During both wars, fantastic atrocity stories were invented by Allied propaganda to create hatred of the German people for the purpose of bringing public opinion around to support the wars. The "Holocaust" propaganda which emerged after World War II further solidified this image of Germany as history's ultimate villain. But how true is this "official" story? Was Germany really history's ultimate villain? In this book, the author paints a different picture. He explains that Germany was not the perpetrator of World War I nor World War II, but instead, was the victim of Allied aggression in both wars. The instability wrought by World War I made the 1917 Bolshevik Revolution in Russia possible, which brought world Communism into existence. Hitler and Germany recognized world Communism, with its base in the Soviet Union, as an existential threat to Western, Christian Civilization, and he dedicated himself and Germany to a death struggle against it. Far from being the disturber of European peace, Germany served as a bulwark which prevented Communist revolution from sweeping over Europe. The pity was that the United States and Britain did not see Communist Russia in the same light, ultimately with disastrous consequences for Western Civilization. The author believes that Britain and the United States joined the wrong side in the war.

    This is the account of 23 men torturing and killing by experiment in the name of scientific research and patriotism. The book includes trial transcripts that have not been easily available to the general public and previously unpublished photographs used as evidence in the trial. The author describes the experience of being in bombed-out, dangerous, post-war Nuremberg, where she lived for two years while working on the trial. Once a Nazi sympathiser tossed bombs into the dining room of the hotel where she lived moments before she arrived for dinner. She takes us into the courtroom to hear the dramatic testimony and see the reactions of the defendants to the proceedings. The doctors tell of experiments involving depriving concentration camp inmates of oxygen; freezing them; injecting them with malaria, typhus, and jaundice; amputating healthy limbs; forcing them to drink seawater for weeks at a time; and other horrors.

    Twenty years after the end of the war, this was the first time that the German people were confronted with the horrific details of the Holocaust executed by 'ordinary men' still living in their midst.The trial sent Krüger back to his childhood in the 1930s, in an attempt to understand 'how it really was, that incomprehensible time'. He had grown up in a Berlin suburb, among a community of decent, lower-middle-class homeowners. This was not the world of torch-lit processions and endless ranks of marching SA men. Here, people lived ordinary, non-political lives, believed in God and obeyed the law, but were gradually seduced and intoxicated by the promises of Nazism. He had been, Krüger realised, 'the typical child of innocuous Germans who were never Nazis, and without whom the Nazis would never have been able to do their work'.This world of respectability, order and duty began to crumble when tragedy struck. Krüger's older sister decided to take her own life, leaving the parents struggling to come to terms with the inexplicable. The author's teenage rebellion, his desire to escape the stifling conformity of family life, made him join an anti-Nazi resistance group. He narrowly escaped imprisonment only to be sent to war as Hitler embarked on the conquest of Europe. Step by step, a family that had fallen under the spell of Nazism was being destroyed by it.Written in accomplished prose of lingering beauty, The Broken House is a moving coming-of-age story that provides an unforgettable portrait of life under the Nazis. Yet the book's themes also chime with our own times - how the promise of an 'era of greatness' by a populist leader intoxicates an entire nation, how thin is the veneer of civilisation, and what makes one person a collaborator and another a resister.

    First published in Sweden in 1947, German Autumn, a collection of the articles written for that assignment, was unlike any other reporting at the time. While most Allied and foreign journalists spun their writing on the widely held belief that the German people deserved their fate, Dagerman disagreed and reported on the humanness of the men and women ruined by the war—their guilt and suffering. Dagerman was already a prominent writer in Sweden, but the publication and broad reception of German Autumn throughout Europe established him as a compassionate journalist and led to the long-standing international influence of the book.Presented here in its first American edition with a compelling new foreword by Mark Kurlansky, Dagerman’s essays on the tragic aftermath of war, suffering, and guilt are as hauntingly relevant today amid current global conflict as they were sixty years ago.

    A family torn apart. A decision that could change everything.Berlin, 1939. Fourteen year old Simon Horowitz is awash in a world of music. His family owns a superb collection of instruments and at its heart is his father's 1742 Guarneri de Gesu violin. But all is lost when the Nazis march across Europe and Simon and his father and brother are sent to Dachau. Amid unimaginable cruelty and death, Simon finds kindness from an unexpected corner, and a chance to pick up a violin again and a chance to live.In the present day, orchestra conductor Rafael Gomez has seen much in his time on the world's stage, but he finds himself oddly inspired by the playing of an aspiring violin virtuoso, a fantastic talent who is only just fourteen. Then the boy, Daniel Horowitz, suddenly refuses to play another note, and Rafael knows he'll do anything he can to change that. When he learns the boy's family once owned a precious violin, believed to have been lost forever, Rafael thinks he might know exactly how to get Daniel playing again. In taking on the task he discovers a family story like no other that winds from World War II and Communist Russia all the way to Rafael's very own stage.

    Together, they presided over the last years of dynastic Europe and the outbreak of the most destructive war the world had ever seen, a war that set twentieth-century Europe on course to be the most violent continent in the history of the world.Miranda Carter uses the cousins' correspondence and a host of historical sources to tell the tragicomic story of a tiny, glittering, solipsistic world that was often preposterously out of kilter with its times, struggling to stay in command of politics and world events as history overtook it. George, Nicholas and Wilhelm is a brilliant and sometimes darkly hilarious portrait of these men--damaged, egotistical Wilhelm; quiet, stubborn Nicholas; and anxious, dutiful George--and their lives, foibles and obsessions, from tantrums to uniforms to stamp collecting. It is also alive with fresh, subtle portraits of other familiar figures: Queen Victoria--grandmother to two of them, grandmother-in-law to the third--whose conservatism and bullying obsession with family left a dangerous legacy; and Edward VII, the playboy "arch-vulgarian" who turned out to have a remarkable gift for international relations and the theatrics of mass politics. At the same time, Carter weaves through their stories a riveting account of the events that led to World War I, showing how the personal and the political interacted, sometimes to devastating effect.For all three men the war would be a disaster that destroyed forever the illusion of their close family relationships, with any sense of peace and harmony shattered in a final coda of murder, betrayal and abdication.

    But history was not their most important focus. Rather, the Ahnenerbe was an essential part of Himmler's master plan for the Final Solution. The findings of the institute were used to convince armies of SS men that they were entitled to slaughter Jews and other groups. And Himmler also hoped to use the research as a blueprint for the breeding of a new Europe in a racially purer mold.The Master Plan is a groundbreaking expose of the work of German scientists and scholars who allowed their research to be warped to justify extermination, and who directly participated in the slaughter -- many of whom resumed their academic positions at war's end. It is based on Heather Pringle's extensive original research, including previously ignored archival material and unpublished photographs, and interviews with living members of the institute and their survivors. A sweeping history told with the drama of fiction, The Master Plan is at once horrifying, transfixing, and monumentally important to our comprehension of how something as unimaginable as the Holocaust could have progressed from fantasy to reality.

    Fueled by outrage at the punitive terms of the Versailles Treaty that ended the Great War, he found his voice and drew a following. As his views developed, Hitler attracted like-minded colleagues who formed the nucleus of the nascent Nazi party. The failed Munich putsch of 1923 and subsequent trial gave Hitler a platform for his views, which he skillfully exploited. Between 1924 and 1929 Hitler and his party languished in obscurity on the radical fringes of German politics, but the onset of the Great Depression provided Hitler the issues he needed to move into the mainstream of German political life. He seized the opportunity to blame Germany’s misery on the victorious allies, the Marxists, the Jews, and big business—and the political parties that represented them. By 1932 the Nazis had become the largest political party in Germany. Although Hitler became chancellor in 1933, his party had never achieved a majority in free elections. Within six months the Nazis transformed a dysfunctional democracy into a totalitarian state and began the inexorable march to World War II and the Holocaust. It is these fraught times that Childers brings to life: the Nazis’ rise to power and their use and abuse of power once they achieved it. Based in part on German documents seldom used by previous historians, The Third Reich charts the dramatic, improbable rise of the Nazis; the suffering of ordinary Germans under Nazi rule; and the horrors of World War II and the Holocaust. This is the most comprehensive and readable one-volume history of Nazi Germany since the classic Rise and Fall of the Third Reich.

    That man was Fritz Kolbe, who had decided to betray his country after years of opposing Nazism. While Dulles was skeptical, Kolbe's information was such that he eventually admitted, "No single diplomat abroad, of whatever rank, could have got his hands on so much information as did this man; he was one of my most valuable agents during World War II." Using recently declassified materials at the U.S. National Archives and Kolbe's personal papers, Lucas Delattre has produced a work of remarkable scholarship that moves with the swift pace of a Le Carré thriller.

    An important and fascinating firsthand account of life with Hitler from 1942 until his death in the Berlin bunker in 1945, by the young woman who was his last secretary.

    “A historical novel steeped in horror, danger and suspense; a true page-turner.” Germany, September 1939. At the outbreak of War, Dieter Vogel and his family face catastrophic events and separation as each member embarks on their deadly paths towards survival, love, and freedom. Dieter Vogel, a German industrialist, believes in protecting his family at all costs, but in a bid to keep his English wife and children safe, he is plunged into a well of deceit that tears the family apart. Doctor Paul Vogel is coerced into working in the Nazi eugenics programme and soon discovers that sterilising handicapped and mentally-ill Germans is just a prelude to a more lethal plan against those the Reich deem unworthy of life. Paul, trapped by the SS, seeks help from the unlikeliest of people and is plunged into a world of espionage and murder. British Army Major, Max Vogel, is attached to The British Intelligence Services and Winston Churchill’s Special Operations Executive. His missions in occupied Europe are fraught with danger, and his adulterous affair with a woman he cannot give up leads him deeper into the quagmire of treachery and lies. Wilmot Vogel dreams of winning the Iron Cross, but when he confronts a mass killing of Jews in Poland, his idolatry of Hitler is shaken to its roots, and he finds himself imprisoned in the infamous Dachau concentration camp with no release date in sight. Hannah Vogel has no ambition other than to marry her English fiancé, Frank, before the lines of war are drawn. Against her father’s wishes, she leaves Berlin on the eve of the German invasion of Poland, but when she arrives in England, she learns that Frank is not the civilian engineer he claims to be. The Vogels, On All Fronts, coming October 2018 The Half-Bloods Series Book 2 Editorial Review, Readers' Favorite 5 Stars The German Half-Bloods (The Half-Blood Series Book 1) by Jana Petken is an intense, nail-biting ride through WWII Germany. The unique perspectives of the characters in Germany, as well as those in England, were refreshing and charismatic. I am well-versed in the history of the time period, and I must say that very few historical novels of the period are satisfactorily accurate enough for me to enjoy, this book being a rare exception. I was deeply impressed with the characters' viewpoints and the extent of the plot. The author spun such an intricately woven web of intrigue that I didn't want to stop reading. I was transported back in time and enjoyed every minute of it! I loved this novel! It is beautifully written and deeply moving. Although there are some historically accurate details that may disturb a younger audience, I feel that this novel is an essential historical read.

    By the end of the war, all but a few hundred of them had died in bombing raids or, more commonly, in death camps. This is the real-life story of some of the few of them - a young mother, a scholar and his countess lover, a black-market jeweler, a fashion designer, a Zionist, an opera-loving merchant, a teen-age orphan - who resourcefully, boldly, defiantly, luckily survived. In hiding or in masquerade, by their wits and sometimes with the aid of conscience-stricken German gentiles, they survived. They survived the constant threat of discovery by the Nazi authorities or by the sinister handful of turncoat Jewish "catchers" who would send them to the gas chambers. They survived to tell this tale, which reads like a thriller and triumphs like a miracle.

    Rita Feuerstahl comes to the university in Krakow intent on enjoying her freedom. But life has other things in store—marriage, a love affair, a child, all in the shadows of the oncoming war. When the war arrives, Rita is armed with a secret so enormous that it could cost the Allies everything, even as it gives her the will to live. She must find a way both to keep her secret and to survive amid the chaos of Europe at war. Living by her wits among the Germans as their conquests turn to defeat, she seeks a way to prevent the inevitable doom of Nazism from making her one of its last victims. Can her passion and resolve outlast the most powerful evil that Europe has ever seen?In an epic saga that spans from Paris in the ’30s and Spain’s Civil War to Moscow, Warsaw, and the heart of Nazi Germany, The Girl from Krakow follows one woman’s battle for survival as entire nations are torn apart, never to be the same.

    After that, she moved in many worlds; In every one, she made her mark.Felice Massie was a student in France, caught up in the horrors of Naziism when she was 20 years old. Cut off by the war from her family living in a small village in Poland, she shifted from one country to another attempting to find a home for herself and a means to rescue her parents, brother, and sister. As the Holocaust descended on her shtetl, she arrived penniless in America. Over time she raised a family and amassed one of foremost collections of American modern art. Her boldness and resilience became a beacon of hope and inspiration for others.

    In it he captures the Isherwood-like atmosphere of Nazi Germany while telling a satiric story about the rise to power of one man - a thinly veiled caricature of his own brother-in-law. The man is Hendrik Hofgen, a character actor who in his own life plays a bizarre part in the elite circle of the Third Reich. Hofgen is publicly a revolutionary, but secretly he is a man driven by an obsessive need for power and fame. Although he benefits from the prestige of being married to the daughter of an eminent politician, he endangers his rise in Nazi society by his compulsive involvement with ‘a black Venus.’ His brilliant success as Mephisto in FAUST brings him the support of the Führer’s prime minister, who appoints him head of the State Theater. His dreams are finally realized, but the story ends on a note of despair as Hofgen is forced to confront the emptiness of his life. Mann weaves his tale with amazing skill. The result is a fascinating novel of decadence and evil.Klaus Mann, the second child of Thomas Mann, was born in Munich in 1906. He began writing short stories and articles in 1924, and within a year was a theatrical critic for a Berlin newspaper. In 1925 both a volume of short stories and his first novel, THE PIOUS DANCE, were published. His sister, Erika, to whom he was very close, was in the cast of his first play, ANJA AND ESTHER. Mann left Germany in 1933 and lived in Amsterdam until 1936, during which time he became a Czechoslovakian citizen, having been deprived of his German citizenship by the Nazis. He moved to America in 1936, living in Princeton, New Jersey, and New York City. He became a U.S. citizen in 1943. He died at the age of forty-two in Cannes, France. Robin Smyth was a European correspondent for the London Observer.