Will the difference in their social status manage to keep them apart? The Duke of My Heart Iris has it all. But when her father dies, she has to get married. Her plan is born. She and Daisy switch places but one night can change everything. Annabelle Enchants the Rejected Earl Annabelle's life changes when she's to marry the cruel Lord Watson. But she's fallen for Floyd, the caring, enigmatic stable boy. Or so she thinks of it... Inspirational romances that will warm your heart! If you love clean and wholesome, Regency romances with a strong woman heroine, and a decisive male character, then this collection is for you! *These are clean, stand-alone romances. Each book in the series is approximately 90.000 words (around 450 pages). No cheating, no cliffhangers, and a sweet happily ever after. Get this book for free with Kindle Unlimited!

    Madilynn almost wishes she hadn't when it reveals she is a descendant of a fairy tale, and her parents tell her it's time for her to attend Lost Time Academy.
 Being thrown into a world that is literally full of fairy tales, the last thing she expects is to see the four guys she grew up with.
Four guys who have grown from boys to now geeky, dark, passionate men who rule the Academy…and they never forgot Madilynn. 
Time makes all tales come true, including the dark ones.
 Reverse harem & 17+ Contains exclusive bonus story and- Tales & Time Tales & Dreams Tales & Darkness Past Tales (Exclusive Bonus Story)

    The development of this school was largely due to Mme. Vaganova (1879–1951), not only a great dancer but also the teacher of Galina Ulanova and many others and an unsurpassed theoretician.The principles of Vaganova's system are presented in this well-known book. Mme. Vaganova's aim of creating a personal approach to the Russian dance was based on the critical assimilation of the experience of her contemporaries. Her ability to choose the best of what had been accomplished in the various ballet traditions (French, Italian, and Russian) and combine these into a unified teaching practice in itself amounted to a new school of dance. She firmly believed that the teaching process should be a planned exercise, ever changing with innovations in the dance. She sought from her pupils emotional expressiveness, strictness of form, a resolute, energetic manner of performance, and the understanding of the underlying coordination of movements.Her book discusses all basic principles of ballet, grouping movements by fundamental types. Chapters cover battements, rotary movements of the legs, the arms, poses of the classical dance, connecting and auxiliary movements, jumps, beats, point work, and turns as well as material for a sample lesson. Diagrams show clearly the exact foot, leg, arm, and body positions for the proper execution of many steps and movements. The result is a fundamental theory of dance that offers dancers, teachers, and ballet lovers information often difficult to locate in other books. 118 illustrations.

    Teacher's organizations would do well to consider the use of Miss Grant's Technical Manual as an official textbook." — Dance MagazineTeacher recommended, Gail Grant's Technical Manual has long been one of the most popular and effective ballet reference guides. Completely revised and updated, this third edition is virtually a new work and should be owned by every student, dance teacher, choreographer, and ballet enthusiast — even those who purchased the second edition. Extensive revision, expansion, and the inclusion of more than 300 new terms have added immeasurably to the value of this concise, definitive manual.Moving from "abstract ballet" and "adage, adagio" to "working leg" and "wrapped position," the book fully describes and defines over 1,100 ballet steps (saul de chat, jeté enveloppé, failli, entrechat six, etc.), movements and poses (arabesque, épaulement, attitude, en arrière, retiré, à terre, dégagé, etc.), and other expressions and concepts. For each, first a phonetic transcription is provided, then a literal translation, and finally an explanation of how the step is performed, the pose captured, or the movement executed, of how the concept fits in with actual ballet dancing, or of the purpose or function of the idea. A pronunciation guide, cross-references to alternate names for similar steps and positions that vary from the Russian to the French or Italian schools, and a bibliography are all invaluable aids.But the most important supplement is the 15-page pictorial section, drawn by the author, who is both a successful ballet teacher and dancer. Keyed to the dictionary (and vice-versa), these diagrams show clearly the exact foot, leg, arm, and body positions for the proper execution of many of the more common ballet steps and movements. This essential and easy reference is a must for every teacher, aspiring dancer, and ballet class.

    So an actor needs precise exercise and clear understanding to liberate his hidden possibilities and to learn the hard task of being true to the `instinct of the moment'. As her book points out with remarkable persuasiveness `technique' as such is a myth, for there is no such thing as a correct voice. There is no right way—there are only a million wrong ways, which are wrong because they deny what would otherwise be affirmed. Wrong uses of the voice are those that constipate feeling, constrict activity, blunt expression, level out idiosyncrasy, generalize experience, coarsen intimacy. These blockages are multiple and are the results of acquired habits that have become part of the automatic vocal equipment; unnoticed and unknown, they stand between the actor's voice as it is and as it could be and they will not vanish by themselves. So the work is not how to do but how to permit: how, in fact, to set the voice free. And since life in the voice springs from emotion, drab and uninspiring technical exercises can never be sufficient. Cicely Berry never departs from the fundamental recognition that speaking is part of a whole: an expression of inner life…. After a voice session with her I have known actors speak not of the voice but of a growth in human relationships. This is a high tribute to work that is the opposite of specialization. Cicely Berry sees the voice teacher as involved in all of a theatre's work. She would never try to separate the sound of words from their living context. For her the two are inseparable. —from Peter Brook's foreword to Voice and the Actor

    This story takes you behind the closed and guarded gates of a military station, giving you a fat-piece of the grand and mysterious life of the Indian Army Wifes.“An Army wife is probably the only woman in the world whoknows and readily accepts that she is the mistress, because, let’sface it, the Army is the wife and the wife gets all the damnattention!” Pia is a regular, civilian girl with no connection to Army whatsoever. Then she marries Arjun, an Indian Army Officer. For Pia, regular life is a thing of the past. She is now an Army wife. From ‘just Pia’ to an Aunty, a memsaab and – her favorite words in the whole wide world – Mrs Pia Arjun Mehra. At twenty six, Pia finds herself having to suddenly be more ‘lady-like’; focus on themed ladies’ meets, high teas and welfare functions; and deal with long (unexpected) separations from her husband, extraordinary challenges, a little heartache, and, well, growing up. In the mysterious and grand world of Army wives, Pia learns that walking in high heels is okay as long as you don’t trip on combat boots. She learns that ‘civil’ is also a noun, that JCO and GOC are (very!) different, that snacks are ‘shown’ and WTF is better explained as Whiskey Tango Foxtrot. Yes, it really is a new world! Let this quirky, hilarious story of the first year of Pia’s Army-wife life show you that the spice to a soldier’s life is most definitely his better, very strong, bloody extremely elegant, never-cussing, witty, warm and passionate half, his Army wife.

    Then the desperados came. They raped her and killed her husband, leaving her for dead. But she hunted them down and, along the way, found an inner strength and relentless determination that no man can match. Ellie thought the killing was over...that she'd put her guns away for good to run a ranch that she'd inherited from a legendary Texas Ranger. She was wrong. TEXAS VIGILANTE A prison wagon is on its way to Huntsville when one of the prisoners, ruthless killer Angel Ware, engineers a bold escape. Now free, and blaming his sister Sue for his arrest, Angel and a gang of three other escaped murderers track her and her family down to Ellie's ranch. Angel and his gang mount a bloody attack and take Sue's young child with them. There's a posse on its way, but Ellie Taine isn't going to wait. She saddles her horse and loads her guns, prepared to enforce the only justice she can rely on...her own. "As clean and sharp as a fine Bowie knife. Crider's prose slices through conventions and expectations," -Booklist

     here's how it is The audience is half empty, I spend zero time onstage, my dad's midlife crisis is about to ruin the playhouse...and my family. Junebug dreams of being a leading lady someday. A serious actress, a stage actress, a real actress. And it should be easy for her to get her start -- her parents own the Blue Moon Playhouse, after all, and her dad performed on Broadway (once). But the truth is, at (almost) thirteen, she's not even a supporting actress or a stand-in or an understudy or even a child actor has-been. In the current Blue Moon production, her role is this: thunder, props...and stagehand (gopher, actually). And lately it seems like maybe the stagehand mindset -- go unnoticed, don't say a word -- is rubbing off on Junebug's personality. She's starting to feel as though her opinions never count, her worries aren't taken seriously, that she's becoming the ultimate stagehand: invisible. And that's not a role she's happy with. From author and former playhouse insider Heather Henson comes a novel about growing up, standing out, and what it means to live your life just outside of the spotlight.

    Written for the musician, to reflect on and approach an old problem or a new problem with a different lens, this book is applicable to any performer who faces challenges with tension, a creative rut, lack of confidence, and more.

    At first, the new doctor cures anything

    From Audra McDonald to Liza with a "Z," this is a rythmic alphabet book featuring your favorite leading ladies of the Broadway stage!Start with "A" for six-time Tony Award winner Audra McDonald, then sing and dance your way through the alphabet with entertainers like Carol Channing, Angela Lansbury, Patti LuPone, Bernadette Peters, Chita Rivera, Lea Salonga, and Liza Minnelli!

    Somerset Maugham’s “Before the Party” is a novelette first published in the December 1922 edition of “Nash’s Magazine.” After the death of her husband, an alcoholic colonial administrator in Borneo, Millicent returns to England to live with her parents and sister. Did Millicent’s husband die of a fever, as Millicent claims, or was his throat cut? And if the latter, was it suicide or homicide?Sample passage:Mrs. Skinner had thought it very peculiar that her daughter should have no photographs of Harold in her room. Indeed she had spoken of it once, but Millicent had made no reply. Millicent had been strangely silent since she came back from Borneo, and had not encouraged the sympathy Mrs. Skinner would have been so willing to show her. She seemed unwilling to speak of her great loss. Sorrow took people in different ways. Her husband had said the best thing was to leave her alone. The thought of him turned her ideas to the party they were going to.About the author:W. Somerset Maugham (1874-1965) was a British novelist, short-story writer, and playwright. Notable novels are “Of Human Bondage,” “The Moon and Sixpence,” and “The Razor’s Edge.”

    He was also the cocomposer of Disney’s Moana and is the star of the upcoming film, Mary Poppins Returns, with Emily Blunt. His creativity appeals to children and adults alike and he has already won a Tony, Emmy, Grammy, and a Pulitzer Prize for his work. Learn all about how he grew up and the things he’s accomplished so far in this Level 3 Ready-to-Read that’s perfect for beginning readers. A special section at the back of the book includes extras like the history of Puerto Rico and how to write a play. With the You Should Meet series, learning about historical figures has never been so much fun!

    Ever been racially slurred in the sack? Ever been subjected to strangers yelling at you at 3am about the most intimate details of your life? Ever been to New York? Six characters from wildly different backgrounds make love, war and hysteria late one night in the cultural, sexual and generational smorgasbord that is Manhattan.

    When overnight success came to the Pointer Sisters in 1973, they all thought it was the answer to their long-held prayers. While it may have served as an introduction to the good life, it also was an introduction to the high life of limos, champagne, white glove treatment, and mountains of cocaine that were the norm in the high-flying '70s and '80s. Ruth Pointer’s devastating addictions took her to the brink of death in 1984. Ruth Pointer has bounced back to live a drug- and alcohol-free life for the past 30 years and she shares how in her first biography. Readers will learn about the Pointer Sisters’ humble beginnings, musical apprenticeship, stratospheric success, miraculous comeback, and the melodic sound that captured the hearts of millions of music fans. They will also come to understand the five most important elements in Ruth’s story: faith, family, fortitude, fame, and forgiveness.