This journal shares fruitful reflections on life and career prompted by the author's visit to her personal place of retreat near her country home.

    Two companion pieces released in one volume, containing selected writing andtour journal entries from 1988-1992.

    Here is the fiery prophet, assailing the corruptions of Syrian governmental and upper social circles with the wrath and scorn of Biblical seers.Here, too, is the poet of love, apostrophizing beauty, youth and nature, particularly the wonderful vistas of Lebanon, with its cedar groves and mountains, in poetry of passionate tenderness.And above all, here is the author of the remarkable poetic narratives in which Gibran's mystical, spiritual vision of the transmigration of souls is embodied in tales of lovers tragically parted in one existence and rapturously reunited, after centuries of separation, in a later incarnation.The spiritual message of the great Lebanese prophet and poet is conveyed with exceptional beauty and power in these sensitive writings.

    This collection contains, too, many examples of that humorous and epigrammatic genius which captured the London theatre and, by suddenly casting light from an unexpected angle, widened the bounds of truth.

    Along the way he encounters Ram Dass and Richard Gere, and dialogues with leading rabbis and Jewish thinkers, including Zalman Schacter, Yitz and Blue Greenberg, and a host of religious and disaffected Jews and Jewish Buddhists. This amazing journey through Tibetan Buddhism and Judaism leads Kamenetz to a renewed appreciation of his living Jewish roots.

    S. Lewis after his conversion, The Pilgrim's Regress is, in a sense, the record of Lewis s own search for meaning and spiritual satisfaction—a search that eventually led him to Christianity.Here is the story of the pilgrim John and his odyssey to an enchanting island which has created in him an intense longing—a mysterious, sweet desire. John s pursuit of this desire takes him through adventures with such people as Mr. Enlightenment, Media Halfways, Mr. Mammon, Mother Kirk, Mr. Sensible, and Mr. Humanist and through such cities as Thrill and Eschropolis as well as the Valley of Humiliation.Though the dragons and giants here are different from those in Bunyan s Pilgrim s Progress, Lewis s allegory performs the same function of enabling the author to say simply and through fantasy what would otherwise have demanded a full-length philosophy of religion.

    To the reader of 1922 it presented a shocking look at a little known phenomenon. Today, while we are more familiar with drugs because of their widespread use in our culture, Diary of a Drug Fiend remains one o fthe most intense, detailed and accurate accounts of drug addiction and the drug experience.The book was written by Crowley after years of deep personal study and experimentation with drugs. It is the story of a young man and woman who fall madly in love and whirl through Europe in a frenzied haze of heroin/cocaine adventure. Their ecstacy is brought to an abrupt end when their drug supply is cut off and despair replaces joy. Through the guidance of King Lamus, a master Adept, they free themselves from the entanglements of addition by the application of practical Magick.The narrative carries the reader aloft through the brilliance of the imagery created by this master of language; his prose development parallels the growth and increasing depth of his characters in an uncanny fashion. This is a book to be read and reread. It will also prove a useful document to doctors, lawyers, police and addicts for its unique and precise presentation of the psychology of addiction and the possibility of its cure through the development of the True Will.

    Written in the author's early forties in the last years of the fourth century A.D. and during his first years as a bishop, they reflect on his life and on the activity of remembering and interpreting a life. Books I-IV are concerned with infancy and learning to talk, schooldays, sexual desire and adolescent rebellion, intense friendships and intellectual exploration. Augustine evolves and analyses his past with all the resources of the reading which shaped his mind: Virgil and Cicero, Neoplatonism and the Bible. This volume, which aims to be usable by students who are new to Augustine, alerts readers to the verbal echoes and allusions of Augustine's brilliant and varied Latin, and explains his theological and philosophical questioning of what God is and what it is to be human. The edition is intended for use by students and scholars of Latin literature, theology and Church history.

    And as one of the three most important expressions of Stoicism, this is an essential text for everyone interested in ancient religion and philosophy. Yet the clarity and ease of the work's style are deceptive. Pierre Hadot, eminent historian of ancient thought, uncovers new levels of meaning and expands our understanding of its underlying philosophy. Written by the Roman emperor for his own private guidance and self-admonition, the Meditations set forth principles for living a good and just life. Hadot probes Marcus Aurelius's guidelines and convictions and discerns the hitherto unperceived conceptual system that grounds them. Abundantly quoting the Meditations to illustrate his analysis, the author allows Marcus Aurelius to speak directly to the reader. And Hadot unfolds for us the philosophical context of the Meditations, commenting on the philosophers Marcus Aurelius read and giving special attention to the teachings of Epictetus, whose disciple he was. The soul, the guiding principle within us, is in Marcus Aurelius's Stoic philosophy an inviolable stronghold of freedom, the "inner citadel." This spirited and engaging study of his thought offers a fresh picture of the fascinating philosopher-emperor, a fuller understanding of the tradition and doctrines of Stoicism, and rich insight on the culture of the Roman empire in the second century. Pierre Hadot has been working on Marcus Aurelius for more than twenty years; in this book he distills his analysis and conclusions with extraordinary lucidity for the general reader.

    1008 at the height of the Heian period, Lady Sarashina (as she is known) probably wrote most of her work towards the end of her life, long after the events described. Thwarted and saddened by the real world with all its deaths and partings and frustrations, Lady Sarashina protected herself by a barrier of fantasy and so escaped from harsh reality into a rosier more congenial realm. She presents her vision of the world in beautiful prose, the sentences flowing along smoothly so that we feel we are watching a magnificent scroll being slowly unrolled.'It is like seeing a garden at night in which certain parts are lit up so brightly that we can distinguish each blade of grass, each minute insect, each nuance of colour, while the rest of the garden and the tidal wave that threatens it remain in darkness'--Ivan Morris

    His account of the people he encountered changed the field of anthropology, transforming Western notions of ‘primitive’ man. Tristes Tropiques is a major work of art as well as of scholarship. It is a memoir of exquisite beauty and a masterpiece of travel writing: funny, discursive, movingly detailing personal and cultural loss, and brilliantly connecting disparate fields of thought. Few books have had as powerful and broad an impact.

    He was the most popular writer of his day, and his writings are voluminous and diverse, ranging from satire to philosophical "consolations" against grief, from metaphysical theory to moral and political discussions of virtue and anger. He was also the author of disturbing, violent tragedies, which present monstrous characters in a world gone wrong. But Seneca was also deeply engaged with the turbulent political events of his time. Exiled by the emperor Claudius for supposed involvement in a sex scandal, he was eventually brought back to Rome to become tutor and, later, speech-writer and advisor to Nero. He was an important eyewitness to one of the most interesting periods of Roman history, living under the rule of five of the most famous--and infamous--emperors (Augustus, Tiberius, Caligula, Claudius, and Nero), through the Great Fire of Rome (64AD), and at a time of expansion and consolidation of Roman imperial power throughout the Mediterranean world, as well as various foreign and internal conflicts. Suspected of plotting against Nero, Seneca was condemned and ultimately took his own life in what became one of the most iconic suicides in Western history. The life and works of Seneca pose a number of fascinating challenges. How can we reconcile his bloody, passionate tragedies with his prose works advocating a life of Stoic tranquility? Furthermore, how are we to reconcile Seneca the Stoic philosopher, the man of principle, who advocated a life of calm and simplicity, with Seneca the man of the moment, who amassed a vast personal fortune in the service of an emperor seen by many, at the time and afterwards, as an insane tyrant? In this vivid biography, Emily Wilson presents Seneca as a man under enormous pressure, struggling for compromise in a world of absolutism. The Greatest Empire: A Life of Seneca thusoffers us, in fascinating ways, the portrait of a man with all the fissures and cracks formed by the clash of the ideal and the real: the gulf between political hopes and fears, and philosophical ideals; the gap between what we want to be, and what we are.

    A collection of inspirational writings includes reflections on love, prayer, giving, service, poverty, forgiveness, and Jesus.

    German poet, dramatist, novelist, translator, scientist and musician, Johann Wolfgang von Goethe (1749-1832) is universally recognized as a towering figure in world literature.

    The problem with these libraries is that they contain books that are generally written by professionals for their peers. Where the Hell Is God? combines the best of the professional's insights with the author's own experience and insights to speculate on how believers can make sense of their Christian faith when experiencing tragedy and suffering. Starting with a very personal story of the author's sister being left a quadriplegic from a car accident twenty years ago, Where the Hell Is God? gently leads the reader through some "take-home" messages that are sane, sound, and practical. Among these messages are: God does not directly send pain, suffering, and disease. God does not punish us; God does not send accidents to teach us things, though we can learn from them; and God does not will earthquakes, floods, droughts, or other natural disasters. This concise, accessible, and experience-based book will help people who are suffering as well as those who minister to them and their families.