I am Daniel Handler, the author of this book. Did you know that authors often write the summaries that appear on their book's dust jacket? You might want to think about that the next time you read something like, "A dazzling page-turner, this novel shows an internationally acclaimed storyteller at the height of his astonishing powers.""Adverbs" is a novel about love -- a bunch of different people, in and out of different kinds of love. At the start of the novel, Andrea is in love with David -- or maybe it's Joe -- who instead falls in love with Peter in a taxi. At the end of the novel, it's Joe who's in the taxi, falling in love with Andrea, although it might not be Andrea, or in any case it might not be the same Andrea, as Andrea is a very common name. So is Allison, who is married to Adrian in the middle of the novel, although in the middle of the ocean she considers a fling with Keith and also with Steve, whom she meets in an automobile, unless it's not the same Allison who meets the Snow Queen in a casino, or the same Steve who meets Eddie in the middle of the forest. . . .It might sound confusing, but that's love, and as the author -- me -- says, "It is not the nouns. The miracle is the adverbs, the way things are done." This novel is about people trying to find love in the ways it is done before the volcano erupts and the miracle ends. Yes, there's a volcano in the novel. In my opinion a volcano automatically makes a story more interesting.

    A department-store supervisor must discipline employees who don’t smile enough at customers, but finds himself unexpectedly drawn to the saddest of them all. A woman reluctantly agrees to buy her daughter a robot pet, then is horrified when her little girl chooses an enormous mechanical spider for a companion. The characters in these stories find that the world they thought they knew has shifted and changed, become bizarre and disorienting, and, occasionally, miraculous. Told with absurdist humor and sweet sadness, Viral is about being lost in places that are supposed to feel like home.

    As Darin Strauss has noted, "Like Bruno Schulz, George Saunders, Donald Barthelme, and no one else I can think of, Greenman has the power to be whimsical without resorting to whimsy." The stories in this new collection, What He's Poised to Do, showcase his wide range, yet are united by a shared sense of yearning, a concern with connections missed and lost, and a poignant attention to how we try to preserve and maintain those connections through the written word.From a portrait of an unfaithful man contemplating his own free will to the saga of a young Cuban man's quixotic devotion to a woman he may never have met; and from a nineteenth-century weapons inventor's letter to his young daughter to an aging man's wistful memory of a summer love affair in a law office; each of these stories demonstrates Greenman's maturity as a chronicler of romantic angst both contemporary and timeless, and as an explorer of the ways our yearning for connection informs our selves and our souls.

    In Susan Perabo's world, nothing can be taken for granted: here, a retired grocer takes up jewel theft in his twilight years; a data processor squanders her inheritance on one of Princess Diana's gowns; a mugging victim feigns amnesia to win back his wife. In the tradition of Lorrie Moore, Susan Perabo's slightly off-center lens looks hard at the banal and the bizarre, and at the human condition, where she finds extraordinary magic within the smallest of gestures. Sharply written and overlaid with a mischievous wit, Who I Was Supposed to Be is an unforgettable homage to laughter, love, and wonder.

    It is rare that an author can capture the complexities of a place as though it were a person, and rarer still that one can reveal a land as dichotomous and fractious as Appalachia—a muse; a siren; a rugged, brutal landscape of exceptional beauty, promise, and suffering—with the honesty and precision of a photograph. "If you haven't heard of the Southern writer Ron Rash, it is time you should" (The Plain Dealer).In Burning Bright, the stories span the years from the Civil War to the present day, and Rash's historical and modern settings are sewn together in a hauntingly beautiful patchwork of suspense and myth, populated by raw and unforgettable characters mined from the landscape of Appalachia. In "Back of Beyond," a pawnshop owner who profits from the stolen goods of local meth addicts—including his own nephew—comes to the aid of his brother and sister-in-law when they are threatened by their son. The pregnant wife of a Lincoln sympathizer alone in Confederate territory takes revenge to protect her family in "Lincolnites." And in the title story, a woman from a small town marries an outsider; when an unknown arsonist starts fires in the Smoky Mountains, her husband becomes the key suspect.In these stories, Rash brings to light a previously unexplored territory, hidden in plain sight—first a landscape, and then the dark yet lyrical heart and the alluringly melancholy soul of his characters and their home.

    This is a world of lost fathers and redemptive con men, of meth tweakers on desperate odysseys and men committing suicide by fishing.In "Thief," an aluminum worker turns unlikely detective to solve the mystery of which of his kids is stealing from the family vacation fund. In "We Live in Water," a lawyer returns to a corrupt North Idaho town to find the father who disappeared thirty years earlier. In "Anything Helps," a homeless man has to "go to cardboard" to raise enough money to buy his son the new Harry Potter book. In "Virgo," a local newspaper editor tries to get back at his superstitious ex-girlfriend by screwing with her horoscope. Also included are the stories "Don't Eat Cat" and "Statistical Abstract of My Hometown, Spokane, Washington," both of which achieved a cult following after publication online.

    Some are darkly humorous—from two mothers exchanging snide remarks through notes in their kids’ backpacks, to the young girl contemplating how best to notify her Facebook friends of her impending suicide—while others are devastatingly poignant—a new mother and funeral singer who is driven to madness with grief for the young black boys who have fallen victim to gun violence, or the teen who struggles between her upper middle class upbringing and her desire to fully connect with black culture.Thompson-Spires fearlessly shines a light on the simmering tensions and precariousness of black citizenship. Her stories are exquisitely rendered, satirical, and captivating in turn, engaging in the ongoing conversations about race and identity politics, as well as the vulnerability of the black body. Boldly resisting categorization and easy answers, Nafissa Thompson-Spires is an original and necessary voice in contemporary fiction.

    From "The First Several Hundred Years Following My Death," an absurd, profound vision of a hellish heaven, to "Winter Elders," in which missionaries calmly and relentlessly pursue a man who has left the fold, these nine stories illuminate the articles of faith that make us human. The concluding triptych tackles the legends and legacy of Mormonism head-on, culminating in "Diviner," a seriocomic portrait of the young Joseph Smith, back when he was not yet the founder of a religion but a man hired to find buried treasure. Godforsaken Idaho is an indelible collection by the writer you need to read next. Named an 'Outstanding 2013 Short Story Collection' by The Story Prize, winner of the PEN/Robert W. Bingham Prize for Debut Fiction, winner of the Pushcart Prize, shortlisted for the William Saroyan International Prize for Writing.

    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.

    War Dances brims with Alexie’s poetic and revolutionary prose, and reminds us once again why he ranks as one of our country’s finest writers.With bright insight into the minds of artists, entrepreneurs, fathers, husbands, and sons, Alexie populates his stories with average men on the brink of exceptional change: In the title story, a son recalls his father’s “natural Indian death” from alcohol and diabetes, just as he learns that he himself may have a brain tumor; “The Ballad of Paul Nonetheless,” dissects a vintage clothing store owner’s failing marriage and courtship of a Puma-clad stranger in airports across the country; and “Breaking and Entering” recounts a film editor’s fateful confrontation with an thieving adolescent.Brazen and wise War Dances takes us to the heart of what it means to be human. The new beginnings, successes, mistakes, and regrets that make up our daily lives are laid bare in this wide-ranging new work that is quintessential.

    Her stories are revered by some of the best American writers of our day, but until now there has been no stand-alone collection of her short fiction.Wait Till You See Me Dance consists of several extraordinary longer stories as well as a selection of intoxicating very short stories. In the chilling “The First Full Thought of Her Life,” a shooter gets in position while a young girl climbs a sand dune. In “Voltaire Night,” students compete to tell a story about the worst thing that ever happened to them. In “Stay Where You Are,” two oblivious travelers in Central America are kidnapped by a gunman they assume to be an insurgent—but the gunman has his own problems.An Unferth story lures you in with a voice that seems amiable and lighthearted, but it swerves in sudden and surprising ways that reveal, in terrifying clarity, the rage, despair, and profound mournfulness that have taken up residence at the heart of the American dream. These stories often take place in an exaggerated or heightened reality, a quality that is reminiscent of the work of Donald Barthelme, Lorrie Moore, and George Saunders, but in Unferth’s unforgettable collection she carves out territory that is entirely her own.

    At a deluxe medical spa on a nameless Caribbean island, a middle-aged woman hopes to revitalize her fading youth with grotesque rejuvenating therapies that combine cutting-edge medical technologies with holistic approaches and the pseudo-religious dogma of Zen-infused self-help. And in a rinky-dink mill town, an adolescent girl is unexpectedly inspired by the ravings and miraculous levitation of her fundamentalist friend’s weird grandmother. These are only a few of the scenarios readers encounter in Julia Elliott’s debut collection, The Wilds. In these genre-bending stories, teetering between the ridiculous and the sublime, Elliott’s language-driven fiction uses outlandish tropes to capture poignant moments in her humble characters’ lives. Without abandoning the tenets of classic storytelling, Elliott revels in lush lyricism, dark humor, and experimental play.

    One is the main course of dinner, another the porn star contracted to copulate in space for a reality TV show. They become futuristic ant farms, get knocked up by the star high school quarterback and have secret abortions, use parakeets to reverse amputations, make love to garden gnomes, go into air conditioning ducts to confront their mother’s ghost, and do so in settings that range from Hell to the local white-supremacist bowling alley.

    Daisy's valentine --A romantic weekend --something nice --An affair, edited --Connection --Trying to be --Secretary --Other factors --Heaven

    "Nightwork" is a masterful dreamwork, revealing with startling clarity the dark and unsettling sexuality that lies just beneath the surface of the mundane.