The new novel by the bestselling author of Hold Tight, this brilliant comedy of manners set among a group of Manhattan sophisticates depicts the friends of a dead filmmaker trying to put their lives back together--a task made more arduous by the young boyfriend he left behind.

    Sarcastic, satiric, violent, and exhilarating, "Tim & Pete" is a fiercely imagined, boldly realized vision of the cultural war raging in the hearts of the disenfranchised and in the streets of America.

    I dreamed he came into my room and sat on my bed.” “And!” Tony’s eyes got wider. Wider than usual.“He talked about lawnmowers.”“And!”“That’s it, he just talked.”Actually, it hadn’t been a dream, not totally. It was one of those half-awake ones where I knew what was going on so I let it run just to see what would happen. We’re all curious…“You ever dreamed about a bloke?” I asked him.“No!” Tony’s eyebrows went dead flat. “Never!”With a denial like that, maybe he had, but he sure as hell wasn’t talking about it.

    the Homo Sapiens Agenda and A. S. King's Still Life with Tornado, this story of parallel time lines cleverly explores how our choices can change and shape us--as well as the ways in which choices don't change the core of our being at all.When Chris Schweitzer takes a hit of whippets and passes out face first on the cement, his nose isn't the only thing that changes forever. Instead of staying home with his friends for the last summer after high school, he's shipped off to live with his famous physicist but royal jerk of a father to prove he can "play by the rules" before Dad will pay for college. Or . . . not.In an alternate time line, Chris's parents remain blissfully ignorant about the accident, and life at home goes back to normal--until it doesn't. A new spark between his two best (straight) friends quickly turns Chris into a (gay) third wheel, and even worse, the truth about the whippets incident starts to unravel. As his summer explodes into a million messy pieces, Chris wonders how else things might have gone. Is it possible to be jealous of another version of yourself in an alternate reality that doesn't even exist? With musings on fate, religion, parallel universes, and the best way to eat a cinnamon roll, Me Myself & Him examines how what we consider to be true is really just one part of the much (much) bigger picture."Wildly ingenious,...altogether, the novel's a winner in this and any other universe." -Booklist, Starred Review"Tebbetts creates entertaining dual narratives...[and] enjoyable Easter eggs." -Publishers Weekly

    A coven of witches secretly controlled by the Wizard Earl of Bothwell has summoned a storm to sink the ship that bears James' bride to Scotland. Though the ship made port, the success of their summoning has emboldened them; the coven is now launching wizardly attacks on the King himself — and James is terrified.But this is not quite the England that we know. The Queen's champion Sir Philip Sidney did not die at Zutphen, nor was poet and spy Christopher Marlowe murdered in a Deptford tavern, and both are powerful magicians, if in different traditions. The Queen must send them north to break the prophecy and save the King of Scots — and England's future.

    Back home, the desert preys on those who cannot conform: an alfalfa farmer on the outskirts of town; two young girls whose curiosity leads to danger; a black politician who once served as his school's confederate mascot; Daley's mother, an immigrant from Armenia; and Daley himself, introspective and queer. Meanwhile, in another desert on the other side of the world, war threatens to fracture Daley's most meaningful - and most fraught - connection to home, his friendship with Robert Karinger.A luminous debut, Desert Boys by Chris McCormick traces the development of towns into cities, of boys into men, and the haunting effects produced when the two transformations overlap. Both a bildungsroman and a portrait of a changing place, the book mines the terrain between the desire to escape and the hunger to belong.

    All he wants is to study hard, play basketball, and pretend he’s straight for one more year. Then, he can run away to university and finally tell the world he’s bisexual. And by “the world,” he means everyone but his mom and best friend. That’s two conversations he never wants to have.When he’s talked into auditioning for the school’s production of Hamlet, Julian fears that veering off course will lead to assumptions he’s not ready to face. Despite that, he can’t help but feel a connection to this play. His absent father haunts him like a ghost, his ex is being difficult, and he’s overthinking everything. It’s driving him crazy.The decision to audition leads Julian on an entirely different path. He’s cast as Hamlet, and the boy playing Horatio is unlike anyone Julian has met before. Mysterious and flirtatious, Sky draws Julian in, even though he fears his feelings at the same time. As the two grow closer, Julian begins to let out the secrets he’s never told—the ones that have paralyzed him for years. But what will he do if Sky feels the same way?

    Here, National Book Award winner Paul Monette depicts three men of various economic and social backgrounds, all with one thing in common: They are widowers, in a way, and all of their lovers died of AIDS in an LA hospital within a week of one another.Steven, Sonny, and Dell meet weekly to discuss how to go on with their lives despite the hanging sword of being HIV positive. One tries to find a semblance of normalcy; one rebels openly against the disease, choosing to treat his body as a temple that he can consecrate and desecrate at will; and one throws himself into fierce political activism. No matter what path each one takes, they are all searching for one thing: a way to live and love again.Afterlife finds Paul Monette at his most autobiographical, portraying men in a situation that he himself experienced, and one that he described to critical acclaim in the award-winning Borrowed Time: An AIDS Memoir.

    Rimbaud, the delinquent symbolist prodigy, is deserted by his lover Verlaine time and time again. Airplane takes a job dancing at Fun City, the seventh tier of the sex industry, in order to support her good-for-nothing boyfriend. And Capitol feels alive only when she's having sex with her brother, Quentin. In Memoriam to Identity is at once a revelatory addition to, and an irreverent critique of, the literature of decadence and self-destruction.

    Not only is he different but his wife, sister, brother, and best friend have changed.The only thing they have in common are their secrets and their need to hide them. They soon find out that all things will be brought to light… one way or another.This is the Complete First Season of the Best Selling Saga What's Done in the Dark.(27,136 Words) Revised Edition

    Ezekiel Murphy, a black West Indian immigrant, takes up a new job as an attendant in a large London lavatory. The supervisor, Josiah Reynolds, and another West Indian, Jason, explain to him that one of the main problems they face is the amount of casual sex that takes place in the cubicles. They are under pressure from the council authorities to reduce such behaviour and expect Ez to help them in 'cleaning out the swamp'. Each of the protagonists brings his own moral assumptions to the problem. Ez, a devout Adventist, is shocked by such revelations. Jason believes that this kind of sex occurs because 'Whitey' is inherently corrupt. Reynolds, having been warned by the council that their Gents has always had a bad reputation, takes a more pragmatic view of the problem and is concerned to prevent such sexual encounters in case the council attempts to close the establishment down. A determined campaign by the three attendants effectively reduces the furtive activity in the cubicles, but the turnstile takings also fall by forty percent. The council argues that, in view of the reduction in revenue, the urinal is no longer worth the cost of keeping it open. Ez, Reynolds and Jason, their future employment prospects in jeopardy, must take a fresh look at their job and themselves.

    A Lonely Hearts ad in Time Out may not have promised much, but a detailed letter from an Australian called Drew marked the beginning of a relationship. April 1994 Drew was diagnosed with skin cancer. Three months later he died. This is their story.

    Louise, the indomitable matriarch, has had cancer for twenty years. Her son Danny, a lawyer, lives in a New Jersey suburb with his lover Walter, who is slowly growing obsessed with on-line sex; her daughter April is a lesbian activist and folk singer, who knows how to perform a do-it-yourself artificial insemination using basic kitchen utensils. As Louise battles the slow withdrawal of her husband and the ravages of her disease, and as the entire Cooper family struggles to come to terms with her illness, David Leavitt reveals the profound depth and compassion of his narrative command. "Leavitt has written from the point of view of a raging, self-dramatizing mother with clarity and with such compassion that we understand her bitterness and mourn her lost chances.” –– The New York Times Book Review

    For 15-year-old Sam, a wanna-be punk rocker who writes bad haiku poetry, his middle-class suburban life feels like a prison. Mistaking lust for fate, Sam becomes obsessed with Clay, a 17-year-old surfer, outwardly cool but equally adrift. The violence and tumult of Clay's search for identity propels him, with desperately confused Sam in his wake, through the hardest decisions and obstacles of their young lives.24-year-old Blair Mastbaum graduated from the University of California, Berkeley, with a degree in fine arts. He was a fashion model for six years, and now lives in Beverly Hills, where he is hard at work on his second novel.

    One of the most popular wrestlers of the late 1990s, Kanyon kept his personal life private from his fans until finally revealing his biggest secret in 2004: he was gay. Going through the various roles that Kanyon played, both in the ring and out of it, as well as his battle with manic depression, this book explores the factors that led to his suicide in 2010. In his voice and the way he wanted it told, these are Kanyon’s last words about his experience rising through the ranks to the top of the professional wrestling world while keeping his sexuality hidden.