Sally De Rooze is almost thirty. She survived the accident that killed her father and brothers. Her mother never forgave her for that. But she survived her mother too. Surviving is what she does best. Farmer Ross Bertram, who offers her his acres and safety, is the answer for a while. Until he starts pushing for a wedding. Sally wants ... wants more. Wants to know great love. Wants to find herself. One year. That's what she wants. One year of freedom in the big, bad city. Her survival skills are tested in the urban sprawl and she discovers more about herself than she had ever dared to imagined.

    Jackson Plummer quickly becomes the cure to Christina's loneliness and a surrogate father to her young daughter Bianca.When Jackson suggests moving to a run-down farm in the mountains, Christina is uncertain about uprooting their lives in the city. She soon forgets her hesitation, absorbing herself in restoring the rambling century-old house, Bartholomews Run, and becoming obsessed with solving its mysterious history.But while living on the isolated farm, her once effervescent child transforms into a quiet sullen teenager and Christina increasingly struggles to connect with her.Because Bianca has a secret. And the monstrous truth threatens to destroy them all.Poignant and thought-provoking, The Making of Christina will have you questioning how well you know the people you love, the price of truth, and how easily it could happen to you.

    Two photographers document a nation’s guilt in pictures of its people’s hands. An underground club in Western Australia plays jazz to nostalgic patrons dreaming of America’s Deep South. A young woman struggles to define herself among the litter of objects an ex-lover has left behind. In short vignettes and longer stories, Josephine Rowe explores the idea of things that are left behind: souvenirs, scars, and prejudice. Rowe captures everyday life in restrained poetic prose, merging themes of collective memory and guilt, permanence and impermanence, and inherited beliefs. These beautifully wrought, bittersweet stories announce the arrival of an exciting new talent in Australian fiction.

    With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion—and the lack thereof. Broadway premiere, under the direction of the playwright, in fall 2012 starring Patti LuPone and Debra Winger.David Mamet is a playwright, director, author, essayist, screenwriter, and film director. His plays include Glengarry Glen Ross, Speed-the-Plow, American Buffalo, A Life in the Theatre, Oleanna, The Cryptogram, and Race.

    Overseas, war is raging in Vietnam, Civil Rights marches are on the streets, and women’s liberation is stirring – but at home in Corrigan Charlie Bucktin dreams of writing the Great Australian Novel. Charlie’s 14 and smart. But when 16-year-old, constantly-in-trouble Jasper Jones appears at his window one night, Charlie’s out of his depth. Jasper has stumbled upon a terrible crime in the scrub nearby, and he knows he’s the first suspect – that goes with the colour of his skin. He needs every ounce of Charlie’s bookish brain to help solve this awful mystery before the town turns on Jasper. Kate Mulvany’s adaptation of Craig Silvey’s award-winning novel is wise and beautiful. A coming-of-age story, Jasper Jones interweaves the lives of complex individuals all struggling to find happiness among the buried secrets of a small rural community.Whether you know the book or not, this piercing adaptation is very much worth seeing for the way it depicts – and shows ways across – some of the deep and enduring divides in our society." - Jason Blake SMH

    She is a successful writer, he is a revered columnist. They have a perfect understanding of each other. Until a pushy young female journalist—on assignment to profile Gus—quite deliberately seeks to undermine that understanding. The fallout is dreadful—but beautifully and convincingly portrayed in all its painful consequences.

    It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.Undoubtedly one of Australia's favourite plays, the One Day of the Year explores the universal theme of father-son conflict against the background of the beery haze and the heady, nostalgic sentimentality of Anzac Day. It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.

    This sidesplitting play, a testimony to David’s great writing talent, is also his first time on Broadway—in fact, his first time acting on stage since eighth grade. In Fish in the Dark Larry David stars as Norman Drexel, a man in his fifties who is average in most respects except for his hyperactive libido. As Norman and his family try to navigate the death of a loved one, old acquaintances and unsettled arguments resurface with hilarious consequences.Fish in the Dark has its world premiere at the Cort Theatre on Broadway on March 5, 2015, starring Larry David.

    The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.

    In Autobahn, Neil LaBute's provocative new collection of one-act plays set within the confines of the front seat, the playwright employs his signature plaintive insight to great effect, investigating the inchoate apprehension that surrounds the steering wheel. Each of these seven brief vignettes explore the ethos of perception and relationship--from a make-out session gone awry to a kidnapping thinly disguised as a road trip, a reconnaissance mission involving the rescue of a Nintendo 64 to a daughter's long ride home after her release from rehab. The result is an unsettling montage that gradually reveals the scabrous force of words left unsaid while illuminating the delicate interplay between intention and morality, capturing the essence of middle America and the myriad paths which cross its surface.

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    Rich in characterisation and feeling, Mother of Pearl, and the timely issues it raises, will generate discussion amongst readers everywhere.

    She’s transformed her rundown outback property, The Springs, into a successful artists’ retreat; she’s won a distinguished art prize, and she’s living with her soulmate, trail-blazing grazier Heath Blackett.But the chance discovery of a portrait of her father, renowned artist Jim Larkin, makes her question everything. How could it have been drawn just weeks ago when Jim has been dead for years . . . Or so she thought.Could her father still be alive? Can she track down the man in the picture? And is this connected to the missing gold buried by her ancestor over a century ago?Her search for answers will draw Nina into a maze of family secrets – just as the man who stepped out of a portrait arrives at her door . . .Alice Campion is the pseudonym for four members of a Sydney book club. Their first novel, The Painted Sky, also features Nina, Heath and the captivating landscape of outback Wangalla.

    Meanwhile, all's not well on the unassuming Midwestern streets of Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.

    Her mother, Alyssa Buchanan, is wild with rage and regret for placing her trust in her husband Seth, a former pro surfer who has a drug problem. Seth is adamant that he was clean the night of Nevaeh’sdeath, yet a dirty drug test contradicts his story. His parental rights ripped and criminal charges looming, he battles to prove his innocence, love, and family devotion. Adding to the couple’s grief, their five-year-old daughter Daisy hasn’t uttered a word since her sister’s death. Alyssa turns to childhood friends and local police officer, Greg Wallace, for comfort and support. Although Greg portrays heroic devotion and justice, inwardly he swims with loss, narcissism, and explosive rage. He has long despised Seth and is more than willingto meet Alyssa’s needs that reach far beyond friendship.Into this fragile scene steps therapist Katherine Middlebrook. Her practice consumes nearly all her time–time that is even more precious now that her mother’s cancer has returned. She hesitantly accepts three new clients­–Greg Wallace, and Seth & Alyssa Buchanan, unaware oftheir intertwined history. Buried deep in Katherine’s past is the loss of her own child. She’s sure she can keep the boundaries of her past and her clients’ lives clear until their intersecting tragedies awaken old demons.An award winner in the South West Writer’s Contest for literary and mainstream novel, Out of Breath is an exploration of parental grief, addiction, compassion fatigue, and suicide; it’s the prodigal story of grace undeserved. Salluce’s expertise as a psychotherapist and grief specialist enables her to create dynamic characters that will leave you breathless as you jeer their shadow sides and cheer their heroic journeys.