Fueled by jealousy and resentment, the girls embark on a night of debauchery that goes from playfully wasted to devastatingly destructive. Their old fears, unfulfilled desires and deep bonds with each other transform a prenuptial bender into a night they'll never forget. A wicked black comedy about female friendship and growing up in an age of excess.

    Desperate to reconnect with his long-estranged daughter, he reaches out to her, only to find a viciously sharp-tongued and wildly unhappy teen. Big-hearted and fiercely funny, The Whale tells the story of a man's last chance at redemption, and of finding beauty in the most unexpected places.

    When the struggling writer was asked to take over the unpaid, anonymous position of advice columnist, Strayed used empathy and her personal experiences to help those seeking guidance for obstacles both large and small. Tiny Beautiful Things is a play about reaching when you’re stuck, healing when you’re broken, and finding the courage to take on the questions which have no answers.

    "A brave and breathtaking musical."--The New York Times

    Her mother, Nancy, retreats into a state of frozen hope. Agnetha, an academic, comes to England to research a thesis entitled Serial Killings: A Forgivable Act? Then there's Ralph, a loner with a bit of a record who's looking for some distraction . . . Drawn together by horrific circumstances, these three embark upon a long, dark journey that finally curves upward into the light.

    They live alone with their dog Taliban, playing Playstation, watching porn; surviving. Occasionally their chaotic mum Maggie visits, sometimes she passes out on the front lawn. But when Jenny knocks on the door, the boys discover a world far beyond what they know, a world full of love, possibility and danger.

    The show's unconventional structure consists of Cathy, the woman, telling her story backwards while Jamie, the man, tells his story chronologically; the two characters meet only once, at their wedding in the middle of the show.Jason Robert Brown won Drama Desk Awards for the music and the lyrics after the Off-Broadway premiere in 2002 starring Norbert Leo Butz and Sherie Rene Scott. The show has since been produced at almost every major regional theater in the U.S., and has been seen in Korea, Japan, the Philippines, Germany, Italy, Canada, Spain, and the UK.

    Yet Steven Adly Guiguis has created a profane, hilarious masterpiece that earned a "hatful" of theatrical accolades in 2011, including a Drama Desk award for Outstanding Actor in a Play for Bobby Cannavale. Stars the original Broadway cast: Chris Rock, Bobby Canavale, Annabella Sciorra, Elizabeth Rodriguez and Yul Vazquez.

    His hero-worshipping friend Warren has just impulsively stolen $15,000 from his father, an abusive lingerie tycoon. When Jessica, a mixed-up prep school girl, shows up for a date, Warren pulls out a wad of bills and takes her off, awkwardly, for a night of seduction. A wildly funny, bittersweet, and moving story, This Is Our Youth is as trenchant as it was upon its acclaimed premiere in 1996.

    Someone - or something - is leaving bite marks in the avocados, Clay and Kelly's little daughter has an itch, and Carol can't remember who played Gandhi. This work takes a look at phoney liberal values.

    . . [Mart] Crowley's point is about how the humor is shaped and defined by the pain."-The New York TimesThe Boys in the Band was the first commercially successful play to reveal gay life to mainstream America. Alyson is proud to release a special fortieth anniversary edition of the play, which includes an original preface by acclaimed writer Tony Kushner (Angels in America), along with previously unpublished photographs of Mart Crowley and the cast of the play/film.Mart Crowley's other plays include the autobiographical A Breeze from the Gulf (1973) and The Men from the Boys (2002).

    Meanwhile, his daughter has a lesbian affair with one of his prostitutes downstairs. This translation debuted at Show World in Times Square in 1999 and "set Show World aflame" according to the Village Voice.

    The first scene of the play is a conversation between two lovers, Tommy and Donna, who broke up some time earlier but who are obviously still attracted to each other. Donna is enraged because Tommy, a would-be artist, is now having an affair with her younger sister, but Tommy, stretched out on his recliner (which, apart from a refrigerator full of beer, comprises the entire furnishings of his spartan apartment), is seemingly unmoved by her harangue. In the second scene Donna visits her father, a once successful artist who stopped painting at the death of his wife, whom he had bullied and betrayed despite his professed love for her. Combative and complex (but also very funny) the father sits and drinks and eventually gives in to his daughter's demand that he force Tommy to marry her or beat him up. Then, in the third and final scene, the father and Tommy confront each other, with results that are sometimes menacing, sometimes antic, with a lively discussion about art and women eventually leading to a sort of tenuous truce—and a grudging recognition of the responsibility that love, in its various guises, imposes.

    Its fourteen-year-old heroine Wendla is killed by abortion pills. The young Moritz terrorized by the world around him and especially by his teachers shoots himself. The ending seems likely to be the suicide of Moritz's friend Melchior but in a confrontation with a mysterious stranger (the famous Masked Man) he finally manages to shed his illusions and face the consequences.

    Not on this earth but elsewhere . . .Determined to make his mark like those before him, Pharus is hell-bent on being the best choir leader in the school's fifty-year history. First he must gain the respect of his peers, but he's an outsider in a world steeped in rites and rituals, a community that demands he conform.Tarell Alvin McCraney's piercing new play set in an all boys, all black American prep school scores a gospel refrain of the politics of minority and masculinity.Choir Boy premiered at the Theatre Upstairs at the Royal Court, London, in September 2012. It was commissioned by, and is a co-production with Manhattan Theatre Club and was supported by The Andrew W. Mellon Foundation.