Johan Eschbach, professor at a small college in the northeast and secret agent for the government of Columbia. This is an alternate history world shaped by the fact that ghosts are not mere superstition but have a literal physical reality--and political implications--because your crimes can haunt you, and the ghosts of your crimes are visible to others.Here are two adventures--Of Tangible Ghosts and Ghost of the Revelator--that bring Johan Eschbach out of his retirement and happy marriage in northern New Bruges and into danger and intrigue. This edition includes a new afterword by the author explaining the history of this fascinating alternate world.

    That is, until Jamie makes a delivery to an old acquaintance, Tom, who works at what he calls "an animal rights organization." Tom's team needs a last-minute grunt to handle things on their next field visit. Jamie, eager to do anything, immediately signs on.What Tom doesn't tell Jamie is that the animals his team cares for are not here on Earth. Not our Earth, at at least. In an alternate dimension, massive dinosaur-like creatures named Kaiju roam a warm and human-free world. They're the universe's largest and most dangerous panda and they're in trouble.It's not just the Kaiju Preservation Society that's found its way to the alternate world. Others have, too--and their carelessness could cause millions back on our Earth to die.

    However, Patience, the latest Magdalena, has seen through the hypocrisy of her masters and struck out on her own. When her old mentor comes to her with a mission to prevent Armageddon, will she be able to resist the call? From writer Ron Marz (Witchblade, Angelus) and the art team of Pilot Season: Murderer, Nelson Blake II, Sal Regla, and Dave McCaig. Featuring covers by Ryan Sook (Wednesday Comics)!

    Then to begin the ruination of your much anticipated weekend the grating tone of the Emergency Alert System flashes over the radio, then promptly dies.This is the beginning of a 250 mile odyssey for Morgan Carter. Morgan works on the road and finds himself far from home when his car dies, as well as his Blackberry and every other piece of electronics he has. With no idea what has occurred he reluctantly finds himself on shanks’ mare carrying that ridiculous pack that everyone made fun of him for keeping in the car. Morgan has to find his way across the state of Florida, from Tallahassee to the heart of the state in Lake County.Along his way he has to seek out food, water and shelter where he can, not to mention keeping himself from being killed by any number of now scared and desperate people. During his travels he will try and help where he can, but that can turn out to be a costly mistake. We live in a wonderfully modern society where anything we want is a mouse click away. The lights come on with the flip of a switch and even a child can turn on the faucet at the sink and water always comes out. But what if it all went away?Could you face what Morgan faces, could you make the decisions he has to make? Life and sometimes death in the blink of an eye, could you do it?

    The Familiar (Volume 1) ranges from Mexico to Southeast Asia, from Venice, Italy, to Venice, California, with nine lives hanging in the balance, each called upon to make a terrifying choice. They include a therapist-in-training grappling with daughters as demanding as her patients; an ambitious East L.A. gang member contracted for violence; two scientists in Marfa, Texas, on the run from an organization powerful beyond imagining; plus a recovering addict in Singapore summoned at midnight by a desperate billionaire; and a programmer near Silicon Beach whose game engine might unleash consequences far exceeding the entertainment he intends. At the very heart, though, is a twelve-year-old girl named Xanther who one rainy day in May sets out with her father to get a dog, only to end up trying to save a creature as fragile as it is dangerous . . . which will change not only her life and the lives of those she has yet to encounter, but this world, too—or at least the world we think we know and the future we take for granted.(With full-color illustrations throughout.)

    Contents:7 · Foreword · fw 11 · The Spider · ss Rogue Jan ’63 24 · Monsters and Monster Lovers · ar Fantastic Mar ’65 37 · A Hitch in Space · ss Worlds of Tomorrow Aug ’63 48 · Hottest and Coldest Molecules · ar Science Digest Mar ’52 52 · Kindergarten · vi F&SF Apr ’63 55 · Those Wild Alien Words: I · ar * 64 · Crazy Annaoj · ss Galaxy Feb ’68 70 · Debunking the I Machine · ar, 1949 72 · When the Last Gods Die · ss F&SF Dec ’51 79 · King Lear · ar, 1934 85 · Yesterday House · nv Galaxy Aug ’52 115 · After Such Knowledge · ar, 1974 118 · Knight to Move [“Knight’s Move”; Change War] · ss Broadside Dec ’65 128 · Weird World of the Knight [“Topsy-Turvy World of the Knight”] · ar California Chess Review Jan ’60 131 · To Arkham and the Stars · ss The Dark Brotherhood and Other Pieces, Sauk City: Arkham House, 1966 143 · The Whisperer Re-Examined · ar Haunted Dec ’64 148 · Beauty and the Beasts [Fafhrd & Gray Mouser] · vi * 151 · Masters of Mace and Magic · br 157 · Cat’s Cradle · ss *

    Or at least it didn't, not until he awoke from a forced five-year slumber to discover that most of human civilization was now dead-but not dead like him, oh no.See, Coburn likes blood. The rest of the walking dead, they like brains. He’s smart. Them, not so much. But they outnumber him by about a million to one. And the clotted blood of the walking dead cannot sustain him. Now he’s starving. And nocturnal. And more pissed-off than a bee-stung rattlesnake. The vampire not only has to find human survivors (with their sweet, sweet blood), but now he has to transition from predator to protector-after all, a man has to look after his food supply.

    Despite the warnings, Aenarion rides out upon his dragon Indraugnir to seek the prize in order to save his homeland of Ulthuan. The journey is fraught with danger, and Aenarion must confront daemons, spirits and the elemental forces of nature itself if he is to succeed. But in drawing the blade from the Black Anvil, he will unleash the ancient and malevolent force that will tear the elven race apart.The events in this story form the underpinnings of the entire Warhammer mythos. What Aenarion does here changes the face of the world in ways that won't be resolved until the End Times themselves...This story is also available in the anthology Age of Legend.

    There are 12 pieces in all here, ranging from those first published in places like Interzone and Pulphouse to a two-page poem taken from the pages of Asimov's. Although many readers may be familiar with Hand's longer works, such as Glimmering or Waking the Moon, here she shows that she's a master of short fiction as well. Her stylish prose and keen insights make for some wonderful stories. --Craig E. EnglerContents:Last Summer at Mars Hill (1994)The Erl-King (1993)Justice (1993)Dionysus Dendrites (1993) poemThe Have-Nots (1992)In the Month of Athyr (1992)Engels Unaware (1992)The Bacchae (1991)Snow on Sugar Mountain (1991)On the Town Route (1989)The Boy in the Tree (1989)Prince of Flowers (1988)

    Who guides our fate? And can we ever hope to wrest control for ourselves? In this novella, "The Loom of Thessaly" , classical mythology merges with impudent modern spirit into a science fiction legend that speculates upon the nature of reality.

    Inside that box is a door. Beyond that door is a house. In some rooms forests grow. In some, prisoners wait. At the top of the house, a prisoner sits behind a locked door waiting for a key to turn. The day that happens, the world will end...

    Humanity seems lost. The Zombies have taken over. But the crew of Sassafras and True North aren't about to just kneel down and take it.

    This limited edition hardback version collects two new World of Warcraft novellas from the point of view of the Alliance (Elegy, by Christie Golden) and the Horde (A Good War, by Robert Brooks). These two tales explore the Horde and the Alliance versions of a fateful event, but only you can decide which faction tells it best. Each story includes original artwork exclusive to this edition.

    

    Something has murdered Saul Garamond's father, and left Saul to pay for the crime.But a shadow from the urban waste breaks into Saul's prison cell and leads him to freedom. A shadow called King Rat, who reveals Saul's royal heritage, a heritage that opens a new world to Saul, the world below London's streets--a heritage that also drags Saul into King Rat's plan for revenge against his ancient enemy,. With drum 'n' bass pounding the backstreets, Saul must confront the forces that would use him, the forces that would destroy him, and the forces that shape his own bizarre identity.