With the film-world-savvy and razor-sharp commentary for which he is known, he provides an insider's take on today's movie world as he takes a look at "the big picture" on Hollywood, screenwriting, and the future of American cinema. Paperback.

    

    As a bold and gifted child, his promise seemed boundless to the three adoring sisters over whom his rule was complete. But as an adult, the precocious flame of genius distorted and burned low. With neither the strength nor the resources to counter rejection, unable to sell his paintings or publish his books, Branwell became a spectre in the Bronte story, in pathetic contrast with the astonishing achievements of Charlotte, Emily and Anne. This is the biography of the shadowy figure of the "unknown" Bronte.

    "The Lover" is a one-act play for television, in which two characters play the double parts of wife-mistress and husband-lover. Also included is a short story, "The Examination".

    If you haven’t discovered Paul Finch yet, this book will have you hooked.Unknown, alone, and fearing for your life: as PC Lucy Clayburn is about to find out, going undercover is the most dangerous work there is.But, on the trail of a prolific female serial killer, there's no other option and these murders are as brutal as they come. Lucy must step into the line of fire a stranger in a criminal underworld that butchers anyone who crosses the line.And, unknown to Lucy, she's already treading itDark, gritty and ALWAYS edge-of-your-seat: Paul Finch will leave fans of Rachel Abbott and MJ Arlidge gasping for more.

    His professor, the renowned E. C. Mabie, remarked as he got up and dismissed the seminar, "Well, we all have to paint our nudes!" Tom's earlier comment in his journal that the play "is well-constructed, no social propaganda, and is suitable for the commercial stage" seems accurate enough in 1999, but woefully naive deep in the Depression when the play's sexual explicitness—particularly its matter-of-fact acceptance of a woman's right to her own sexuality—would have been seen as not only shocking but also politically radical. Spring Storm would later be disavowed by the author as "simply a study of Sex—a blind animal urge or force (like the regenerative force of April) gripping four lives and leading them into a tangle of cruel and ugly relations."But the solid and deft characterizations of the four young people whose lives intertwine—the sexually alive Heavenly Critchfield, her earthy lover Dick Miles, Heavenly's wealthy but tongue-tied admirer Arthur Shannon, and the repressed librarian Hertha Nielson who loves Arthur—are archetypes of characters we will meet again and again in the Williams canon. Epic in scope, a bit melodramatic in execution, tragic in outcome, Spring Storm created a wave of excitement among theatre insiders when it was given a staged reading at The Ensemble Studio Theatre's Octoberfest '96. This edition has been prepared, with an illuminating introduction, by Dan Isaac, who initiated the Octoberfest production.

    . . The book as a whole offers a fascinating look at how this movie tells a timeless story.” —The Washington PostMrs. Robinson, you’re trying to seduce me. Aren’t you? When The Graduate premiered in December 1967, its filmmakers had only modest expectations for what seemed to be a small, sexy art-house comedy adapted from an obscure first novel by an eccentric twenty-four-year-old. There was little indication that this offbeat story—a young man just out of college has an affair with one of his parents’ friends and then runs off with her daughter—would turn out to be a monster hit, with an extended run in theaters and seven Academy Award nominations. The film catapulted an unknown actor, Dustin Hoffman, to stardom with a role that is now permanently engraved in our collective memory. While turning the word plastics into shorthand for soulless work and a corporate, consumer culture, The Graduate sparked a national debate about what was starting to be called “the generation gap.” Now, in time for this iconic film’s fiftieth birthday, author Beverly Gray offers up a smart close reading of the film itself as well as vivid, never-before-revealed details from behind the scenes of the production—including all the drama and decision-making of the cast and crew. For movie buffs and pop culture fanatics, Seduced by Mrs. Robinson brings to light The Graduate’s huge influence on the future of filmmaking. And it explores how this unconventional movie rocked the late-sixties world, both reflecting and changing the era’s views of sex, work, and marriage.

    An interview with Kieslowsi shortly before his death concludes this tribute.

    Stratton’s definitive history of the making of The Wild Bunch, named one of the greatest Westerns of all time by the American Film Institute.Sam Peckinpah’s film The Wild Bunch is the story of a gang of outlaws who are one big steal from retirement. When their attempted train robbery goes awry, the gang flees to Mexico and falls in with a brutal general of the Mexican Revolution, who offers them the job of a lifetime. Conceived by a stuntman, directed by a blacklisted director, and shot in the sand and heat of the Mexican desert, the movie seemed doomed. Instead, it became an instant classic with a dark, violent take on the Western movie tradition. In The Wild Bunch, W.K. Stratton tells the fascinating history of the making of the movie and documents for the first time the extraordinary contribution of Mexican and Mexican-American actors and crew members to the movie’s success. Shaped by infamous director Sam Peckinpah, and starring such visionary actors as William Holden, Ernest Borgnine, Edmond O’Brien, and Robert Ryan, the movie was also the product of an industry and a nation in transition. By 1968, when the movie was filmed, the studio system that had perpetuated the myth of the valiant cowboy in movies like The Searchers had collapsed, and America was riled by Vietnam, race riots, and assassinations. The Wild Bunch spoke to America in its moment, when war and senseless violence seemed to define both domestic and international life. The Wild Bunch is an authoritative history of the making of a movie and the era behind it.

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    A schoolteacher who killed multiple paramours with cyanide; a mother who trained her daughters to kill children; a thug from the 1800s who slaughtered more than 900 people, a manservant who killed girls and devoured their body parts.If you thought serial killers was a Western phenomenon, think again!These bone-chilling stories in The Deadly Dozen will take you into the hearts and heads of India's most devious murderers and schemers, exploring what made them kill and why?

    "Who will even know that they should be so read?" he complained. Solving this problem in particularly splendid fashion, Oxford is now reissuing the Palliser Novels in an elegantly crafted hard-bound set--with acid-free papers and durable binding--that include the wealth of illustrations that first appeared in the Oxford Illustrated Trollope years ago. Now, a whole new generation of readers can enjoy one of nineteenth-century literature's greatest achievements. While the novels center around the stately politician Plantagenet Palliser, the interest is less in politics than in the lively social scene Trollope creates against a Parliamentary backdrop. His keen eye for the subtleties of character and "great apprehension of the real" impressed contemporary writers from Nathaniel Hawthorne to Henry James, and in the Palliser Novels we find him at his very best. Between the covers of these books we meet a wonderfully rich variety of men and women, among them Alice Vavasor, whose waverings between suitors--and the resulting mess--prompted Trollope to ask Can Your Forgive Her?; the handsome Irish MP Phineas Finn, who grows to maturity as the novels progress; the beautiful enchantress Lizzie Eustace, whose scandalous diamonds are the talk of London high society; Ferdinand Lopez, the unctuous social climber; the elegant and witty Lady Glencora, Plantagenet's wife; and Palliser himself--first as a cabinet aspirant, later as Prime Minister--who is the connecting thread that holds the series together. Along the way we are also introduced to a host of amusing and sharply-drawn characters of less social status who, much like the bumpkins of Shakespeare, offer a distorting yet insightful fun-house mirror to the main action. Nowhere else did Trollope bring to life in such compelling fashion the teeming world of Victorian society and politics, and nowhere else did he create more memorable and living characters than those who populate these six volumes. As a group the Palliser Novels provide us with the most extensive and telling expose of British life during the period of its greatest prestige.

    Set in a rural inn in Yorkshire, three people enter a strange confrontation with the hallmarks of déjà vu, and a physicist attempts to prevent a disaster.

    This volume contains the complete screenplay as well as a behind-the-scenes look at how the Oscar-winning movie was made, by one of its writers, Howard Koch. Charles Champlin, Roger Ebert, Umberto Eco, and others contribute incisive analyses of the movie's timeless appeal, and twenty-five beautifully reproduced stills capture the dramatically charged scenes of this true American classic.