She has a good job as a defence attorney, a daughter doing well in school, and even her divorce is relatively civilised - her life is just as unremarkable as she'd always hoped it would be.HIDES A DEVASTATING PASTBut Leigh's ordinary life masks a childhood which was far from average... a childhood tarnished by secrets, broken by betrayal, and finally torn apart by a devastating act of violence.BUT NOW THE PAST IS CATCHING UPThen a case lands on her desk - defending a wealthy man accused of rape. It's the highest profile case she's ever been given - a case which could transform her career, if she wins. But when she meets the accused, she realises that it's no coincidence that he's chosen her as his attorney. She knows him. And he knows her. More to the point, he knows what happened twenty years ago, and why Leigh has spent two decades running.AND TIME IS RUNNING OUTIf she can't get him acquitted, she'll lose much more than the case. The only person who can help her is her younger, estranged sister Calli, the last person Leigh would ever want to ask for help. But suddenly she has no choice...

    A timid spinster in her fifties who still sleeps with teddy bears, Marion does her best to shut out the shocking secret that John keeps in the cellar.Until, suddenly, John has a heart attack and Marion is forced to go down to the cellar herself and face the gruesome truth that her brother has kept hidden.As questions are asked and secrets unravel, maybe John isn't the only one with a dark side.

    I feel bad about how we left it. Love you. But as he’s waiting in the lobby of the L’Hotel Sixieme in Switzerland after an academic conference, still mulling over how to respond to his wife, he receives a string of horrifying push notifications. Washington, DC has been hit with a nuclear bomb, then New York, then London, and finally Berlin. That’s all he knows before news outlets and social media goes black—and before the clouds on the horizon turn orange.Now, two months later, there are twenty survivors holed up at the hotel, a place already tainted by its strange history of suicides and murders. Those who can’t bear to stay commit suicide or wander off into the woods. Jon and the others try to maintain some semblance of civilization. But when the water pressure disappears, and Jon and a crew of survivors investigate the hotel’s water tanks, they are shocked to discover the body of a young girl.As supplies dwindle and tensions rise, Jon becomes obsessed with investigating the death of the little girl as a way to cling to his own humanity. Yet the real question remains: can he afford to lose his mind in this hotel, or should he take his chances in the outside world?

    Or the one that matters most.A claustrophobic thriller set over twenty hours on one airplane flight, with the heart-stopping tension of The Last Flight and the wrenching emotional intensity of Room, Hostage takes us on board the inaugural nonstop flight from London to Sydney.Mina is trying to focus on her job as a flight attendant, not the problems of her five-year-old daughter back home, or the fissures in her marriage. But the plane has barely taken off when Mina receives a chilling note from an anonymous passenger, someone intent on ensuring the plane never reaches its destination. Someone who needs Mina's assistance and who knows exactly how to make her comply. It's twenty hours to landing. A lot can happen in twenty hours.

    It’s the perfect getaway to unplug—and to calm an uneasy marriage. But on Adam’s first day out on the water, he sees Sophie abducted by a stranger. A hundred yards from shore, Adam can’t save her. And Sophie disappears.In a nearby cabin is another couple, Kristen and Connor Moss. Unfortunately, beyond what they’ve heard in the news, they’re in the dark when it comes to Sophie’s disappearance. For Adam, at least there’s comfort in knowing that Mason County detective Lee Husemann is an old friend of his. She’ll do everything she can to help. She must.But as Adam’s paranoia about his missing wife escalates, Lee puts together the pieces of a puzzle. The lives of the two couples are converging in unpredictable ways, and the picture is unsettling. Lee suspects that not everyone is telling the truth about what they know—or they have yet to reveal all the lies they’ve hidden from the strangers they married.

    Which means someone is always lying. When a woman is murdered in Blackdown, a quintessentially British village, newsreader Anna Andrews is reluctant to cover the case. Detective Jack Harper is suspicious of her involvement, until he becomes a suspect in his own murder investigation. Someone isn’t telling the truth, and some secrets are worth killing to keep. His & Hers is a twisty, smart, psychological thriller. A gripping tale of suspense, told by expertly-drawn narrators that will keep readers guessing until the very end.

    But months later Evan is unexpectedly found, frightened and refusing to speak. His loving family realise life will never be the same again.DI Naylor knows that unless those who took Evan are caught, other children are in danger. And with Evan silent, she must race against time to find those responsible...A gripping, heart-wrenching thriller with the emotional power of series like BROADCHURCH and THE MISSING, this is the perfect read for fans of Cara Hunter, Heidi Perks, Claire Douglas, Fiona Barton, Susie Steiner and Nuala Ellwood.

    Nobody. But when neuropsychiatrist Dr. Emma Lewis is invited to assess him, she discovers he does recall something about her own past that no one else knows.

    Two wedding bands. One dead husband.When Anne Wilkes, Eliza Tate, and Penny Sands arrive at book club bearing bottles of wine, none of them are plotting to kill. But when the subject of a philandering husband arises, revenge is in the air. By the end of the night, someone is dead.Two women with rings on their fingers and one with stars in her eyes. All of them are hiding something. All of them are lying. What really happened that night? Only the guilty knows. Did one woman take everything too far, or is the truth really more twisted than fiction?A domestic thriller that will keep you guessing, Three Single Wives is a compelling mystery for book clubs that devoured Samantha Downing, Sandi Jones and Lucy Foley.

    Clara Stowe isn’t in Jake’s line of work and didn’t go to college with him. They have nearly nothing in common apart from a deep and shared certainty that they’ve met before. Despite their best efforts over a probing conversation, both struggle to figure out what circumstances could possibly have brought them together. Then, in a revelation that sends Jake reeling, Clara admits she’s traveling to the Colorado mountains to kill herself, and disappears into the crowded airport immediately after landing.The Dead Girl in 2A is the story of what happens to Jake and Clara after they get off that plane, and the manipulative figure who has brought them together decades after they first met.

    After her husband’s sudden death, the runaway success of the tech company they built with their best friends has become overwhelming. Her nerves are frayed, she’s disengaged, and her frustrated daughter, Shorie, is pulling away from her. Maybe Erin’s friends and family are right. Maybe a few weeks at a spa resort in the Caribbean islands is just what she needs to hit the reset button…Shorie is not only worried about her mother’s mental state but also for the future of her parents’ company. Especially when she begins to suspect that not all of Erin’s colleagues can be trusted. It seems someone is spinning an intricate web of deception—the foundation for a conspiracy that is putting everything, and everyone she loves, at risk. And she may be the only one who can stop it.Now, thousands of miles away in a remote, and oftentimes menacing, tropical jungle, Erin is beginning to have similar fears. Things at the resort aren’t exactly how the brochure described, and unless she’s losing her mind, Erin’s pretty sure she wasn’t sent there to recover—she was sent to disappear.

    They know everything about each other. Or so they believe.Nothing could come between these three best friends . . .Except for a betrayal.Nothing could turn them against each other . . .Except for a terrible past mistake.Nothing could tear them apart . . .Except for murder.

    A beautiful townhouse on the best street in the neighbourhood. Three bright children who are her pride and joy. Sometimes her past still hurts: losing her mother early, growing up in foster care. But her husband, Simon, is always there. A successful surgeon, he’s the envy of every woman they’ve ever met. Flowers, gifts, trips to France: nothing is too good for his family. Then Simon says another woman’s name. The way he lingers on it, Caroline , gives Marianne a shudder of suspicion, but she knows it’s nothing – she can’t entertain this flash of paranoia. In the old days, she’d have distracted herself by excelling at work, but Marianne left her glamorous career when she married. She’d speak to a friend, but she’s too busy with her children and besides, Simon doesn’t approve of the few she has left. It’s almost by accident that Marianne starts to learn more about Caroline. But once started, she can’t stop, because what she finds makes her wonder: is the question she should be asking not ‘should she be jealous’, but... ‘should she be scared?’ Fans of The Girl on the Train and I Let You Go, who are looking for a dark, gripping psychological thriller with a final twist to put their jaw on the floor, will love Our Little Lies.

    With the help of her best friend, she fled New York City for a small resort town, snagged a job as the advice columnist for the local paper, and is cautiously letting a new man into her life. But when Hugh and his perfect new family move into a summer house nearby, Nora backslides. Coping with jealousy, humiliation, and resentment again is as hard as she feared. It’s harder still when Hugh and his wife are shot to death in their home.If only Nora could account for the night of the murders. Unfortunately, her memories have gone as dark as her fantasies of revenge. But Nora’s not the only one with a reason to kill—and as prime suspect in the crime, she’d better be able to prove it.

    Detective Sergeant Manon Bradshaw tries to sleep after yet another soul-destroying Internet date – the low murmuring of her police radio her only solace.Over the airwaves come reports of a missing woman – door ajar, keys and phone left behind, a spatter of blood on the kitchen floor. Manon knows the first 72 hours are critical: you find her, or you look for a body. And as soon as she sees a picture of Edith Hind, a Cambridge post-graduate from a well-connected family, she knows this case will be big.Is Edith alive or dead? Was her ‘complex love life’ at the heart of her disappearance, as a senior officer tells the increasingly hungry press? And when a body is found, is it the end or only the beginning?