Yet despite dazzling success with the public, it never received its fair share of praise from the critics. Gene Kelly's genius as a performer is there for all to see. What is less acknowledged is his innovatory contribution as director. Peter Wollen has finally done justice to this landmark film. In a brilliant shot-by-shot analysis of the famous title number, illustrated by specially produced frame stills, he shows how skillfully Kelly binds the dance and musical elements into the narrative, and how he successfully combines two distinctive traditions within American Dance, tap and ballet.Scriptwriters Betty Comden and Adolph Green, and indeed Kelly himself, were all under threat from the McCarthyism which menaced Hollywood at this time. The ethos in which the film was conceived could not long survive in the era of blacklisting. Wollen argues convincingly that "Singin' in the Rain" was the high point in the careers of those who worked on it.

    Released in 1958, Hitchcock's masterpiece is a pinnacle of the cinema. Yet in it Hitchcock abandoned his trademark suspense, allowing the central mystery to be solved halfway through. What remained was a study in sexual obsession, as James Stewart's Scottie pursues Madeleine/Judy (Kim Novak) to her death in a remote Californian mission. Novak is ice-cool but vulnerable, Stewart - in the darkest role of his career - genial on the surface but damaged within.

    Its fans tend to be fanatical, congregating at 'Lebowski Conventions' in bowling alleys across American and Britain, and even dressing up as characters from the film. Among the funniest films of the last twenty-five years, and one of the high-water marks of 1990s genre recycling and pastiche, The Big Lebowski is also littered with playful and subversive references to film history, especially to Raymond Chandler's world of hardboiled detective classics and the world of film noir. The Big Lebowski is the rarest kind of film, a comedy whose jokes become funnier with repetition. The same goes for its multitudinous jukebox-like references to other films, many of which open up vistas for intertextual interpretation. Underneath the film's breakneck pacing and foul-mouthed characters, a farcical collection of flakes, losers, and phonies, is a surprisingly humane account of what fools we mortals be. It is one of the oddest buddy films ever made, with extraordinary performances by Jeff Bridges and John Goodman. In this study, The Big Lebowski is set into the context of 1990s Hollywood cinema, anatomised for its witty relationship with the classics which it satirises, and discussed in terms of its key theme: the hopeless flailing of ridiculously unmanly men in the world of discombobulated, mixed-up, or put-on identities that is Los Angeles.

    In this study, Yvonne Tasker explores the way the film weaves together gothic, horror and thriller conventions to generate both a distinctive variation on the cinematic portrayal of insanity and crime, and a fascinating intervention in the sexual politics of genre.

    It has been celebrated for its beauty and mystery, its realistic depiction of space travel and dazzling display of visual effects, the breathtaking scope of its story, which reaches across millions of years, and the thought-provoking depth of its meditation on evolution, technology and humanity's encounters with the unknown. 2001 has been described as the most expensive avant-garde movie ever made and as a psychedelic trip, a unique expression of the spirit of the 1960s and as a timeless masterpiece. Peter Krämer's insightful study explores the complex origins of the film, the unique shape it took and the extraordinary impact it made on contemporary audiences. Drawing on new research in the Stanley Kubrick Archive at the University of the Arts London, Krämer challenges many of the widely-held assumptions about the film. He argues that 2001 was Kubrick's attempt to counter the deep pessimism of his previous film, Dr Strangelove (1964), which culminates in the explosion of a nuclear 'doomsday' device, with a more hopeful vision of humanity's future, facilitated by the intervention of mysterious extra-terrestrial artifacts. This study traces the project's development from the first letter Kubrick wrote to his future collaborator Arthur C. Clarke in March 1964 all the way to the dramatic changes Kubrick made to the film shortly before its release by MGM in April 1968. Krämer shows that, despite – or, perhaps, because of – Kubrick's daring last-minute decision to turn the film itself into a mysterious artifact, 2001 was an instant success with both critics and general audiences, and has exerted enormous influence over Hollywood's output of science fiction movies ever since. The book argues that 2001 invites us to enjoy and contemplate its sounds and images over and over again, and, if we are so inclined, to take away from it an important message of hope.

    This text shows how The Big Sleep signalled a change in the nature of Hollywood cinema, as the director Howard Hawks shot extra scenes, "fun" scenes, to replace the ones in which the murders are explained, and in so doing left the plot unresolved.

    This study analyzes Chinatown in the context of the figure of the detective in literature and film from Sophocles to Edgar Allan Poe and Alfred Hitchcock.

    Here, the author argues that the film is both a quantum leap and a logical step in the director's career, and it's a film that speaks powerfully of contemporary concerns.

    He shows how broad Tarantino's points of reference are, and analyzes the narrative accomplishment and complexity. In addition, Polan argues that macho attitudes celebrated in film are much more complex than they seem.

    No more searching for each of Sir Arthur Conan Doyle's Sherlock Holmes books, you get them all in one book. In addition you get 54 amazing mystery stories by all time great writers, including the Father Brown series and The Man who Was Thursday. The following is included:THE HOUND OF THE BASKERVILLESMR. SHERLOCK HOLMESTHE CURSE OF THE BASKERVILLESTHE PROBLEMSIR HENRY BASKERVILLETHREE BROKEN THREADSBASKERVILLE HALLTHE STAPLETONS OF MERRIPIT HOUSEFIRST REPORT OF DR. WATSONSECOND REPORT OF DR. WATSONEXTRACT FROM THE DIARY OF DR. WATSONTHE MAN ON THE TORDEATH ON THE MOORFIXING THE NETSTHE HOUND OF THE BASKERVILLESA RETROSPECTIONTHE RETURN OF SHERLOCK HOLMESTHE ADVENTURE OF THE ABBEY GRANGETHE ADVENTURE OF BLACK PETERTHE ADVENTURE OF CHARLES AUGUSTUS MILVERTONTHE ADVENTURE OF THE DANCING MENTHE ADVENTURE OF THE EMPTY HOUSETHE ADVENTURE OF THE GOLDEN PINCE-NEZTHE ADVENTURE OF THE MISSING THREE-QUARTERTHE ADVENTURE OF THE NORWOOD BUILDERTHE ADVENTURE OF THE PRIORY SCHOOLTHE ADVENTURE OF THE SECOND STAINTHE ADVENTURE OF THE SIX NAPOLEONSTHE ADVENTURE OF THE SOLITARY CYCLISTTHE ADVENTURE OF THE THREE STUDENTSTHE MEMOIRS OF SHERLOCK HOLMESSILVER BLAZETHE YELLOW FACETHE STOCK-BROKER’S CLERKTHE “GLORIA SCOTT”THE MUSGRAVE RITUALTHE REIGATE PUZZLETHE CROOKED MANTHE RESIDENT PATIENTTHE GREEK INTERPRETERTHE NAVAL TREATYTHE FINAL PROBLEMA STUDY IN SCARLETTHE ADVENTURES OF SHERLOCK HOLMESA SCANDAL IN BOHEMIATHE RED-HEADED LEAGUEA CASE OF IDENTITYTHE BOSCOMBE VALLEY MYSTERYTHE FIVE ORANGE PIPSTHE MAN WITH THE TWISTED LIPTHE ADVENTURE OF THE BLUE CARBUNCLETHE ADVENTURE OF THE SPECKLED BANDTHE ADVENTURE OF THE ENGINEER’S THUMBTHE ADVENTURE OF THE NOBLE BACHELORTHE ADVENTURE OF THE BERYL CORONETTHE ADVENTURE OF THE COPPER BEECHESTHE SIGN OF FOURTHE VALLEY OF FEARHIS LAST BOWTALES OF TERROR AND MYSTERYINNOCENCE OF FATHER BROWNTHE MAN WHO WAS THURSDAY * The Great Valdez Sapphire by Anonymous * The Lost Duchess by Anonymous * The Minor Canon by Anonymous * The Pipe by Anonymous * The Puzzle by Anonymous * The Baron's Quarry by Egerton Castle * The Dream Woman by Wilkie Collins * A Case of Identity by Sir Arthur Conan Doyle * A Scandal in Bohemia by Sir Arthur Conan Doyle * The Red-Headed League by Sir Arthur Conan Doyle * His Wedded Wife by Rudyard Kipling * In the House of Suddhoo by Rudyard Kipling * My Own True Ghost Story by Rudyard Kipling * The Sending of Dana Da by Rudyard Kipling * The Pavilion on the Links by Robert Louis Stevenson * The Fowl in the Pot by Stanley John Weyman * Bourgonef by Anonymous * The Closed Cabinet by Anonymous * The Avenger by Thomas De Quincey * The Haunted House by Charles Dickens * No. I Branch Line: The Signal Man by Dickens * The Haunted and the Haunters by Baron Edward Bulwer Lytton * The House and the Brain by Baron Edward Bulwer Lytton * The Incantation by Baron Edward Bulwer Lytton * Melmoth the Wanderer by Charles Rober Maturin * A Mystery with a Moral by Laurence Sterne * On Being Found Out by William Makepeace Thackeray * The Notch on the Ax by William Makepeace Thackeray * The Nail by Pedro Antonio de Alarcón * The Adventure of the Three Robbers by Lucius Apuleius * Melmoth Reconciled by Honoré de Balzac * The Conscript by Honoré de Balzac * The Deposition by Luigi Capuana * The Invisible Eye by Erckmann-Chatrian * The Owl's Ear by Erckmann-Chatrian * The Waters of Death by Erckmann-Chatrian * An Uncomfortable Bed by Guy de Maupassant * Fear by Guy de Maupassant * Ghosts by Guy de Maupassant * The Confession by Guy de Maupassant * The Horla by Guy de Maupassant * The Man with the Pale Eyes by Guy de Maupassant * The Necklace by Guy de Maupassant * The Miracle of Zobéide by Pierre Mille * Letter to Sura by Pliny, the Younger * The Torture by Hope by Auguste comte de Villiers de L'Isle-Adam * Zadig The Babylonian by Voltaire

    Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan’s most successful film, and one of the top-grossing ‘foreign language’ films ever released.  Set in modern Japan, the film is a wildly imaginative fantasy, at once personal and universal.  It tells the story of a listless little girl who stumbles into a magical world where gods relax in a palatial bathhouse; where there are giant babies and hard-working soot sprites, and where a train runs across the sea. Andrew Osmond’s insightful study describes how Miyazaki wrote, storyboarded and directed Spirited Away with a degree of creative control undreamt of in most popular cinema, using the film’s delightful, freewheeling visual ideas to explore issues ranging from personal agency and responsibility to what Miyazaki sees as the lamentable state of modern Japan.  Osmond unpacks the film’s visual language, which many Western (and some Japanese) audiences find both beautiful and sometimes bewildering.  He traces connections between Spirited Away and Miyazaki’s prior body of work, and provides an account of the film’s production and the creative differences between Miyazaki and his collaborators, arguing that Spirited Away uses the cartoon medium to create a compellingly immersive drawn world.

    A serial killer on a warped moral mission who turns his victims' "sins" into the means of their murder. The movie Seven is analyzed here covering topics such as sin, story, structure, seriality, sound, sight and salvation.

    Illustrated throughout with behind-the-scenes photos.

    Under extreme pressure on a catastrophic location shoot, Universal's 27 year-old prodigy crafted a thriller so effective that for many years Jaws was the highest-grossing film of all time. It was also instrumental in establishing the concepts of the event movie and the summer blockbuster. Jaws exerts an extraordinary power over audiences. Apparently simplistic and manipulative, it is a film that has divided critics into two broad camps: those who dismiss it as infantile and sensational - and those who see the shark as freighted with complex political and psychosexual meaning. Antonia Quirke, in an impressionistic response, argues that both interpretations obscure the film's success simply as a work of art. In Jaws Spielberg's ability to blend genres combined with his precocious technical skill to create a genuine masterpiece, which is underrated by many, including its director. Indeed, Quirke claims, this may be Spielberg's finest work.

    Second only to "Citizen Kane" in work, this film can never be seen as he intended it after being heavily cut by RKO. However, it remains a remarkable picture of dynastic ruin and social change.