Then a rival pack attacks, and Swift and his family scatter.Alone and scared, Swift must flee and find a new home. His journey takes him a remarkable one thousand miles across the Pacific Northwest. The trip is full of peril, and Swift encounters forest fires, hunters, highways, and hunger before he finds his new home.Inspired by the true story of a wolf named OR-7 (or Journey).

    He’s found a job protecting a remote forest preserve in Virginian Appalachia where his main responsibilities include tracking wildlife and refurbishing cabins. It’s hard work, and totally solitary—perfect to hide away from the Mexican drug cartels he betrayed back in Arizona. But when Rice finds the carcass of a bear killed on the grounds, the quiet solitude he’s so desperately sought is suddenly at risk.More bears are killed on the preserve and Rice’s obsession with catching the poachers escalates, leading to hostile altercations with the locals and attention from both the law and Rice’s employers. Partnering with his predecessor, a scientist who hopes to continue her research on the preserve, Rice puts into motion a plan that could expose the poachers but risks revealing his own whereabouts to the dangerous people he was running from in the first place.James McLaughlin expertly brings the beauty and danger of Appalachia to life. The result is an elemental, slow burn of a novel—one that will haunt you long after you turn the final page.

    They found their livelihood and raised a family in the remote backcountry settlement of Middle Dam, in the Rangeley area. Rich made time after morning chores to write about their lives. We Took to the Woods is an adventure story, written with humor, but it also portrays a cherished dream awakened into full life. First published 1942.

    Bound to a feudal lord, a “seigneur,” for three years in exchange for land, they become wood-cutters—barkskins. René suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to marry a Mi’kmaw woman and their descendants live trapped between two inimical cultures. But Duquet, crafty and ruthless, runs away from the seigneur, becomes a fur trader, then sets up a timber business. Proulx tells the stories of the descendants of Sel and Duquet over three hundred years—their travels across North America, to Europe, China, and New Zealand, under stunningly brutal conditions—the revenge of rivals, accidents, pestilence, Indian attacks, and cultural annihilation. Over and over again, they seize what they can of a presumed infinite resource, leaving the modern-day characters face to face with possible ecological collapse.

    One day, Muir set out to explore a huge glacier during a blizzard. Stickeen--an aloof little dog belonging to a fellow traveler--insisted on going along. They become stranded on the glacier. The only way out was over a precarious ice bridge, dangerous for a man and almost impossible for a dog. When, amazingly, they both escape, Stickeen's aloofness is replaced by rapturous adoration for Muir. The author skillfully weaves Muir's own words, the illustrations are extraordinary, and the result is a classic.

    Predators of the wild. Stalkers of the forests. Born into rankings and expected to live up to their roles. Blue Boy, the alpha male of his pack, is the largest wolf many have ever seen, and his dream is to have a firstborn son who will take after him in every way. But Lamar is not turning out the way his father hoped. Lamar likes to watch butterflies. He worries if his younger siblings fall behind in the hunt. He has little interest in peacocking in front of other clans. Blue Boy grows increasingly dismayed at Lamar’s lack of wolf instincts, and then Lamar does the intolerable: he becomes attracted to a coyote. While the other infractions can be begrudgingly tolerated, this one cannot, and the unity of the pack is in jeopardy. Lamar wants to make his family happy, but is doing what is expected of him worth losing the only true friend he’s ever had?Full of bite and beauty that will make you think of White Fang, then Ferdinand, this story cuts to the heart of what’s most important: being true to yourself, and being true to others.

    He is not sure where he's going or why, but it means that he gets to sit in the front seat of a silver van with his beloved owner, Satoru. Side by side, they cruise around Japan through the changing seasons, visiting Satoru's old friends. He meets Yoshimine, the brusque and unsentimental farmer for whom cats are just ratters; Sugi and Chikako, the warm-hearted couple who run a pet-friendly B&B; and Kosuke, the mournful husband whose cat-loving wife has just left him. There's even a very special dog who forces Nana to reassess his disdain for the canine species. But what is the purpose of this road trip? And why is everyone so interested in Nana? Nana does not know and Satoru won't say. But when Nana finally works it out, his small heart will break...

    James Rebanks' isn't. The first son of a shepherd, who was the first son of a shepherd himself, he and his family have lived and worked in and around the Lake District for generations. Their way of life is ordered by the seasons and the work they demand, and has been for hundreds of years. A Viking would understand the work they do: sending the sheep to the fells in the summer and making the hay; the autumn fairs where the flocks are replenished; the gruelling toil of winter when the sheep must be kept alive, and the light-headedness that comes with spring, as the lambs are born and the sheep get ready to return to the fells.

    Almost as soon as she arrives, Martine hears stories about a white giraffe living in the preserve. But her grandmother and others working at Sawubona insist that the giraffe is just a myth. Martine is not so sure, until one stormy night when she looks out her window and locks eyes with Jemmy, a young silvery-white giraffe. Why is everyone keeping Jemmy’s existence a secret? Does it have anything to do with the rash of poaching going on at Sawubona? Martine needs all of the courage and smarts she has, not to mention a little African magic, to find out. First-time children’s author Lauren St. John brings us deep into the African world, where myths become reality and a young girl with a healing gift has the power to save her home and her one true friend.

    Where is his boy? Will he ever return? And what will Shep do in the meantime, now that the extra bowls of food -- not to mention all those tasty things he found in the big cold box -- are gone?Then another dog shows up at Shep's window and convinces him to escape. There's food outside, and a whole empty city to explore. Shep just wants to go home . . . but the adventure of a lifetime is just beginning.

       The grizzly is one of North America’s last large predators. Their range is diminished, but they’re spreading into the West again, where once they were king. The challenge: humans rule the roost now, and most are wary, at best, as grizzlies approach.     In searing detail, award‑winning writer, Montana rancher, and conservationist Bryce Andrews tells us about one such grizzly. Millie was a typical mother: strong, cunning, fiercely protective of her cubs. But raising those cubs was hard. The mountains were changing, as the climate warmed and people crowded the valleys. There were obvious dangers, like poachers, and subtle ones, like the corn field that drew her into human territory, and sure trouble.     That trouble is where Bryce’s story intersects with Millie’s. He shares both in Down from the Mountain, showing how this singular drama is a piece of a much larger one in the West: an entangled, bloody collision between people protecting a life they’ve known for generations, and the people fighting to preserve one of America’s wildest landscapes.

    Each moment of his life is threatened until Snowdrift, a great white wolf, welcomes him into a wolf pack. But Granite must earn his place among the wolf tribe by facing vicious attacks from the other wolves, the human wolf hunters, and the constant challenges of the frozen forest.

    In 1977, at the age of seventeen, Conway left his family's comfortable suburban home to move to the Appalachian Mountains. For more than two decades he has lived there, making fire with sticks, wearing skins from animals he has trapped, and trying to convince Americans to give up their materialistic lifestyles and return with him back to nature. To Gilbert, Conway's mythical character challenges all our assumptions about what it is to be a modern man in America; he is a symbol of much we feel how our men should be, but rarely are.

    But when he unwittingly guides Yankee whalers to a pod of bowhead whales, all the whales are killed. For this act, the boy receives a curse of banishment. Through the generations, this curse is handed down. Siku, the ice whale, returns year after year, in reality and dreams, to haunt each descendant. The curse is finally broken when a daughter recognizes and saves the whale, and he in turn saves her. Told in alternating voices, both human and whale, Jean Craighead George’s last novel is an ambitious and touching take on the interconnectedness of humans, animals, and the earth they depend on.

    The Good Good Pig celebrates Christopher Hogwood in all his glory, from his inauspicious infancy to hog heaven in rural New Hampshire, where his boundless zest for life and his large, loving heart made him absolute monarch.