the Chinese themselves, such as calligraphy. Now, in Art in China, Craig Clunas marks a breakthrough in the study of the subject. Taking into account all the arts practiced in China, and drawing on recent innovative scholarship, this rich text examines the production and consumption of art in its appropriate contexts. From art found in tombs to the state-controlled art of the Mao Zedong era, Art in China offers a novel look and comprehensive examination of all aspects of Chinese art.

    Traditional morals and behavior are being turned on their head as the country’s climb towards economic prosperity brings sex into the open. But it is a revolution distinctly different from the one experienced in the West and has taken unexpected twists and turns.Written in a highly engaging and readable style, Behind the Red Door: Sex in China takes the reader on a journey from ancient days, when China’s rulers relied on shockingly vivid Daoist sex manuals, to the present, where China is torn between sexual orthodoxy and Western-style openness.

    This history of Hong Kong -- from its occupation by the British in 1841 to its return to Chinese sovereignty in 1997 -- includes the foundation of modern Hong Kong; its developments as an imperial outpost, its transformation into the "pearl" of the British Empire and of the Orient and the events leading to the end of British rule. Based on extensive research in British and Chinese sources, both official and private, the book addresses the changing relations between the local Chinese and the expatriate communities in 156 years of British rule, and the emergence of a local identity. It ends with a critical but dispassionate examination of Hong Kong's transition from a British Crown Colony to a Chinese Special Administrative Region.